clift john (35 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Clift, Annie (illustrator). Used book that is in almost brand-new condition.

Zustand: Fine. Clift, Annie (illustrator). Used book that is in almost brand-new condition.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Good. Cordovan Corp January 1975 Binding: Hardcover.

Hardcover. Zustand: Very Good. Dust Jacket Included. 176 pages, hardback, a very good+ copy in a very good dust-jacket [0470270985].

Zustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Fine. Clift, Annie (illustrator).

Zustand: New. pp. 493.

Paperback. Zustand: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Just a few hardly noticeable cosmetic rubs. Hence a non-text page shows a small 'damaged' stamp. Despite such this book looks and feels unread. Thus the contents are crisp, fresh and tight. And so a very nice book in great condition, now offered for sale at a reasonable price.

Zustand: New. pp. 184 35 Illus.

Small 4to.; cloth backed boards; "In his stark, black-on-white designs, John Clift has taken a visual excursion into the things that happen to human beings when they get caught in the gears of an increasingly automated world."; very good in slightly rubbed dust jacket with a 1 inch closed tear.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Zustand: Brand New. 195 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: New. KlappentextrnrnThis genealogy, originally published in 1881, records over 6,000 descendants of Captain George Denison, of Stonington, Connecticut. It is speculated that Capt. Denison was born in 1618 and that he arrived in Roxbury, Connecticut, .

Taschenbuch. Zustand: Neu. Clift, Annie (illustrator). Neuware - On July 22, 1991, serial killer Jeffrey Dahmer was arrested. As the officers searched his apartment in Milwaukee, Wisconsin, they discovered dismembered body parts in the refrigerator. Further investigation led them to photographs of other victims which Dahmer dismembered. Upon confessing to officers, Dahmer admitted to acts of necrophilia and cannibalism. For the first time in print, Dahmer's Confession presents the Milwaukee cannibal's complete confession, raw and uncensored.Jeffrey Dahmer's inclusion into the Serial Killer Culture is illustrated in the book by including artworks based on Dahmer and writings by those affected by Dahmer's case and crimes.

Zustand: New. pp. 216.

Paperback. Zustand: Brand New. 1st edition. 171 pages. 7.25x4.50x0.50 inches. In Stock.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 448 | Sprache: Englisch | Produktart: Bücher | This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 448 | Sprache: Englisch | Produktart: Bücher | This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Hardcover. Zustand: Brand New. 195 pages. 9.25x6.25x0.75 inches. In Stock.

.- México. 1991. Selector. 8º mayor. 216 p. Con ilustraciones intercaladas. Sellos anterior propietario. . . .

DVD. Zustand: Wie neu. Standard Version. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Original in Folie. Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 118.

Hard Cover. Zustand: Good. Texto de. Ilustrações de. Edição da Foc Escolar. S.l. 1965. Livro oblongo de 24x34 cm. Com 37 págs. sem numeração. Encadernação do editor. Ilustrado com desenhos por John Clift. Exemplar com manchas de humidade nas capas. Language: Português / Portuguese Location/localizacao: I-191-C-36.

Final Shooting script for the 1932 film. Annotation in manuscript pencil on the front wrapper, noting the name of an unknown crew member. Based on the 1932 novel by Denison Clift. Government agent Stephen Morrow's boss and best friend is engaged to Morrow's former lover, a Hungarian woman under investigation for the murder of an ambassador. Set in Washington DC. Green titled wrappers, noted as FINAL SHOOTING SCRIPT on the front wrapper, dated 3-12-32, with credits for novelist Denison Clift and screenwriter Leon Gordon. Title page present. 111 leaves, with last page of text numbered 109. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.

