Clark curator (10 Ergebnisse)
- Softcover
- Erstausgabe
Anbieter: COLLINS BOOKS, Seattle, WA, USACOLLINS BOOKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 8,89
EUR 6,03 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
PAPERBACK. First edition. 48pp color, b/w illustrations quarto paper. slight cover wear otherwise very good.
Verlag: Gahlberg Gallery, College of DuPage, Glen Ellyn, IL 2005
- Softcover
- Erstausgabe
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USAJeff Hirsch Books, ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 17,77
EUR 6,04 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
First Edition. First edition. Softcover. 20 pages. Exhibition catalog for a group show that ran September 14 through October 30, 2005. Curated by Dan Devening who also contributes a brief essay as well. Includes an illustration from each of the artists in the show. A near fine copy in stapled wrappers. Scarce, with only 3 copy l…isted in OCLC.
Weitere BilderVerlag: New York: International Center of Photography, 2005. 2005
- Softcover
Anbieter: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, USABlue Mountain Books & Manuscripts, Ltd.
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 22,21
EUR 4,96 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Fine. New York: International Center of Photography, 2005., 2005. Fine. - Octavo, 8-1/4 inches high by 5-3/8 inches wide. Softcover, bound in black & white pictorial wraps. 27 pages, illustrated from black & white and color photographs by Larry Clark. Fine. Published on the occasion of the exhibition at the Internationa…l Center of Photography. The booklet includes an essay by Katherine Dieckmann titled "Coming of Age: The Films of Larry Clark".
Facets of the Same Nature: A Survey of Contemporary Dutch Ceramics
Tonk Foundation, Erik Voorrips (curator),Preface By Garth Clark,Also Paul Brouwer & Ilse Nelis,Photography By Pieter Vandermeer & 3 Others
- Softcover
Anbieter: Mooney's bookstore, Den Helder, NiederlandeMooney's bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Gut
EUR 25,73
EUR 14,95 VersandVersand von Niederlande nach USAAnzahl: 1 verfügbar
Zustand: Very good.
- Softcover
Anbieter: Elizabeth's Bookshops, Fremantle, WA, AustralienElizabeth's Bookshops
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 12,57
EUR 44,86 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
Softcover. Zustand: Fine. AUSTRALIAN ART -This publication supports the inaugural exhibition for the Holmes a Court Gallery, 4 February - 16 March 2000. 34 p. : col. ill. ; 18 x 25 cm. #100226 Holmes a Court Collection Painting, Australian -- Private collections -- Western Australia -- Perth -- Exhibitions Art, Colonial -- Austr…alia -- Exhibitions Clark, Jane, 1955- Carrigan, Belinda Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.
Weitere BilderVerlag: American Museum of Natural History, New York 1912
- Softcover
Anbieter: Gwyn Tudur Davies, Aberystwyth, , Vereinigtes KönigreichGwyn Tudur Davies
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Ausreichend
EUR 23,84
EUR 14,47 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Soft cover. Zustand: Fair. No Jacket. Pbk,147p. numerous photos and illustrations, maps (1 folded). Handbook Series No.1. New York: American Museum of Natural History, 1912. This copy has no covers. Nevertheless it is a complete, clean and unmarked book that is in a perfectly acceptable condition. g950 / m5724.
Verlag: Ames, IA: University of Iowa Museum of Art. 2001
- Softcover
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 31,10
EUR 8,63 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Good. 8vo. 28 pp. Soft, printed wraps with spiral binding. Very good with marginal chipping along bottom of spine. Includes 12 color photographs. Catalog created for exhibition at the University of Iowa Museum of Art in 2001.
Verlag: Canberra Museum and Gallery 2011
- Softcover
Anbieter: Lectioz Books, Gloucester, NSW, AustralienLectioz Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 9,43
EUR 34,51 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Exhibition Publication. Minimal wear to jacket. Minor eraser rubbing to top corner of title page, otherwise internally clean. Binding good. 48pp Size: 230mm x 290mm. Book.
Verlag: The American Museum of Natural History, New York
- Softcover
Anbieter: J. Wyatt Books, Ottawa, ON, KanadaJ. Wyatt Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 40,87
EUR 19,84 VersandVersand von Kanada nach USAAnzahl: 1 verfügbar
Card Covers. Zustand: Very Good. Science Guide No. 129, circa 1940, cover wear, unmarked, illustrated with b/w photos, 63pp, VG. Book.
Weitere BilderQuiet As Its Kept: Pictoribus atque poetis / quidlibet audendi semper fuit aequa potestas
David Hammons (Curator) ; Ed Clark, Stanley Whitney, Denyse Thomasos ; Geoffrey Jacques (Essay); Haf-Fa-Rool (Afterword)
- Softcover
- Erstausgabe
- Signiert
Anbieter: Fenrick Books, Queens, NY, USAFenrick Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 310,99
EUR 4,31 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Soft cover. Zustand: Very Good. 1st Edition. Christine König Galerie, 2002. Softcover. 76 pages. Three color plates. English/German. Very good. Wear to top & bottom near spine. Light corner wear. Signed by Ed Clark. A unique exhibition curated by the artist David Hammons, Quiet as it's Kept, an exhibition featuring three painter…s based in New York, seeks to challenge the comforting discourse surrounding the presumed transnational identity of abstract painting. Painters ED CLARK, STANLEY WHITNEY, and DENYSE THOMASOS are all abstract artists who are also African Americans. Each one works in New York City. While none of this seems remarkable in itself, this exhibition seeks to challenge the commonplace identification the art public often makes between black artists and what might be called facile narratives surrounding "African American art." Such narratives often fail to take into account, suggests curator Hammons, the fact that there might be a unique "and hitherto little examined" approach to abstract painting that derives from the African American experience. Each of the artists in Quiet as it's Kept has spent his or her career attempting to evade the gaze of those who would police the definitions of "black" art. Clark's luminous canvases live in an environment of absolute freedom. The paintings are often created using a push broom, and carry within them not only an intimation of a reversal of status embodied in that tool, but the paintings also suggest an obscure sense of unrestricted play. Whitney creates paintings in which color, randomness, and architecture are all constituent elements. The apparently random patterning of color in his canvases recall those patterns that can sometimes be seen in the cloth and quilt making artists of the African American south. On the other hand, Thomasos is concerned with the abstract patterns that draw their dynamism from those structures that have hitherto been considered as signs of restriction, such as jails and slave transport vessels. "The identity of black culture," writes New York independent critic Geoffrey Jacques, who contributed an essay to the exhibition's catalogue, "is deeply rooted in experiment practice." That aspect of black identity, which is widely recognized in music and is beginning to be recognized in literature, has rarely been recognized in the visual arts. With this exhibition, curator Hammons seeks to sharpen a discourse that will focus attention on the experimental nature of African American visual culture as well. Signed by Author(s).
