Produktart
Zustand
Einband
Weitere Eigenschaften
Gratisversand
Land des Verkäufers
Verkäuferbewertung
Verlag: Berghahn Books, 2011
ISBN 10: 1845457005ISBN 13: 9781845457006
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Intellect Ltd, 2012
ISBN 10: 1841505692ISBN 13: 9781841505695
Anbieter: medimops, Berlin, Deutschland
Buch
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Verlag: Indiana University Press 2018-05-01, Bloomington, 2018
ISBN 10: 0253033624ISBN 13: 9780253033628
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.
Verlag: Indiana University Press, 2018
ISBN 10: 0253033624ISBN 13: 9780253033628
Anbieter: Monster Bookshop, Fleckney, Vereinigtes Königreich
Buch
Hardcover. Zustand: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Verlag: Indiana University Press Mai 2018, 2018
ISBN 10: 0253033624ISBN 13: 9780253033628
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Neuware - During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In Screening Transcendence, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933-1938) developed two overlapping industries: 'Aryanized' films for distribution in Germany, its largest market, and 'Emigrantenfilm,' which employed émigré and Jewish talent that appealed to international audiences.Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences.Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation.
Verlag: INDIANA UNIV PR, 2018
ISBN 10: 0253033624ISBN 13: 9780253033628
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. Über den AutorrnrnRobert Dassanowsky is Professor of German/Austrian Studies and Film at the University of Colorado, Colorado Springs. He is author of Austrian Cinema: A History, and editor of World Film Locations: Vienna, .
Verlag: Gale Group, 2000
ISBN 10: 0787639869ISBN 13: 9780787639860
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USA
Verbandsmitglied: IOBA
Buch
Hardcover. Zustand: Good. Prompt shipment, with tracking. we ship in CLEAN SECURE BOXES NEW BOXES Languages and Reference: GOOD SCHOOL EX-LIBRARY HARDCOVER REFERENCE BOOK WITH POCKET, STAMPS AND LABEL AND LIBRARY NOTATIONS ELSE CLEAN PAGES, THREE VOLUMES, TIPS BUMPED, PROMPT SHIPPING WITH TRACKING.
Verlag: North Carolina, London : McFarland & Company, Inc. Pub., 2005
Anbieter: Antiquariat Bäßler, Vohenstrauss, Deutschland
Buch
322 S.; Ill. Buch in guter Erhaltung, Einband sauber und unbestoßen, Seiten hell und sauber, Sprache: Englisch Sprache: Englisch Gewicht in Gramm: 860 4° (25-35 cm), O.Pb.; ohne Schutzumschlag.
Verlag: Rough Weather Press, Los Angeles, 1986
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
Softcovers. Zustand: Very good+ condition. First editions. Rohwedder was a Los Angeles magazine for literature and art founded in 1986. Counting Volume Zero, the "dress rehearsal" for a magazine concerned with under-representation of the multitude of foreign cultures present in Los Angeles in favor of generally Eurocentric culture policies in Los Angeles, a total of eight issues were published. Contributions in foreign languages were presented in the original as well as English translation. Rohwedder Volume Zero: Published by H. J. Schacht, editors Nancy A. Antell and Colin McLeod. Reproduction of drawing by H. J. Schacht on cover. 1986. Octavo. 16pp. Original illustrated stiff wraps with black lettering on cover. The selection of contributions in volume Zero included "The President's Statement" by Colin McLeod, "Anti Apart Hate Art" by Michelle Clinton, pure criticism of that Eurocentric culture by Robert Harris, early environmental concerns in the centerfold illustration "Urban Blue Plates (A Polar Fantasy)" by Barry Markowitz, and Salvadoran poetry by Hildebrandt Juarez and Joaquin Meza, translated with a contribution on Salvadoran poetry by Ruben Martinez. Rohwedder Volume 1. 1986. Octavo. 32pp. Original illustrated glossy white stiff wraps with black lettering on covers. Now published by Schacht and Antell. Title page with: "editorial tic mantic romantic eddy memorial you yum rhetorical cal i methodical him ham therefore she he all September fall just as any other year editorial me. The next issue will be about, from, for and probably against LA." Contains Salvadoran and Lithuanian poetry, illustrations by Julie Overski and Sergio Zenteno. Ruben Martinez had joined as contributing editor. Design, including cover by Sergio Zenteno. Faint staining on front cover. Rohwedder Volume 2, 1987: Octavo. 