craig david alan (19 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: Very Good. 263 pp., hardcover, minor library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: New. In.

Hardcover. Zustand: Brand New. 280 pages. 10.50x9.00x1.25 inches. In Stock.

Softcover. Zustand: Near Fine. Magazine. Small octavo. Paper wrappers. Sunned along the spine, near fine. A literary anthology with contributions from Harold Witt, Charles Edward Eaton, Daniel Hoffman, David Ignatow, William Matthew, Robert Mezey, Philip Booth, David Wagoner, Dugan Gilman, James Schevill, Ted Kooser, Larry Levis, Stuart Friebert, Dave Etter, Sonya Dorman, Mark McCloskey, Paul Zimmer, David Steingass, Joseph Bruchac, Lyn Lifshin, John Unterecker, Stuart Peterfreund, William Hathaway, Herbert Scott, Terry Stokes, Robert L. Jones, DeWayne Rail, C.G. Hanzlicek, H.L. Van Brunt, James Tipton, David Hilton, Tom McKeown, Wesley McNair, William Witherup, Hale Chatfield, Elton Glaser, James Craig, Alan Soldofsky, Danny L. Rendleman, Rochelle Ratner, Gena Ford, Ian Young, Felix Pollak, Phillip Hey, Robert Hershon, and Carolyn Stoloff.

Pamphlet. Zustand: Very Good. 40pp An interesting Marxist cultural journal, close to CPGB. Includes: Bernard Stevens & Alan Bush on Shostakovich; D Craig "Revolutionary Literature"; Stefan Heym: Exclusive Interview; Lucien Amaral "The Artist as Grave-Digger"; J Green "Days of Hope"; M Chanan "Althusser & Art" etc.

Kartoniert / Broschiert. Zustand: New.

Zustand: New. pp. 422.

Paperback. Zustand: Brand New. 1st edition. 340 pages. 9.25x6.00x1.00 inches. In Stock.

Zustand: New. Taking a historical perspective, this book charts the emergence of poverty reduction and governance at the centre of development. It shows that the Poverty Reduction paradigm marks a shift in the wider liberal project that underpins development. It shows how problems of governing the poor and delivering services are framed in development practice. Num Pages: 352 pages, 8 black & white illustrations, 18 black & white tables, 8 black & white line drawings. BIC Classification: KC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 156 x 19. Weight in Grams: 534. . 2006. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Kartoniert / Broschiert. Zustand: New. Alan W. Shearer, David A. Mouat, Scott D. Bassett, Michael W. Binford, Craig W. Johnson, Justin Saarinen, Alan W. Gertler, Julide KoracinAny alteration of the natural processes occurring on a piece of land will have expected as well as unanticipated .

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 340 | Sprache: Englisch | Produktart: Bücher | This book is among the first to take the poverty reduction paradigm as its central focus. Offering a comprehensive introduction, overview and critique, it traces the emergence of the framework and illustrates its consequences with global case studies.

Zustand: New. Alan W. Shearer, David A. Mouat, Scott D. Bassett, Michael W. Binford, Craig W. Johnson, Justin Saarinen, Alan W. Gertler, Julide KoracinAny alteration of the natural processes occurring on a piece of land will have expected as well as unanticipated .

Gebunden. Zustand: New.

Hardcover. Zustand: Brand New. 1st edition. 422 pages. 10.50x7.50x1.00 inches. In Stock.

Zustand: New. Taking a historical perspective, this book charts the emergence of poverty reduction and governance at the centre of development. It shows that the Poverty Reduction paradigm marks a shift in the wider liberal project that underpins development. It shows how problems of governing the poor and delivering services are framed in development practice. Num Pages: 352 pages, 8 black & white illustrations, 18 black & white tables, 8 black & white line drawings. BIC Classification: KC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 24. Weight in Grams: 680. . 2006. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

Archive of scripts and revision pages for 56 episodes of the detective television series dated variously between 1958 and 1960. Copies belonging to screenwriter Lewis Reed, with his manuscript name on the front wrapper of each episode. 36 scripts contain pink, blue, white, and yellow revision pages, many bound separately and laid in at the rear. Included are screenplays for nearly half of the 114-episode run of the series, starring the sophisticated, sharp-dressed, jazz-loving private eye Peter Gunn, played by Craig Stevens. Probably the only television show to ever rival the best films noir of the big screen, with minimalist dialogue and bleak, open-ended conclusions that challenge even the best of television today. Creator Blake Edwards would use the success of the series to jump start his film career, going on to direct "Breakfast at Tiffany's" (1961) and the "Pink Panther" film series starring Peter Sellers. Noted composer Henry Mancini won an Emmy and two Grammy Awards for the show's well-loved theme song, including the first Grammy ever awarded for Album of the Year. Scripts in Very Good to Near Fine condition. Mimeograph on eye-rest green or white stock.