clive donner (19 Ergebnisse)

Vintage full-color still British front-of-house card from the 1962 UK film. Four teenagers are persuaded to form a rock band to keep them out of trouble. 8 x 10 inches. Light corner creases, and a single stain to the top edge, else Near Fine.

Vintage full-color British front-of-house card from the 1964 UK film. Base on a short story by Stanley Ellin, about an eager young man with a crush on the boss' daughter who gets involved with a bank heist and a murder. 8 x 10 inches. Near Fine.

Faltblatt. Zustand: Gut. 4 S., 18*26 cm . In der Mitte geknickt, sonst ein gutes und sauberes Exemplar. - Produktion und Regie: CLIVE DONNER, Coproduktion: Larry Kramer, Drehbuch: Hunter Davies, Nach dem Roman ". sitzen unterm Holderbusch", Dialoge: Larry Kramer, Musik: The Spencer Davis Group, Stevie Winwood and Traffic, Kamera: Alex Thomson, Darsteller: Barry Evans, Judy Geeson, Angela Scoular, Sheila White, Adrienne Posta, Vanessa Howard, Diane Keen, Moyra Fraser, Michael Bates, Maxine Audley, Denholm Elliott, Christopher Timothy. Sprache: Deutsch Gewicht in Gramm: 550.

Vintage studio still photograph featuring Teresa Graves and Peter Bayliss from the 1974 British film. Dracula, portrayed by the typically charming Niven, attempts to revive his great love, the Countess Vampira, by collecting blood from Playboy models touring his castle, but when Vampira awakens, she is now a powerful Black woman, in a delightful performance from Graves. The US release changed the film's name to "Old Dracula," in an attempt to cash on the success of Mel Brook's 1974 blockbuster "Young Frankenstein," and were frequently shown as a double bill. Shot on location in London. 8 x 10 inches. Near Fine. Howard, Blaxploitation Cinema, p. 180. Vinegar Syndrome 322.

Vintage studio still photograph from the 1965 film, showing actress Paula Prentiss in a sheer lace bodysuit. Photofest label affixed to the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Woody Allen's film debut as both actor and screenwriter, about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life, with help from his neurotic psychoanalyst. Set and shot on location in Paris, Sevres, and Chaumontel, France. 8 x 10 inches. Near Fine.

Eight vintage full-color front-of-house cards from the 1964 UK film. Base on a short story by Stanley Ellin, about an eager young man with a crush on the boss' daughter who gets involved with a bank heist and a murder. 8 x 10 inches. A few with faint corner creases, else Near Fine.

First draft screenplay for an unproduced film from British director Clive Donner, circa early 1970s. Ribbon copy typescript on onionskin, with two small annotations, one on page 16 of the word "ice" written into the dialogue in manuscript marker and the page number "100," underlined, in manuscript ink at the top margin of that page. From the estate of film producer Elliott Kastner, whose best known credits include "The Long Goodbye" (Robert Altman, 1973), "The Missouri Breaks" (Arthur Penn, 1976), and "Heat" (Michael Mann, 1996). Based on the 1971 novel by Donald MacKenzie, the third entry in his Henry Chalice Mystery series, preceded by "Salute from a Dead Man" (1966) and "Death is a Friend" (1967). Jewel thief Paul Henderson has had a run of bad luck when he is offered a job on a big heist from a career criminal he's worked with before, but when he arrives in Switzerland for the crime, he faces a double cross and a kidnapping. Blue untitled wrappers with die-cut title window in the British style. Title page present, noted as FIRST DRAFT, with credits for screenwriter Clive Donner and novelist Donald Mackenzie (misspelled). 143 leaves, with last page of text numbered 142. Ribbon copy typescript on onionskin, rectos only. Tall Pages, 8.5 x 11.75 inches with standard size wrappers 8.5 x 11 inches. Pages Very Good plus, title page trimed about 1 1/4" from bottom, wrapper Very Good plus, two closed tears at top of die-cut window, bound internally with two flat metal brads.

Final Draft script for the 1967 film. Based on the 1964 play by Murray Schisgal, about a man who strikes up a deal with his old friend to seduce his wife so that he may spend time with his girlfriend. Shot on location in New York and Long Beach. Red titled wrappers, noted as final draft on the front wrapper, noted as production No. 8801, dated August 4, 1966. Title page present, dated August 2, 1966, noted as final draft, with credits for screenwriter Elliott Baker and playwright Murray Schisgal. 127 leaves, with last page of text numbered 130. Mimeograph duplication on eye-rest green stock, rectos only, with blue and yellow revision pages throughout, dated variously between August 17, 1966 and October 13, 1966. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Draft script for the 1977 British television movie, which originally aired on May 21, 1977, on NBC in America. Single annotation in manuscript ink on the front wrapper, noting, "S.80." An occult investigator and his physician friend investigate a woman's claims that her brother, a high-powered businessman, is dabbling in black magic. Originally intended as a pilot for a television series. Shot in Hertfordshire, England. Goldenrod titled Twentieth Century-Fox wrappers, dated November 12, 1976, on the front wrapper. Title page present, dated November 12, 1976, with credits for screenwriters Gene Roddenberry and Sam Peeples. 109 leaves, with last page of text numbered 108. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two silver brads.

