creekmur mokdad (6 Ergebnisse)

Zustand: New. pp. 288.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2013. Reprint. Paperback. The musical is one of cinema's few genuinely international genres but it has never been studied as a global sensation. This book fills this critical gap in film studies as it brings together musicals from 15 nations in order to highlight running themes. Editor(s): Creekmur, Corey K.; Mokdad, Linda Y. Series: Traditions in World Cinema. Num Pages: 288 pages. BIC Classification: APFN; AVGM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 159 x 16. Weight in Grams: 426. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. reprint edition. 274 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. The musical is one of cinema s few genuinely international genres but it has never been studied as a global sensation. This book fills this critical gap in film studies as it brings together musicals from 15 nations in order to highlight running themes.

Taschenbuch. Zustand: Neu. Neuware - ENDORSEMENTS 'This groundbreaking new anthology proves once and for all that Hollywood is not synonymous with film musicals. From Brazil to the UK, Russia to India, these lively essays reconsider what 'musicals' are or can be made to be. A refreshing and most welcome addition to the new scholarship on musicals.' Caryl Flinn, Professor of Screen Arts and Cultures, University of Michigan The musical is not only one of Hollywood's best-known forms, but one of cinema's few genuinely international genres. Yet the film musical in world cinema remains largely unknown outside the local or regional contexts in which it has often thrived. The International Film Musical is the first comparative consideration of the musical's role within national cinema traditions. The musical has often functioned as an explicitly local or national form, drawing upon distinct 'native' rather than 'international' traditions. At the same time, it has frequently imitated or been influenced by Hollywood models, resulting in its easy dismissal as culturally 'impure'. As this book emphasises, film musicals vividly demonstrate the creative and ideological tension between promoting and abandoning traditional cultural forms and styles. This dynamic between local and global elements is at the heart of international film musicals, acknowledging the dominant Hollywood model while claiming their own cultural specificity.