crane jean (18 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. George Herbert; H.A. Overstreet; David Grayson; Nathaniel Hawthorne (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good+. First. 12mo. Curl to book. Book.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Very Good - Fine. Zustand des Schutzumschlags: Very Good. John Goodwin (cover head design) (illustrator). First Edition. A 1st edition (stated) of a Zero Press collection of new writings of "distinguished" writers from the mid 1950s - Le Diable Et Le Bon Dieu, play excerpts and resume from Nekrassov, a play by Jean Paul Sartre, Where do We Go From Here, a discourse by Colin Wilson, The Smeraldina's Billet Doux, a story by Samuel Becket, Children's Cradle Songs, a lecture by Federico Garcia Lorca, A Moment of Green Laurel, a story by Gore Vidal, Lenses, a poem by Hart Crane, and others. Tan cloth boards with red lettering. Light edge with with a tad of fading to the DJ. A very good copy.

Zustand: Used - Very Good. VG paperback. New edition. A bright copy in tight binding Used - Very Good. VG paperback.

Softcover. Zustand: Fine. First edition. Glossy wrappers. Tiny crease on front cover, else fine. Laid in is a note from the publisher informing the subscriber of a printer's error in the issue sent and offering this corrected issue. Contains the first appearance of "Bright Stones: An Exchange of Letters" [correspondence of Jean Toomer and Hart Crane], with an introduction and notes by Langon Hammer. Additional contributions by John Hollander, Robert Bly, and more.

