dalbret jeanne (11 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2016. paperback. . . . . . Books ship from the US and Ireland.

In-8 - br. 558 pp.

No Binding. Zustand: Very Good. A splendid antique, very high quality lithographic portrait, printed in 1830. Mounted/matted and ready to frame. Attractive and decorative.

No Binding. Zustand: Very Good. Clouet (illustrator). A splendid antique monochrome sepia lithographic portrait, taken from the original chalk drawings by Jean/Janet Clouet in the early 16th century. Mounted/matted and ready to frame. Attractive, very unusual, scarce and decorative. Printed in 1875. Jeanne d'Albret was a key leader in the Huguenot party in France in the 16th century. Her son became King of France, though he abandoned his mother's Protestantism in assuming the throne.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

0. Sprache: Deutschu.

268; 264 S. In 1 Hldrbd. m. hs. Rsch.Rücken leicht angerissen. Einbd etwas berieben. Vors. etwas gebräunt. Sprache: Französisch.

Contemporary vellum covers. 12mo. 7¼'' x 4¾''. Contains illustrated title, 447 pp, frontiespiece of Georgette de Montenay (1567) by Pierre Woeiriot. The Prefatory and Back Matter are reproduced from a copy in the Bodleian Library by Alison Adams. Georgette de Montenay's work occupies a particularly important position in the history of emblems: firstly, of course, it was written by a woman, and secondly that woman was a member of the Reformed (Calvinist) faith. Indeed Montenay claims that her book gives us the first Christian emblems ('.je croy estre premier chrestiens'). This claim needs to be taken in the context of Montenay's position among Protestants, who at this period, had undergone some kind of personal conversion, 'Renez par l'Evangile'. Earlier emblematic works are of course also Christian, often very overtly so, if not in quite the same way (e.g. Claude Paradin's Devises heroiques (Lyons:, 1551; 1557). Nevertheless, Montenay's Emblemes mark the beginning of the systematic exploitation of emblems for religious propaganda. It is also the first emblem book to use incised engravings (by Pierre Woeiriot) rather than woodcuts for the picturae. It is distinctive for the way in which it calls on the reader to recognise and often complete biblical allusions, both verbal and visual. This edition of 1619 printed in Frankfurt in which, although French resumes its position beneath the pictura, a second Latin version is added, as well as versions in Spanish, Italian, German, English and Dutch (a different version from that by Anna Roemers Visscher). This edition is found with title pages in all these languages apart from Dutch. Notable is the fact that the same engravings are used in the three editions, so the plates must have been transported first from Lyons to Zurich and subsequently to Frankfurt. The 1567/1571 edition is reissued in La Rochelle, a notable Protestant centre, in 1620. Illustrated title, 100 engraved emblems in text by Pierre Woeriot, most printed recto only, Page 102 does not have the modified version of emblem 18 pasted over the original, showing the phallic symbol. Pages 242-244 and emblem 53 mis-placed after page 248. Emblem 55 to page 250 incorrectly labled as emblem 56, and misplaced after page 256. Front joint exposed. Member of the P.B.F.A. LITERATURE BEFORE 1800.

Zustand: Sehr gut. Format (Platte): 30 x 22 cm. Blatt: 48 x 36 cm. *Jeanne III. von Navarra, besser bekannt als Jeanne dAlbret (* 7. Januar 1528 in Pau, Aquitanien, Frankreich; 9. Juni 1572 in Paris), war von 1555 bis 1572 Gräfin von Rodez und Königin von Navarra. Sie war um die Mitte des 16. Jahrhunderts eine der umtriebigsten und einflussreichsten Frauen Frankreichs. Als Königin von Navarra betrieb sie die Ausrottung der katholischen Lehre. Sprache: Deutsch Gewicht in Gramm: 2001.