42pp. Original photo-illustrated stiff wraps with yellow lettering. Illustrated with photographs, including cover by Carol Cetrone with centerfold by Sergio Zenteno. Art director: Kevin Hosman. Colin MacLeod had left as contributing editor. Contributions by Sesshu Foster, Elia Arce, Lyn Lifshin, Julien Foreman, Joanna Warwick, Stanislaw Baranczak, Colin MacLeod, Ruben Martinez and others. Includes illustrated letter from Wieland Schmidt, Kiel. Back cover with addition to imprint: Rough Weather Press. Rohwedder Volume 3. The Latin America Issue. Spring 1988. Quarto. (1) 38 (1)pp. Original stiff wraps with photomontage by Julien Foreman on covers, black and gray lettering. Imprint and biographies printed on bound in half-pages at front and back. With contributions by Juan Felipe Herrera, Manlio Argueta, Ruben Martinez, Gaspar Aguilar Diaz, Roque Dalton, Elia Arce, Alberto Blanco, Victor Valle and others. Illustrated with reproductions of paintings by Augusto Crespin, Thomas Kidd, Michel Aguilar, Su Knill, drawings by Yuske Inoue, and photographs by Ruben Martinez, Palo Martin, Amador Teran, Gary Douglas, Antonio Turok and Carol Cetrone. Layout. design and typesetting by Julien Foreman. Rohwedder Volume 4: Issue featuring German, European and local artists and writers. Fall 1988. Quarto. 48pp. The most ambitious issue yet. It features the first publication of Sarah Kirsch poetry in the USA in English, contributions by Peter Schneider on the subject of immigrants, poetry by Eugenio de Andrade, translated and introduced by Alexis Levitin, Berlin artist Rafael Rheinsberg and his pseudo-archaeological aesthetics, poetry by Ursula Krechel, Halina Poswiatkowska, Pia Tafdrup, Fr. Benedict Auer, and Reiner Kunze, an interview with Eric Trules, photographs by Christian Jungeblodt, drawings by Ricardo Garcia, photographs and a painting by Kain Karawahn, among others. The issue includes reviews of the Anselm Kiefer exhibition at MOCA as well as a review of the MOCA staging of"The Mission" by the Kitchen Collective. Layout and design by Ricardo Garcia. The magazine now distributed in Los Angeles bookstores. Rohwedder Volume 5: The issue internally referred to as "the bridge issue," not only because of the twelve reproduction of photos of Los Angeles bridges by Julien Foreman but for the spirit among editors and contributors to created a wide-ranging, international texture with this publications. Spring 1990. 48pp. The contributions include works in French, Spanish, German and a translation from Bengali. It includes artwork by three members of the Costa Rican art group Clima Natal and a cartoon short story by LA-based Japanese artist Rika Ohara"Madame Butterfly Meets Fatman," the story of the detonation of the nuclear bomb over Nagasaki. Design by Nancy Antell and H. J. Schacht.Cover design by Bruce Licher. Rohwedder Volume 6: The Los Angeles Issue. Summer/Fall 1991. Contributions by Luis Alfaro, Wanda Coleman, Cheta Martinez, Laurel Ann Bogen, Terry Wolverton, Ruben Martinez on the LA Poetry Scene, Bruce Wright's photos of LA graffiti by"The Phantom," Florence Bonneville drawings, architectural graphics by Charles Crawford, and photographs by Carol Cetrone, Nina Chierichetti, Julien Foreman andKain Karawahn. Design by Julien Foreman. The first issue supported by a grant from the Los Angeles Cultural Affairs Department. Rohwedder Volume 7: The Feminist Issue. Spring/Summer 1992. Design by Julien Foreman. "About this issue: When we originally envisioned it we wanted to present"new" feminist theory, but soon realized that there is no one feminist theory. This issue presents different voices from all age groups and many areas of the country, expressing their visions of feminisms by way of language-oriented poetry, performance pieces, goddess-based poetry, radical feminisms, traditional storytelling, and post structuralism." (Editors). Text in translation if not English and the original language. Volume Zero with light sunning of cover.