Soft cover. Zustand: Fine. 1st Edition. 143 pages : chiefly illustrations (chiefly color) ; 19 cm ; ISBN 9780712357500, 0712357505 ; OCLC 890393323 ; color pictorial stiff paper wrappers ; A visual celebration of the mystery and magnificence of cats, from charming kittens and affectionate families to bold hunters and battle-scarred toms. More than one hundred illustrations from a huge range of sources depict cats at play, in riotous rooftop conclaves, poised in fashion-plate elegance, and enjoying ludicrously convivial tea parties. It features illustrations by such beloved artists as Arthur Rackham, Gustave Dore, Louis Wain, Kate Greenaway, and many others ; Book.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. liv, 1076 pages ; 23 cm ; ISBN 9780195020588, 0195020588 ; OCLC 2513358 ; blue cloth in dustjacket ; An anthology of poems by American poets from Taylor and Bradstreet to Plath, Ginsberg, and Ashbery, reflecting the traditions and achievements of three centuries ; Contents: The prologue ; The flesh and the spirit ; The author to her book ; Before the birth of one of her children ; To my dear and loving husband ; Some verses upon the burning of our house July 10th, 1666 / Anne Bradstreet Meditation 8 ; Meditation 9 ; Meditation 10 ; Meditation 29 ;Meditation 62 / Philip Pain 8. Meditation. Joh. 6.51. I am the living bread ; 38. Meditation. 1 Joh. 2.1. An advocate with the father ; 112. Meditation. 2 Cor. 5.14. If one died for all then are all dead ; The preface [to God's Determinations] ; Upon a spider catching a fly ; Huswifery ; Let by rain ; Upon a wasp child with cold / Edward Taylor George the Third's soliloquy ; The wild honey suckle ; To an author ; The Indian burying ground / Philip Freneau On being brought from Africa to America / Phillis Wheatley The Hasty-Pudding: Canto I ; Advice to a raven in Russia / Joel Barlow Thanatopsis ; To a waterfowl ; Green River ; The prairies / William Cullen Bryant Each and all /; The problem ; The visit ;r Uriel ; The sphinx ; Alphonso of Castile ; Mithridates ; Guy ; Hamatreya ; The rhodora ; The humble-bee ; The snow-storm ; Woodnotes I ; Woodnotes II ; Ode, inscribed to W.H. Channing ; Give all to love ; Thine eyes still shined ; Merlin I ; Merlin II ; Bacchus ; Xenophanes ; Blight ; Concord hymn ; Brahma ; Nemesis ; Two Rivers ; Waldeinsamkeit ; Terminus ; Compensation ; Song of Seyd Nimetollah of Kuhistan ; Days / Ralph Waldo Emerson Hymn to the night ; The day is done ; The fire of drift-wood ; from The Song of Hiawatha: introduction ; The Jewish Cemetery at Newport ; My lost youth ; Snow-flakes ; Aftermath ; Chaucer ; The tide rises, the tide falls ; The cross of snow / Henry Wadsworth Longfellow Ichabod ; To my old schoolmaster ; Skipper Ireson's ride ; Telling the bees ; My playmate ; Barbara Frietchie ; Snow-bound ; What the birds said ; My triumph ; The lost occasion / John Greenleaf Whittier The deacon's masterpiece ; The chambered nautilus ; Dorothy Q. / Oliver Wendell Holmes A dream within a dream ; Song from Al Aaraaf ; Introduction [to Poems, 1831] ; To Helen ; Israfel ; The city in the sea ; The sleeper ; The haunted palace ; The Coliseum ; Sonnet-Silence ; The conqueror worm ; Dream-land ; The raven ; Ulalume-A ballad ; Eldorado ; For Annie ; Annabel Lee / Edgar Allan Poe The columbine ; The new birth; The dead ; The grave-yard ; Thy brother's blood ; The new man; The clouded morning ; The trees of life ; I was sick and in prison ; Yourself ; The lost ; The fair morning ; The day of denial ; The lament of the flowers ; The sumach leaves / Jones Very I am a parcel of vain strivings tied ; Light-winged smoke, Icarian bird ; Inspiration ; Within the circuit of this plodding life ; The river swelleth more and more ; Great God, I ask thee for no meaner pelf / Henry David Thoreau The Battle Hymn of the Republic / Julia Ward Howe from A fable for critics ; Emerson ; Bryant ; Whittier ; Hawthorne ; Cooper ; Poe and Longfellow ; Holmes ; Lowell ; from The biglow Papers: the courtin' ; Ode recited at the Harvard Commemoration / James Russell Lowell Come, said my soul ; Song of myself ; A woman waits for me ; Song of the open road ; Crossing Brooklyn Ferry ; On the beach at night ; Me imperturbe ; From pent-up aching rivers ; In paths untrodden ; I saw in Louisiana a live-oak growing ; Out of the cradle endlessly rocking ; As I ebb'd with the ocean of life ; Long I thought that knowledge alone would suffice ; O living always, always dying ; Shut not your doors ; Vigil strange I kept on the field one night ; The wound-dresser ; Give me the splendid silent sun ; When lilacs last in the dooryard bloom'd ; One's self I sing ; To a stranger ; Aboard at a sh; FINE/FINE. Book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. A first (and only?) printing of the true first edition, which was privately printed. Illustrated with black & white photos, line drawings, and maps throughout the text. ***Near fine in blue cloth-covered boards with gilt titles to the spine. No discernible faults. The boards are beautifully clean and unmarked. No bumps or creases. Corners sharp. Page block edges clean. No reading lean to the binding. Spine tight. Internally also near fine with no inscriptions or annotations. Pages clean. No foxing. No creases or tears. The book has a high-quality binding and is printed on nice quality paper. With three integral coloured place mark ribbons. ***In a near fine illustrated dustwrapper, which is unpriced. Also, no discernible faults. Extremities of dustwrapper just very slightly rubbed. No creases, chips or tears. No fading. Dustwrapper bright. ***240mm x 170mm. 385 pages + LXVIII pages of Documentary Appendix. ***'This volume presents a text with extensive commentary, introduction, photographs and other supporting material, of about 300 letters between a boy at Clifton College called Tankred Tunstall-Behrens and his parents, siblings, schoolmasters, during the years 1892 to 1895. The letters offer an immensely detailed, vivid and dramatic exchange that not only covers the events of three years at a Victorian public school but gives a solid impression of the kind of life lived by a well-off middle-class family at the end of the nineteenth century, the interests, attitudes, beliefs, enthusiasms and fears, and the tremendous effort made to keep and hold things in a desired framework, moral, domestic and educational.' (Quote taken from the front flap of the dustwrapper) ***A first (and only?) printing of the true first edition, which was privately printed, complete in its original dustwrapper in extremely nice, bright, clean collectable condition. A good historical document for those researching Victorian private schools and Victorian social history. A beautifully produced heavyweight hardcover book. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Broché. Zustand: Etat moyen. in-8 Description :Pages 481-670. Couverture salie avec des pliures. Langue : Français Nb de volumes : 1.

