David cottington (100 Ergebnisse)

Sprache: Englisch
Verlag: Cambridge University Press (edition First Edition), 1998
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Paperback. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

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Paperback. Zustand: Good. Cubism, perhaps the seminal art movement of the twentieth century, is also one of the most complex. It was the product of the decade before the outbreak of war in 1914. France, during this period, was torn by intercity class and international tensions, caught between excitement over the experience of modernity and anxiety about its consequences. Analyzing paintings by Picasso, Braque, Robert and Sonia Delaunay and their associates, David Cottington describes how the artistic avant-garde, and Cubism within it, were formed by that turbulent and complex moment.…

Sprache: Englisch
Verlag: Cambridge University Press (edition First Edition), 1998
- Softcover
- Erstausgabe
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Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Paperback. Zustand: Good. As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi.…

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paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

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Paperback. Zustand: Very Good. One of a series introducing major movements in modern art to general readers, students and gallery visitors, this text looks at Cubism, perhaps the seminal movement for the arts of the 20th century, and certainly one of the most complex. Divided between the annual public exhibitions or the emerging network of private galleries, between French and immigrant artists, it was also the product of the decade before the outbreak of war in 1914. Behind the cliched image of "la belle epoque" France was torn by inter-class and international tensions, caught between excitement over the experience of modernity and anxiety about its consequences. The book describes how the artistic avant-garde, and Cubism within it, were formed by that turbulent and complex period. Analyzing paintings by Picasso, Braque, Robert and Sonia Delaunay and their associates, the author traces their exploration of the conventions of pictorial representation in the interests both of reflection on the experience of modernity, and of critical resistance to its seductions. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

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Paperback. Zustand: Very Good.

The Avant Garde: A Very Short Introduction
David Cottington (Professor of Art History, Kingston University London)
Sprache: Englisch
Verlag: Oxford University Press, United Kingdom, Oxford, 2013
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Paperback. Zustand: Very Good. 'The avant-garde' is perhaps the most important and influential concept in the history of modern culture. For over a hundred years it has governed critical and historical assessment of the quality and significance of an artist or a work of art, in any medium-if these have been judged to be 'avant-garde', then they have been worthy of consideration. If not, then by and large they have not, and neither critics nor historians have paid them much attention. In short, modern art is and has been whatever the 'avant-garde' has made, or has said it is. But very little attempt has been made to explore why 'the avant-garde' carries so much authority, or how it came to do so. What is more, the term remains a difficult one to define, and is often used in a variety of ways. What is the relation between 'the avant-garde' -- that is, the social entity (the 'club') -- and 'avant-garde' qualities in a work of art (or design, or architecture, or any other cultural product)? What does 'avant-gardism mean? Moreover, now that contemporary art seems to have broken all taboos and is at the centre of a billion-pound art market, is there still an 'avant-garde'? If so, what is the point of it and who are the artists concerned? In this Very Short Introduction, David Cottington explores the concept of the 'avant-garde' and examines its wider context through the development of western modernity, capitalist culture, and the global impact of both. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Sprache: Englisch
Verlag: Oxford University Press, 2013
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Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 2013
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Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 2013
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