Revised and Final Shooting script for the 1958 film, copy belonging to Production Designer George Provis. Laid in are over 30 pages of notes, shooting schedules, and call sheets, including four pages of original pencil storyboards, as well as several clippings of handwritten notes, all in Provis' hand, as well as seven letters written to Provis, most typed letters signed from Production Manager "Freddie" Pearson, all dating from 1957. George Provis was a British Art Director and Production Designer who began his career working on quota quickies (low budget features made to comply with Britain's Cinematograph Films Act of 1927) in the 1930s. After the Second World War, Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures, and is credited on over 120 films. Based on the 1940 novel by Phyllis Bottome. Set in Austria during WWII, a young Austrian boy is forced to sell the family dog to pay for food, rather than have his abusive father, played by Donald Pleasence, sell the dog to the butcher. Shot on location in Innsbruck, Austria. Tall titled orange wrappers, noted as Shooting Script on the front wrapper, dated 26.9.57. Title page present, dated September 12th, 1957, noted as Revised and Final Shooting Script. 61 leaves, with last page of text numbered 64. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with a prong binding. Laid in materials, Very Good plus to Near Fine overall.

Collection of 69 vintage photographs from the 1974 British comedy/horror film, a mix of studio still photographs and reference and promotional photographs. Included is a photograph of director Clive Donner, David Niven, and Linda Hayden on the set. All photos housed in archival sleeves and bound in a red leather three-ring binder. The vast collection includes photographs of Niven, Hayden, Teresa Graves, Peter Bayliss, Jennie Linden, Nicky Henson, Bernard Bresslaw, Cathie Shirriff, Andrea Allan, Minah Bird, and Luan Peters, among others. Dracula, portrayed by the typically charming Niven, attempts to revive his great love, the Countess Vampira, by collecting blood from Playboy models touring his castle, but when Vampira awakens, she is now a powerful black woman, in a delightful performance from Graves. The US release changed the film's name to "Old Dracula," in an attempt to cash on the success of Mel Brook's 1974 blockbuster "Young Frankenstein," and the two were frequently shown as a double bill. Shot on location in London. 8 x 10 inches. Near Fine, overall. Binder, 10 x 12 inches. Near Fine. Howard, Blaxploitation Cinema, p. 180.

Vintage oversize, double weight, color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated, shot and struck by the film's still photographer, Bob Willoughby, with an agency stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 13 x 19.25 inches, mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall.

Zustand: Buen estado. 12 fotocromos Impresos a una cara Buen estado Juego completo original de 12. Derek de Lint, Kin Thomson, Denholm Elliot, etc.

Vintage borderless photograph of Ursula Andress and Peter O'Toole on the set of the 1965 film. With manuscript annotations and photo-agency stamp on the verso. Woody Allen's film debut, as actor and screenwriter. Michael (O'Toole) is a womanizer soon to be married to Carole (Schneider), but Liz (Paula Prentiss) and Rita (Andress) get in the way. His psychoanalyst, Dr. Fritz (Sellers) is no help, and Carole flirts with Victor (Allen), a nervous wreck. Somehow they all end up in the same hotel in the French countryside, and they mayhem ensues. Shot on location in France. 10.5 x 7.5 inches. Near Fine.

200 : 250 mm. Portrait bei Dreharbeiten am Set. - 1957 drehte Donner seinen ersten Film als Regisseur. 1963 verfilmte er das Theaterstück Der Hausmeister von Harold Pinter mit Alan Bates und Donald Pleasence. Er erhielt für diese Arbeit bei der Berlinale 1963 einen Silbernen Bären". Sein bekanntester Film entstand 1965 mit großer Starbesetzung: Was gibt's Neues, Pussy? In den späteren Jahren verfilmte er vor allem Literatur für das britische Fernsehen.

Vintage black-and-white press photograph from the 1965 French-American film. Editorial annotations and Wide World Photo rubber stamp on the verso, with a Spanish rubber stamp, "paso por fotograbado." Shown are Ursula Andress and Katrin Schaake on-the-set, conferring between scenes while standing on a bed. Woody Allen's film debut, as actor and screenwriter. Michael (O'Toole) is a womanizer soon to be married to Carole (Schneider), but Liz (Paula Prentiss) and Rita (Andress) get in the way. His psychoanalyst, Dr. Fritz (Sellers) is no help, and Carole flirts with Victor (Allen), a nervous wreck. Somehow they all end up in the same hotel in the French countryside, and they mayhem ensues. Shot on location in France. 6.5 x 9 inches. Very Good plus, light creases, heavy soil and sticker pull to the verso.

Vintage borderless photograph of actor-screenwriter Woody Allen and actress Paula Prentiss on the set of the 1965 film. With manuscript pencil annotations on the verso. Woody Allen's film debut as both actor and screenwriter, a movie that Allen today describes as "dreadful" but one that was a box office smash at the time. A soon-to-be-married womanizer attempts to adjust to a monogamous life, with help from his neurotic psychoanalyst. Set and shot on location in Paris, Sevres, and Chaumontel, France. 8.25 x 10 inches. Very Good plus overall, with light creasing to the right edge and lower right corner, reinforced with white tape on the verso.

Four vintage borderless reference photographs from the 1965 film. One with a provenance stamp on the verso. Woody Allen's film debut as both actor and screenwriter, about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life, with help from his neurotic psychoanalyst. Set and shot on location in Paris, Sevres, and Chaumontel, France. 9.5 x 7.5 inches. About Near Fine.

Vintage borderless reference photograph of actor-screenwriter Woody Allen from the 1965 film. With manuscript pencil annotations on the verso and the stamp of photographer Louis Goldman, along with Goldman's signature just below his stamp. Allen's film debut as both actor and screenwriter, about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life, with help from his neurotic psychoanalyst. Set and shot on location in Paris, Sevres, and Chaumontel, France. 10 x 8 inches. About Near Fine.