Archive of vintage treatments, scripts, and other ephemera from the 1962 film. Archive includes: Two carbon typescript treatment scripts by Jean-Paul Sartre, one in English and one in French, both dated December 15, 1958, with annotations in Sartre's hand. An early xerographically duplicated draft of Sartre's voluminous three-part script, a later reproduction made for internal use with copied annotations throughout. A working script used during the film's production, with revision pages. A film program. Three telegrams, a telefax, and a letter regarding the release of the film, the return of Sartre's treatments and script, and a deposition reminder, all from agent Paul Kohner to director John Huston. A copy of the 1984 posthumous publication of Sartre's script, The Freud Scenario. Huston announced his intention to make a film about a young Sigmund Freud in 1958, and asked Sartre, whom he had met on the set of his 1952 film Moulin Rouge, to submit a screenplay. The partnership quickly soured, however, due to Sartre's refusal to shorten his script, which had ballooned to the colossal 472-page script on offer. Huston and Sartre would meet in Galway, but Sartre continued to reject the director's proposed cuts, wryly noting, "We can make a film of four hours in the case of Ben Hur, but the Texas public couldn't stand four hours of complexes." The film was ultimately finished and released in 1962, and although many elements of Sartre's script remain in the film, the philosopher went uncredited. Set in Vienna, shot on location in Austria and Germany. French Treatment: Salmon untitled wrappers. Title page present, dated 15 Décembre 1958, noted as Scénario original, with credits for author Jean-Paul Sartre. 95 leaves, with last page of text numbered 95. Carbon typescript copy on onionskin, rectos only. Pages Near Fine, wrapper Near Fine, saddle-stitched with two staples. English Treatment: Tan untitled wrappers with a titled label, noted as Original Outline on the front wrapper, with credits for author Jean-Paul Sartre. Title page present, dated December 15, 1958, noted as 1. Draft, with credits for author Jean-Paul Sartre. 61 leaves, with last page of text numbered 60. Carbon typescript copy on onionskin, rectos only. Pages Near Fine, wrapper Near Fine, bound with three screw brads. Xerographically duplicated Sartre Script: White untitled wrappers. 472 leaves, with last page of text numbered 181. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus with light soiling overall, bound internally with three gold brads. Working Script: Brown untitled wrappers. Title page present. 162 leaves, with last page of text numbered 168. Mimeograph duplication, rectos only, with blue, buff, and yellow revision pages throughout, dated variously between 9/8/61 and 12/19/61. Pages Near Fine, wrapper Very Good, lacking rear wrapper and much of the spine, bound with a prong binding. Telegrams, telefax, and letter: 6.5 x 4.5 to 8.5 x 11 inches. Very Good plus to Near Fine. Program: 7 x 8.5 inches bi-fold. Very Good plus. Book: Near Fine and unread in a lightly rubbed, Very Good plus dust jacket.

Collection of material from the 1961 film, including one Dialogue and Continuity script and one Cutting Continuity script, two reference photographs (one bordered and one borderless) and one studio still photograph, and an uncorrected galley proof for the film's 1961 novelization. Galley and both screenplays SIGNED by screenwriter Arthur Miller. The three photographs included in the collection variously show director John Huston, actress Marilyn Monroe, and screenwriter Arthur Miller on the set, actors Eli Wallach and Clark Gable adjusting a rope, and Clark Gable, Marilyn Monroe, and Montgomery Clift during the mustang-roping scene. A bleak, haunting film exploring the loss of independence, about a recent divorcee who enters into an unstable relationship with an aging cowboy whom she meets in the Nevada desert. The final completed feature for Gable and Monroe before their deaths. Notoriously a trying endeavor for the actress, who was struggling with her drug problem and pending divorce from Arthur Miller and would often fail to show up to the set, and for director John Huston, who would drink and occasionally fall asleep while filming. Gable performed all of his own stunts, then suffered a heart attack only two days after filming ended and died ten days later. Shot on location in Nevada. Dialogue and Continuity script: Tall self wrappers, with green title page. Title page present, dated January 10, 1961, noted as Dialogue Continuity, with credits for director John Houston [sic]. Approximately 62 leaves, with last page of text numbered 61. Mimeograph duplication, rectos only. Pages Near Fine, bound at the top edge with two staples. Cutting Continuity script: Tall white self wrappers. Title page present, dated January 10, 1961, noted as Cutting Continuity, with credits for director John Huston. Approximately 55 leaves, with last page of text numbered 54. Mimeograph duplication, rectos only. Pages Near Fine, bound at the top edge with two staples. Two photographs 10 x 8 inches, one photograph 8 x 10 inches. Near Fine.

Vintage studio still photograph from the set of the 1961 film, showing director John Huston riding a tire while actor Eli Wallach looks on. With a provenance stamp on the verso. The final completed film for actors Clark Gable and Marilyn Monroe before their deaths. Notoriously a trying endeavor for both Monroe, who was struggling with a drug addiction and pending divorce from Arthur Miller and would often fail to show up to the set, and for director John Huston, who would drink and occasionally fall asleep while filming. Gable performed all of his own stunts, then suffered a heart attack only two days after filming ended and died ten days later. Set and shot on location in Dayton, Nevada. 8 x 10 inches. Near Fine.