Verlag: Weidenfeld & Nicolson 14.07.1983., 1983
ISBN 10: 0297782231 ISBN 13: 9780297782230
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Taschenbuch. Zustand: Sehr gut. 240 Seiten Frisches und sauberes Exemplar in gutem Zustand. Exemplar aus dem Nachlaß des libertären Dokumentaristen Hans-Dieter Heilmann mit nur sehr wenigen seiner charakteristischen Bleistiftanstreichungen. Contents: British Film History: New Perspectives by Raymond Williams - Film Entertainment as Ideology and Pleasure: Towards a History of Audiences by Philip Corrigan - The Emergence of an Industry by Michael Chanan - State Protection of a Beleaguered Industry by Simon Hartog - The State and the Consolidation of Monopoly by Margaret Dickinson - John Grierson and the Documentary Film Movement by Stuart Hood - The New Road to Progress: The Use and Production of fFIlms by the Labour Movement, 1929-39 by Trevor Ryan - Movies and Mandarins: the official Film adn British COlonial Africa by Rosaleen Smyth - British FIlm Censorship and Propaganda Policy Durign the Second World War by Nicholas Pronay and Jeremy Croft - Rank's Attempt on the American Market, 1944-9 by Robert Murphy - The Context of Creativity: Ealing Studios and Hammer Films by Vincent Porter - The James Bond Films: Conditions of Production by Janet Woollacott - The Post-War Independent Cinema- Structure and Organisation by Simon Blanchard and Sylvia Harvey - Patriotism awith Profit: British Imperial Cinema in the 1930s by Jeffrex Richards - Comedy, Class adn Containment. The British Domestic Cinema of the 1930s by Tony Aldgate - Women, Realism and Reality in British Films, 1943-53 by Sue Aspinall ISBN 9780297782230 Sprache: Englisch Gewicht in Gramm: 518.