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Verlag: Van Nostrand Reinhold Co, 1965
ISBN 10: 0289279895ISBN 13: 9780289279892
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 5,46
Verlag: Arts Council of Great Britain, 1973
ISBN 10: 0140523049ISBN 13: 9780140523041
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 2,59
Verlag: New York Graphic Society, 1970
ISBN 10: 0821203932ISBN 13: 9780821203934
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Greenwich: New York Graphic Society (1970, 1970
Erstausgabe
Zustand: Good. First edition copy. . Good dust jacket. Gifter's inscription on front endpage. In protective mylar cover. (Monuments, Architecture, Europe).
Verlag: Greenwich, 1970
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Many illustrations. 4to, cloth, d.w. Greenwich, Ct., (1970).
Verlag: Studio Vista London - Reinhold Publishing Corporation - New York
Anbieter: Antiquariat Bookfarm, Löbnitz, Deutschland
Buch
Softcover. x11217 Ehemaliges Bibliotheksexemplar mit entsprechenden Merkmalen in gutem Zustand. Sprache: Englisch Gewicht in Gramm: 550.
Verlag: Other, Other
Anbieter: Hoffman Books, ABAA, IOBA, Columbus, OH, USA
Hardcover. Zustand: Very Good. Greenwich, NY Graphic (1970). 127 pages, hardcover, fine copy in somewhat frayed dust jacket.
Verlag: Studio Vista: London. Reinhold Publ. Comp. New York.
Anbieter: Antiquariaat Ovidius, Bredevoort, Niederlande
Zustand: Gebraucht / Used. Reprinted. 1967. Pap. 95pp. Illustr. 8°.
Zustand: Buone. italiano Condizioni dell'esterno: copertina leggermente logorata e leggermente macchiata Condizioni dell'interno: ingiallite da fattore tempo.
Verlag: Pentagram Design, London, 1987
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Erstausgabe
Small 8vo. Wraps with dust jacket. pp 32 (unpaginated). 14 colour and black and white illustrations. Architecture. Very slight rubbing. VG+.
Verlag: Arts Council of Great Britain, 1973
Anbieter: studio bibliografico pera s.a.s., LUCCA, Italien
Brossura. Zustand: ottime. Testo inglese. "A Penguin Special in association with the Arts Council of Great Britain". Cm.19,7x13. Pg.268. Brossura editoriale. Con illustrazioni nel testo. Collana "Pelican Books". 350 gr.
Verlag: Whitefriars Press, UK, 1959
Anbieter: Marcus Campbell Art Books, London, Vereinigtes Königreich
Erstausgabe
Card covers, stapled spine. Zustand: Fair. First Edition. 14 x 18cm card covers, spine/integral dust jacket repaired with masking tape, rear wraparound flap present. An edition of 1,000 copies.Faint inscription on front cover.
Verlag: Whitechapel Gallery, London, 1956
Anbieter: Flat & Bound c/o Integral Lars Müller GmbH, Zürich, Schweiz
Buch
Softcover. Zustand: Sehr gut. Wright, Edward (illustrator). Exhibition catalog ((Whitechapel Gallery, August 1956), spiral binding, edition of 1300. Size: 16 x 17 cm, 128 p. Condition: very good, with minimal signs of age and use on the cover, single spot inside.
Verlag: Whitefriars Press, London
Anbieter: Flat & Bound c/o Integral Lars Müller GmbH, Zürich, Schweiz
Magazin / Zeitschrift
Softcover. Zustand: Gut. Zustand des Schutzumschlags: Leichtere Gebrauchsspuren. Edition of total 5 volumes: vols. 1-4 in an ed. of 1,000, vol. 5 in an ed. of 1,500. Rare. Size: 17.5 x 14 cm, unpaginated. Language: English. Condition: clear signs of age and use on the covers, vol. 3 with loose front cover. Restoration by the buyer is recommended.
Verlag: Whitefriars Press, London, 1958
Anbieter: Thomas A. Goldwasser Rare Books (ABAA), CHESTER, CT, USA
Erstausgabe
First edition. Original printed wrappers with splits; tape repairs at ends of the spine, internally very good.
