Paperback. Zustand: Good. No Jacket. Chestney, Lillian (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Chestney, Lillian (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: University of Virginia, 2006
Anbieter: Paradou Books, Richmond, VA, USA
Magazin / Zeitschrift
Soft cover. Zustand: Near Fine. Softcover, 274 pgs. Includes a VQR Portfolio ( The Holocaust: Remembrance and Forgetting"), a symposium on a Lost Poem by Robert Frost (featuring Frost's unpublished poem, "War Thoughts at Home"), nonfictio, criticism, fiction, poetry and humor. Near fine, with very minimal wear.
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USA
Verbandsmitglied: IOBA
Paperback. Zustand: Very Good. Chestney, Lillian (illustrator). Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good.
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USA
Verbandsmitglied: IOBA
Paperback. Zustand: Very Good. Chestney, Lillian (illustrator). Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good.
EUR 25,83
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 480 pages. 8.75x6.00x1.25 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 67,30
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 432 pages. 8.75x5.75x1.00 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 136,84
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 432 pages. 9.00x6.00x1.25 inches. In Stock.
Verlag: The Kitchen / Haleakala, Inc. New York, NY, 1975
Anbieter: Specific Object / David Platzker, New York, NY, USA
43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.
Verlag: Enrico R Comi, 1988
Anbieter: castlebooksbcn, Barcelona, B, Spanien
Magazin / Zeitschrift
Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. INDEX3/6 Enrico R. Comi: Tre poesie / Three poems9/14 Dan Graham: Homes for America / Case per l'America42 Jonathan Borofsky:Works / Lavori44/45 Robert Kushner:A text / Un testo48/57 Serge Gavronsky:Night Passages (English) / Night Passages (Italiano)66/67 Arcangelo:Un testo /A text71/77 Gayle Ridinger:From "The Prose of Other People's Lives" / Da "The Prose of Other People's Lives"84/85 Gaetano Grillo:Un testo / A text88/92 Giusi Busceti:Tre poesie / Three poems96/97 Patricio Cabrera:Un texto / Un testo100/109 Pedro Fiori:De El Infierno / Da l'Inferno116 Enrico R. Comi:XLIII Biennale di Venezia136 Pierpaolo Calzolari:Lavori / Works138/140 Jean-François Bory:Comme / Come142/144 Michelangelo Pistoletto:Un testo / A text148/150 Barry Schwabsky:Two poems / Due poesie153/157 Silvio Giussani:Tre poesie / Three poems162/166 Hans Raimund:Zwei Gedichte / Due poesie.
Verlag: Exit Art New York, NY, 1993
Anbieter: Specific Object / David Platzker, New York, NY, USA
12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.