22 + 2 S. OBrosch. In engl. Sprache. Mit drei farbigen eingeklebten Abbildungen und neun s/w Abbildungen von A. Marquet sowie drei s/w Abbildungen von J. Puy. - Ebd. angestaubt, leicht fleckig, leichte Gbrsp. - Albert Marquet (1875 -1947) war ein franz. Maler. Er gilt als Mitbegründer des Fauvismus. Marquet wechselt 1895 an die Ecole des Beaux-Arts, von der er durch Hans Franz entdeckt wurde. In dieser Zeit lernt er H. Matisse kennen, mit dem ihn seit 1892 eine lebenslange Freundschaft verbindet. Marquet und Matisse arbeiten 1900 gemeinsam an den Dekorationen für den Grand Palais der Pariser Weltausstellung. Aus dieser Zeit stammen auch die ersten Gemälde des Künstlers, die mit ihren dekorativen, starken Farben ganz dem Stilempfinden des Fauvismusentsprechen. Angeregt durch seine Reisen entwickelt Marquet ab 1910 einen sehr persönlichen Stil, mit dem er die Tradition des Impressionismus fortsetzt. (Zitat) - Jean Puny (1876 - 1960) geht 1898 nach Paris. Nach einer enttäuschenden ersten Erfahrung an der Académie Jullian, schreibt er sich an der Académie Camillo ein und tritt Eugène Carrière's Werkstatt bei. Hier trifft er Derain, Marquet und Matisse und mit ihnen freundet er sich an. Zwischen 1899 und 1905, arbeiten sie zusammen entweder in Biette's, Manguin's oder seinem Studio. Mit ihnen - und Camoin, den er 1903 traf -beginnt Puy im Salon des Artistes Indépendants auszustellen (ab 1900), in Berthe Weill's Galerie und im Salon d'Automne (ab 1904). Im Salon d'Automne 1905, rückt die Gruppe, die sich um Matisse geformt hatte - "the cheering element who united our impulses", wie er später Matisse beschrieb - plötzlich in den Mittelpunkt des Intereese, da die Bilder, die vereinfacht in Farbe, Linien und Form einen Skandal hervorrufen. Der Kunstkritker Vauxelles formt den Begriff, mit dem sie bekannt wurden: "Fauves". (Zitat nach Les amis de Jean Puy).

paperback. Zustand: Molto buono (Very Good). . 16mo. pp. 47. . Molto buono (Very Good). . . . Allegati i volumi della stessa collana "Pamphlets on American writers": Erskine Caldwell, Edward Albee, Richard Wright, Kennerth Burke, John O'Hara e H. L. Mencken. Book.

Paris, directeur: André Dalmas. Un volume 24,3x18,3cm broché de 136 pages. Exemplaire numéroté sur bouffant Edita. Bon état. Fondé en 1963 par André Dalmas et Marcelle Fonfreide, Le Nouveau Commerce a compté au total 100 livraisons en 33 années de publication. Composé d'écrivains, philosophes et poètes français ( (144 sur 226 auteurs représentés), le sommaire prestigieux offre aussi un panorama de littérature étrangère par des traducteurs de renom (Roger Caillois, Pierre Klossowski, Pierre Leyris?)Le Nouveau Commerce doit son appellation à la revue Commerce publiée par Paul Valéry, Léon-Paul Fargue et Valery Larbaud dans l?entre-deux guerres, dont il s?est voulu la suite.« Notre propos est de présenter des textes, et des textes de valeur. Nous tenons à le faire sans hiérarchie : dans le Nouveau Commerce, un inconnu peut voisiner avec un écrivain illustre sans que personne s'inquiète des questions de préséances. Nous ne nous soucions pas des modes non plus (?).» Livres.

