cooper seth (22 Ergebnisse)

Zustand: Good. Erik Yount (illustrator). Good condition. Book 1. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.

Zustand: Fair. Signed Copy . Inscribed by author Randolph J. May on half title page. Dampstained.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.05.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.05.

Zustand: New. In.

Zustand: New. In.

Zustand: New. pp. 198.

Paperback. Zustand: Brand New. 84 pages. 10.00x7.00x0.19 inches. In Stock.

Zustand: New.

Zustand: New. &Uumlber den AutorrnrnRandolph J. May is founder and President of The Free State Foundation. He has published more than two hundred articles and essays on communications, administrative, and constitutional law topics. Mr. May received his B.A.

Zustand: New. &Uumlber den AutorrnrnRandolph J. May is founder and President of The Free State Foundation. He has published more than two hundred articles and essays on communications, administrative, and constitutional law topics. Mr. May received his B.A.

Zustand: New. In.

Zustand: New. Num Pages: 134 pages, colour illustrations. BIC Classification: UY. Category: (G) General (US: Trade). Dimension: 235 x 190 x 7. Weight in Grams: 245. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New.

Zustand: New. In.

Zustand: New. Num Pages: 134 pages, colour illustrations. BIC Classification: UY. Category: (G) General (US: Trade). Dimension: 235 x 190 x 10. Weight in Grams: 449. . 2014. Hardcover. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 133 pages. 9.25x7.50x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. 133 pages. 9.50x7.50x0.50 inches. In Stock.

55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.

[32] pp.; 21.5 x 17.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue for exhibition that did not take place outside the printed catalogue. I.E. a purely conceptual exhibition. Each artist was provided with a single page within the catalogue, representing a single day in the month of March 1969. Contributions are strictly text-based. Includes "works" by Terry Atkinson, Michel Baldwin, Robert Barry, Rick Barthelme, N.E. Thing Co., James Lee Byars, John Chamberlain, Ron Cooper, Barry Flanagan, Alex Hay, Douglas Huebler, Robert Huot, Stephen Kaltenbach, Joseph Kosuth, Christine Kozlov, Richard Long, Robert Morris, Claes Oldenburg, Dennis Oppenheim, Alan Ruppersberg, Robert Smithson, Dewain Valentine, Lawrence Weiner, Ian Wilson. Conceived / curated by Seth Siegelaub. Reference: "Six Years : The Dematerialization of the Art-Object from 1966-1972," Studio Vista, London, 1973, pp. 79-80. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 32-33. "Esthétique du Livre d'Artiste 1960 / 1980" by Anne Moeglin-Delcroix. Paris, France : Jean-Michel Place / Bibliothèque Nationale de France, 1997, pp. 144. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 140-145. See No. A1968.05 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 101. Very Good. Very light soiling to covers and mild rusting around staples. Contents clean and unmarked.

Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis, with her annotations in manuscript ink throughout, and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. Binder includes an eight page shooting schedule, an eight page continuity breakdown, four pages of Curtis' xerographically duplicated costume design sketches, and 29 Polaroid wardrobe test shots. An amnesiac wakes up in an asylum for the criminally insane, discovering that he has been found guilty of murdering his girlfrienda crime he does not recall. As his fellow inmates begin showing up dead, he begins to wonder if the murder is somehow linked to the asylum's sinister director. Shot on location in Los Angeles. Final Draft, no revisions: Title page present, undated, noted as Final Draft, with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves, with last page of text numbered 110. Xerographic duplication, rectos only. Pages Near Fine. Final Draft with revisions: Title page present, undated, noted as Final Draft, with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves, with last page of text numbered 110. Xerographic duplication, rectos only, with undated blue revision pages throughout. Pages Near Fine. Black three-ring binder Very Good plus, with light soil on the extremities.