dave fraser (10 Ergebnisse)

Zustand: Very Good. Feasey, Dave (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Zustand: Fine. 1st Edition. JOURNAL. A nice, clean copy. A fine copy, but for very light curling on lower-right corner. Although not marked in any such way, this book came from the library of poet and literary critic J.D. McClatchy, from his estate in Stonington, Connecticut.

Soft cover. Zustand: Good. David Biggs; Gordon Linley (illustrator). 1st Edition. the wraps are a bit shelf rubbed.tanning.no inscriptions.well bound.good copy.[S.K]. Our orders are shipped using tracked courier delivery services.

Paperback. Zustand: Used; Good. Feasey, Dave (illustrator). Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Damaged cover. The cover of is slightly damaged for instance a torn or bent corner.

Soft cover. Zustand: Very Good. David Biggs; Gordon Linley (illustrator). 1st Edition. The wraps are a bit shelf rubbed.Internally clean and tightly bound.EK. Our orders are shipped using tracked courier delivery services.

Soft cover. Zustand: Very Good. David Biggs; Gordon Linley (illustrator). 1st Edition. The wraps are slightly shelf rubbed.Internally clean.Tightly bound.[R.K]. Our orders are shipped using tracked courier delivery services.

Soft cover. Zustand: Good. David Biggs; Gordon Linley (illustrator). 1st Edition. The wraps are a bit shelf rubbed.Mild tanning.No inscriptions.Well bound.EK. Our orders are shipped using tracked courier delivery services.

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Nurney, Dave (illustrator). First edition. 1st 1996. Very good condition in a very good dustwrapper. Individual sightings of rare birds in Britain are presented in diary style. for the years between 1958 and 1994. Fascinating reading for bird-lovers. B/w illustrations. Bumping and wear to spine and corners. Page edge browning. Wrapper is edge-creased with a few marks. Packaged with care and promptly dispatched!

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 555 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.