Verlag: Whitefriars Press, London, 1961
Anbieter: Marcus Campbell Art Books, London, Vereinigtes Königreich
Erstausgabe
First Edition. 18 x 14 cm 62 pp with b&w illustrations. Features 'Notes on Communication' by Tomas Maldonado and street photography by Roger Mayne. Wrappers with flaps, creased on spine, light wear and marks to cover, lacks 5mmat top of spine. Edition of 1,500 copies.
Verlag: Whitefriars Press, UK, 1958
Anbieter: Marcus Campbell Art Books, London, Vereinigtes Königreich
Erstausgabe
Card covers. Zustand: Very good in wraps. First Edition. 14 x 18cm very good card-covered publcation featuring photographs by Nigel Henderson, Nathan Rosenberg plus others. A magazine devoted to print and to the synthesis of the arts.This issue features notes for a lecture given by Eduardo Paolozzi at the ICA in 1958. .
Verlag: Pentagram, London, 1983
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Erstausgabe
Small 8vo. pp [24]. Original publisher's blue covers, lettered white. Signatures of well-known people in the arts. Very slight fading, otherwise clean, very good.
Verlag: Whitefriars Press Ltd., London., 1958
Anbieter: Sims Reed Ltd ABA ILAB, London, Vereinigtes Königreich
Fotografie
8vo. Original printed wrappers, rear cover detached, otherwise good. Between 1953 and 1962, while establishing his own architectural practice, Theo Crosby acted as Technical Editor of Architectural Design magazine, which was seeking to bring a more youthful, vital and progressive approach to the subject than the previously dominant Architectural Review. Whilst at Architectural Design, Crosby attached himself to the Institute of Contemporary Arts (ICA) in London, attended meetings of the Independent Group there, and was particularly impressed by the group's discussions of the impact of mass communication and information theory on architecture and design. It was Crosby who suggested, and steered to completion, what would be the Independent Group's swansong - the watershed exhibition This Is Tomorrow at London's Whitechapel Gallery. In Architectural Design Crosby wrote that the exhibition was "evidence of attempts towards a new sort of order, a way towards that integration of the arts that must come if our culture is not merely to survive, but come truly to life". Whilst Crosby is renowned for his work at AD and later the architectural practice of Pentagram, he was also to edit the little-known arts magazine Uppercase. . "UPPERCASE is a journal of the graphic arts; it will deal with the whole field of visual communication, and if some of the connections are tenuous, then the reader must bridge the gap with his own experience and imagination . In UPPERCASE we will try to find a correlation between the arts, and attempt to relate them specifically to print. The method will generally be to take a mass of material from an artist and present a typographical equivalent; each issue will thus be an experiment in type within the same overall format." (From Crosby's preface to this, the first issue). Understandably it is the work of the Independant Group artists which feature in the pages of UPPERCASE. In the first issue, the lead content is on Eduardo Paolozzi (about 30 pages of notes, illustrations and photographs). Also includes contributions by artists David Piper, Magda Cordell and John McHale.
Verlag: Whitefriars
Anbieter: Antiquariaat Looijestijn, Rotterdam, Niederlande
1958 app. 70 pp With dedication from Eduardo Paolozzi to Edouard Roditi (Poet and art critic). The first issue of Theo Crosby's seminal avant-garde art, design and architecture journal Uppercase. The lead editorial content comes from Eduardo Paolo.
Verlag: London, 1959
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
Buch
Hardback. Zustand: Good. This is a bound volume, large format, containing the issues for January to December 1959, title label to spine, strong binding tight and clean, a heavy volume, with illustrations throughout, the issues have been bound without their original covers and without advertisement, if it was present. Very interesting item, a great period piece Language: English Weight (g): 2600.
Verlag: Institute of Contemporary Arts London and Tillotsons, 1963
Anbieter: Versand-Antiquariat Konrad von Agris e.K., Aachen, Deutschland
Buch
8° Broschur. Zustand: Sehr gut. 108 Seiten Buch ist in einem sehr guten Zustand. Einband minimal berieben, Papier in sehr gutem Zustand. . Als Versandart wählen wir immer eine schnelle Option (in Deutschland Brief oder DHL-Paket, ins Ausland Warenpost oder DHL-Paket). Preis inkl. MwSt. Sprache: Deutsch Gewicht in Gramm: 255.
Erscheinungsdatum: 1963
Anbieter: Anthony C. Hall, Bookseller ABA ILAB, Isleworth, MIDDX, Vereinigtes Königreich
Paperback. Near fine copy.