Wraps. Zustand: Good. Jean St. Thomas (Photographer) (illustrator). Presumed First Edition, First printing. The format is approximately 9 inches by 11.75 inches. [2], 48, [40] pages, including sixteen illustrations in Gravure. Cover has some wear and soiling. Name of a previous owner and date in ink on the fep. Katharine Elizabeth Crane was a note American writer and academic. At the time of publication she was with the Division of Research and Publication at the Department of State. Blair House, also known as The President's Guest House, is an official residence in Washington, D.C., the capital of the United States. The President's Guest House has been called "the world's most exclusive hotel" because it is primarily used as a state guest house to host visiting dignitaries and other guests of the president. Parts of the historic complex have been used for an official residence since the 1940s. Located just across Pennsylvania Avenue from the White House, it is a complex of four formerly separate homes, Blair House, Lee House, Peter Parker House, and 704 Jackson Place. Major renovations of these 19th-century residences between the 1950s and 1980s joined the homes together. It now has 14 guest bedrooms and at 70,000 square feet is larger than the Executive Residence of the White House. Blair House is one of several residences owned by the United States government for use by the president and vice president of the United States; other such residences include the White House, Camp David, One Observatory Circle, the Presidential Townhouse, and Trowbridge House. President Harry S. Truman and his family lived in the original Blair House from late November 1948, to March 27, 1952, during the White House Reconstruction. Truman survived a 1950 assassination attempt at Blair House. It is one of only seven houses to serve as the presidential residence in the history of the United States, and one of only three along with the White House and The Octagon House that still stand. Blair House was constructed in 1824; it is the oldest of the four structures that comprise the President's Guest House. The original brick house was built as a private home for Joseph Lovell, eighth surgeon general of the United States Army. It was acquired in 1836 by Francis Preston Blair, a newspaper publisher and influential advisor to President Andrew Jackson, and remained in his family for the following century. Francis Blair's son Montgomery Blair, who served as Postmaster General in Abraham Lincoln's administration, succeeded his father as resident of Blair House. At a meeting at Blair House on April 18, 1861, Francis Preston Blair Sr. relayed the previous day's offer by Lincoln to Robert E. Lee to command all the Union Forces in the approaching American Civil War. Later that same year, a conference there decided Admiral David Farragut would command an assault on New Orleans. In 1939, a commemorative marker was placed at Blair House by the United States Department of the Interior, becoming the first building to acquire a federally recognized landmark designation; prior landmarks had been monuments and historic sites other than buildings. It would be formally designated a National Historic Landmark in 1973. Beginning in 1942, the Blair family began leasing the property to the U.S. government for use by visiting dignitaries; the government purchased the property outright the following December.

Directeur: François Boddaert. Rédacteur en chef: Henri Thomas. Paris: Association Obsidiane, 1979. Un volume 15,3x21cm agrafé, sous couverture illustrée de Olivier Frénoy, de 56 pages sur papier fort. Bon état. Livres.

Zustand: Good. - Quarto [11-3/4 inches high by 8-1/2 inches wide], three quarters dark green calf & cream-colored cloth titled in gilt between raised bands on the spine. The top edge is gilt; marbled endpapers. There is some rubbing to the leather and the cloth is foxed & soiled. iv & 298 pages. Illustrated with a frontispiece in red & white, 15 plates and profuse illustrations in black & white. The versos of the endpapers, the front & rear blanks and the fore-edge & bottom edge are foxed. There is occasional foxing to the text pages. Good. Among the articles are essays on Walter Crane, Percy Dixon, The Madox Browns, M. Lachenal, H. Granville Fell, Adam Heaton, Jules Cheret, Frank Brangwyn, Jean Dampt, Sir Thomas Wardle, Frederick Walker and Robert Sauber. Also: "Godiva" by Alfred Lord Tennyson illustrated by A. Brennan, "Recollections of William Morris", "The Guild of Handicraft" and "Cornish Painters".The Artist began as a trade magazine without illustrations published by the art suppliers and retailers William Reeves. After a change of ownership in 1894 it was renamed "The Artist Photographer & Decorator: An Illustrated Monthly Journal of Applied Art. It acquired the title listed here in 1897. From then on, it focused primarily on decorative art, with particular emphasis on the Arts and Crafts movement.

14 numéros In-4°, brochés. N° 1 à 14, 1963-1969.Tête de collection. [4887].

2. Aufl., 8°, 248 S. u. Anhang, Spiralbindung, Einbd. lichtrandig, sonst sehr guter, sauberer Zustand. Sprache: Deutsch.