clayton timothy (29 Ergebnisse)

Zustand: Gut. Zustand: Gut | Seiten: 176 | Sprache: Englisch | Produktart: Bücher.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.35.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Fair. 2. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Zustand: New. In.

Zustand: Wie neu. 68 pages : illustrations (chiefly color) ; 32 cm Zustand: neuwertig; UNGELESEN; 1. From fireworks to old masters: Colnaghi and printselling c. 1760-1880 / Timothy Clayton -- 2. A masterly old master dealer of the gilded age: Otto Gutekunst and Colnaghi / Jeremy Howard -- 3. Colnaghi, Bode and the Berlin Museum (not forgetting Friedlander) / Berndt Wolfgang Lindemann -- 4. Isabella Gardner, Bernard Berenson, and Otto Gutekunst / Alan Chong -- 5. "The finest things": Colnaghi, Knoedler and Henry Clay Frick / Cynthia Salzman -- 6. Colnaghi and the Hermitage deal / David Ekserdjian -- 7. Colnaghi and James Byam Shaw / Christopher White -- 8. Colnaghi 1940-2001 / Jeremy Howard -- 9. A continuing story: tradition and innovation -- Colnaghi since 2002 / Jeremy Howard. ue10190 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 650.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

[London], Royal Collection Trust, [2015]. 175 pp. Col. & b./w. ills. Orig. softcover (printed wrappers) with dust jacket. Square 4to. This paperback edition was published for exhibitions held at Denver Art Museum (9 August - 8 November 2015) and Kimbell Art Museum (22 November 2015 - 14 February 2016). - Text in English.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2050grams, ISBN:0300066503.

Cloth. Zustand: Near Fine. None (illustrator). A very smart edition of this history of prints in England, signed by the author with an inscription. Signed by the author to the title page with an inscription which reads: "For Christopher & Andrea With Best Wishes, Tim" Illustrated highly with many in-colour images. A historical study of printing in England from 1688 to 1802, with reference to the print sellers of London, prints from abroad, luxury prints, works of nature, institutions, exhibitions, prizes, and much more. Written by Timothy Clayton, an English scholar specialising in print. After working for the print collector Christopher Lennox-Boyd, he won a research fellowship at Worcester College Oxford, where he wrote this work. In the original blue cloth binding. Externally, very smart with light shelf wear to the extremities. Internally, firmly bound. Pages are very bright and clean throughout. Near Fine. signed by author. book.

4to. pp. xiv, 337. Profusely illus. in colour & b/w. biblio. index. boards. dw. (upper corners bit bumped). Published for The Paul Mellon Centre for Studies in British Art.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Not Stated (illustrator). First edition. A very smart first edition of this history of prints in England, signed by the author. First edition. Signed by the author to the title page, dated 30th October 1997. Illustrated with over three hundred figures, many of which are in colour. A historical study of printing in England from 1688 to 1802, with reference to the print sellers of London, prints from abroad, luxury prints, works of nature, institutions, exhibitions, prizes, and much more. A highly readable work offering fascinating insights into a period of artistic development spanning over one hundred years. Written by Timothy Clayton, an English scholar and specialist in eighteenth and early nineteenth-century history and culture, being one the leading experts in the world on the printed images of that time. After working for the print collector Christopher Lennox-Boyd, he won a research fellowship at Worcester College Oxford, where he wrote this work. In the original full cloth binding. Externally, excellent. Original unclipped dust wrapper is very smart with light wear to the extremities. Internally, firmly bound. Pages are very bright and clean throughout. Author's ink inscription to the title page. Fine. signed by author. book.