Verlag: London: Institute of Contemporary Art, 1963
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
Buch
Paperback. Zustand: Good. 107p laminated paperback, binding firm, slight bump to top corner, faint soiling to cover edge but in really good condition, extremely rare English art review magazine planned to complement the activities of the ICA, features Kline, Cardew, Danish Art, Nesjar et al Language: English.
Verlag: Pentagram Design, London, 1987
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Erstausgabe
8vo. pp [24]. Original publisher's illustrated black covers, lettered white on the front cover. The model was shown at the Royal Academy in 1987. Copiously illustrated in colour and black and white throughout. VG+.
Verlag: Crosby/Fletcher/Forbes, Pentagram, London., United Kingdom, 1966
Anbieter: Flat & Bound c/o Integral Lars Müller GmbH, Zürich, Schweiz
Softcover with dustjacket. Crosby/Fletcher/Forbes, Pentagram, London. Pages 56. Size: 30 x 21.2 cm Some signs of age and use, especially in the dustjacket, otherwise good.
Verlag: Crosby/Fletcher/Forbes, Pentagram, London., United Kingdom, 1966
Anbieter: Flat & Bound c/o Integral Lars Müller GmbH, Zürich, Schweiz
Softcover with dustjacket. Crosby/Fletcher/Forbes, Pentagram, London. Pages 48. Size: 29.9 x 21.1 cm Single signs of age and use, otherwise good.
Verlag: The Institute of Contemporary Arts 1963 / 1964, London, 1963
Anbieter: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Vereinigtes Königreich
Wraps. Zustand: Very Good. In 3 volumes. Issues 1, 2 and 3 (all published). 107; 127; 128 pp. Colour laminated wrappers. Minor wear & bubbling to covers. All internally clean. No ownership marks. Numerous black & white illustrations. Adverts at rear of each issue. Printed by Tillotsons. Square 8vo. Magazine / Journal.
Verlag: Whitechapel Gallery, London, 1956
Anbieter: Worlds End Bookshop (ABA, PBFA, ILAB), LONDON, Vereinigtes Königreich
Erstausgabe
First edition, first printing, one of only 1,300 copies printed by Print Partners in offset litho. Original royal blue card covers with 'this is tomorrow' in brown and white lettering to front. Ring-bound, with just the bottom coil a touch wonky. Covers slightly soiled, rubbed at extremities and one corner creased. No old inscriptions. Square format. Illustrated. Unpaginated, then 20 pages of advertisements at the back. Scarce catalogue for the post-war show held at the Whitechapel Art Gallery from August 9 to September 9 1956 which featured 12 exhibits made up of collaborations between a variety of architects, painters, sculptors, and other artists. These included Alison and Peter Smithson, Richard Hamilton, Eduardo Paolozzi, Victor Pasmore, Reyner Banham, Victor Pasmore, Erno Goldfinger, Toni del Renzio, and others. The show's most memorable exhibit was created by Group 2 (Richard Hamilton, John Voelcker and John McHale, with help from Magda Cordell and Frank Cordell) which included the instalment titled 'Just what is it that make's today's home so different, so exciting?'. Book.
Verlag: Fribourg/Suisse: Office du Livre, 1972., 1972
Anbieter: Antiquariat Im Seefeld / Ernst Jetzer, Zürich, Schweiz
Unpag., octavo, brochure, with b/w and colour ill. / Unpag., 8°, Frz, Broschur, mit s/w und farbigen Abb. Cover with very slight traces of wear, otherwise fine / Einband mit sehr geringen Gebrauchsspuren, sonst sehr gut. - - - BITTE BEACHTEN SIE: Auf Grund der besonderen Versandkostenvorgaben von AbeBooks und ZVAB (der Preis richtet sich nicht nach Gewicht, sondern nach Anzahl der Artikel), kann es bei schwereren oder mehrbändigen Werken zu höheren Portokosten kommen. BEI UNSICHERHEIT FRAGEN SIE UNS BITTE ZUVOR AN. - - - PLEASE NOTE: Because of AbeBooks' and ZVAB?S special requirements for shipping fees (price is per item, not per weight) shipping charges may be higher with heavy books or when comprising several volumes. PLEASE CONTACT US BEFOREHAND IN CASE OF UNCERTAINTY. - - - 900 g 1.