container (18 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Chang, Rutherford (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 110 pages. 9.00x6.00x0.28 inches. In Stock.

Paperback. Zustand: Brand New. 110 pages. 9.00x6.00x0.28 inches. In Stock.

Paperback. Zustand: Brand New. 110 pages. 9.00x6.00x0.28 inches. In Stock.

Pamphlet. Zustand: Very Good. Minor wear, internally clean. 32 page Pamphlet published by the Glass Container Manufacturer's Institute detailing the transformation of sand, soda ash and limestone, into the familiar glass jar.

Paperback. Zustand: Brand New. 76 pages. 8.50x8.50x0.18 inches. In Stock.

Paperback. Zustand: Brand New. 120 pages. German language. 9.00x6.00x0.28 inches. In Stock.

Paperback. Zustand: Brand New. 120 pages. German language. 9.00x6.00x0.28 inches. In Stock.

Zustand: New. Tsunegi, Risa (illustrator).

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Hardcover mit Schutzumschlag. Zustand: Sehr gut. 32 Seiten, sehr viele Abbildungen Zustand: Schutzumschlag geringfügig beschädigt (mit kleinen, randlichem/n Riss(en)), Seiten geringfügig fleckig, insgesamt SEHR GUTER Zustand! Box 3 Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 250.

Zustand: Good. 8vo. Soft covers. 69 pp. Fair, covers pretty worn, tear down middle of front cover. Color plates.

Hardcover. Zustand: Good. Container Corporation of America January 1976 Binding: Hardcover.

No Binding. Zustand: Very Good. A set of three original b/w photos issued shortly after the inauguration of Khor Fakkan Container Terminal and start of operations in 1979. Each 252x202mm including white border, with the same printed title label glued to the versos. Very good or better with the labels darkened. The photographer and publisher are not named, but they may well have been issued by the Sharjah Ports Authority. Sharjah's exclave on the Gulf of Oman is the site of the only natural deep-sea port in the region. Advantageously avoiding the Strait of Hormuz, it forms part of the maritime silk route linking the Mediterranean with China. Its construction involved reclaiming land for storage, large cranes, and deep quays for large vessels. The photos show different views of the cargo vessels Emirates Express, Panetolikon, and Lok Nayak berthed at its quays, along with a scattering of dhows.

64 pp.; 25.5 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring/Summer 1980 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "Circuits," featuring texts on and by Kathy Acker, Rosemary Hochschild, Joan Jonas, Joseph Kosuth on Ad Reinhardt, Gordon Matta-Clark, Glenn O'Brien, Panels, Steve Pollack, Jeanne Quinn, Real Estate Show, Carolee Schneemann, Fiona Templeton; "Lisa Kahane;" "Burk Uzzle;" "Thomas Lawson;" "Earl Ripling;" "Non Serial Concerns," Christian de Boschnek with Pat Lasch; "A Conversation with Keith Sonnier: Machine 1980;" "Joan Logue: Selections from recent Electronic Portraits series NYC, 1980;" "Dialogue: Sarah Charlesworth with Betsy Sussler;" "Bobby;" "Dike Blair;" "Dialogue," Malcolm Morley with Les Levine; "Richard Serra;" "Alan Suicide: Prophet of The Little Guys' Apocalypse," by Edit deAk; "(New) New Wave New York," by Michael Oblowitz; "Music," by Raybeats, A-Band, Ad Hock Rock, Bush Tetras, Container, 8-Eyed Spy, Liquid Idiot, Lounge Lizards, Untouchables, Youthinasia "Cinema: 31 Filmmakers on their work," with essays by Michael Oblowitz, Yvonne Rainer, and Manuel de Landa. Front Cover Photo: Still from Clara Weyergraf / Richard Serra film still "Steelmill / Stahlwerk," 1979. Back cover photo by Robert Mapplethorpe, "112 Workshop, 325 Spring Street, NYC, 1980." Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 252. Very Good. Light edgewear to covers, and light handling wear. 1.3 cm. light soiling to recto. Contents clean and unmarked.

No Binding. Zustand: Very Good. Very uncommon publication from 1968 which contains a bounty of American trademarked logos from the heyday of the post-war graphic design and advertising boon. In Black cardboard slipcase foil-stamped in white, with a 56 page booklet, 16 sheets that fold out to 4 panels, and 45 single panel sheets. An amazing document in a visually compelling format. This copy generally very nice, with some heavier wear to the slipcase, but the inner contents are in excellent, superb, crisp condition, appears scarcely looked through at all. The case itself, thought still intact, is a bit wobbly, and is missing about 1" of one of the sides, and what remains on both sides is slightly curled and peeled up form the joining cardboard underneath, leaving it a bit precarious as is (could likely be fixed up easily with PVA glue and happy to do that for anyone interested). Some further fraying at the sides and some light rubbing to covers besdes. As mentioned, all interior contents are nearly as new, remarkably so given the age. Booklet has some minor toning around edges of the back cover, and one or two of the sheets has the slightest bit of corner wear, but generally superb. Lester Beall [essay] Chicago: Society of Typographic Arts (STA), June 1968. First [only] edition. Black cardboard slipcase foil-stamped in white. [16] 4-panel sheets, 25 loose sheets, and a 56-page booklet enclosed in the slipcase. Contents lightly handled. The Publishers slipcase is split along the lower front edge and worn along each edge, with tape repair to case bottom and bumps to corners. Nearly fine contents in a fair to good example of the Publishers slipcase. Rare. Black slipcase contains 16 [8.5" x 8.5"] 4-panel sheets, 25 [8.5" x 8.5"] loose sheets and a 56-page [8.5" x 8.5"] perfect-bound booklet. From the introduction: "193 American trademarks, symbols and logotypes were chosen by a jury of leaders in the field of design to be represented in Trademarks/USA, the first national retrospective exhibition of its kind, which opened April 22, 1964 at the National Design Center in Marina City, Chicago, under the auspices of the Society of Typographic Arts." An amazing document that chronicles the rise of the American trademark after World War II, and by extension the graphic design profession as well. Essays include the introduction for "Trademarks/USA" including the President's Message and 5 b/w photos of jury members, an essay called The Trademark: A Graphic Summation of Individuality by Lester Beall including 5 b/w photos of the exhibition. Some of the actual trademark designers include, Abbott Laboratories, George Nelson, The Ansul Company, Raymond Loewy, CBS, William Golden, Connecticut General Life Insurance Company, Lester Beall, CCA, Ralph Eckerstrom, IBM, Paul Rand, International Minerals and Chemical Corp., Morton Goldsholl Design Assoc, International Paper Co., Lester Beall, Lawry's Foods, Inc., Saul Bass, Martin-Senour Co., Morton Goldsholl Design Assoc, Herman Miller, George Nelson; Playboy Magazine, Arthur Paul; Westinghouse, Paul Rand; Weyerhaeuser Co., Lippincott & Margulies, Inc, Ladislav Sutnar, Saul Bass, George Tscherny, Lippincott & Margulies, Morton Goldsholl Design Assoc., Raymond Loewy, Tom Geismar/Chermayeff & Geismar Assoc., John Massey, Paul Rand, S. Neil Fujita, Dickens, Inc., Walter Dorwin Teague Assoc., George Nelson & Co., Lester Beall, Inc., Milton Glaser/Pushpin Studios, Charles Coiner, John Ciampi, Albert Kner/Container Corp. of America, Aero Press, Frank Gianninoto Assoc., Eckstein-Stone Assoc., Lippincott & Margulies, Dickens, Inc., and William Wondriska among many many others.