Charles wolf brownell (30 Ergebnisse)
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Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.
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Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.
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Gebunden. Zustand: New.
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Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute t…his work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Taschenbuch. Zustand: Neu. Neuware.
Verlag: Gurdon Bill, New York, 1855
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In den WarenkorbHardcover. Zustand: poor. New edition. 8vo; 1-636, [ii], 639- [640] pages - the last page is mistakenly numbered 702, contemporary black leather covers, effectively disbound. An intriguing compilation, illustrated with 40 portraits and plates, most hand-colored, six or so in black-and-white, and half a dozen of animals ( such as… an eagle, bison, grizzly bear, black squirrel, cougar) and portraits of Tecumseh, Joseph Brant, King Philip, John Smith, Osceola, Samoset, and more. Note: the verso of p. 639 reads p.720, but should be 640. [ Sabin 8681]. Note: Field, in his INDIAN BIBLIOGRAPHY, pp. 49-50, of the 1857 edition opined "The last half of the title-page must have been written by the publisher and the illustrations drawn by his infant son, as the Preface and Text indicate too respectable a mind to have concocted such a farrago, involving at least half a dozen falsehoods regarding the plates, which are the most tawdry and offensive daubs." Field continued, "The work is fairly executed and contains much condensed information . . " Bennett's AMERICAN COLOR PLATE BOOKS (1800-1900) lists the later 1856 edition, and as having only 34 full-page plates.
Verlag: NY. NY: Hirschl & Adler Galleries, Inc., 2004
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In den WarenkorbZustand: Good. 4to. 32 pp. Stapled Wraps. Exhibition Catalogue. Color Plates. Very Good.
Verlag: Hurlbut, Scanton and Company, Hartford, CT, 1864
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In den WarenkorbLeather Bound. Zustand: Fair. No Dust Jacket. 760pp. Brown leather bound hardcover with black and glit leather spine title, boards show edgewear, hinges broken, upper 2/5's of the spine leather are missing. Textblock is sound with minor foxing. BC.
Weitere BilderVerlag: The MacMillan Co., New York, 1904
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- Erstausgabe
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In den WarenkorbHardcover. Zustand: Good+. First Edition. First edition: #28 of 100 large paper copies from The American Sportsman's Library, edited by Caspar Whitney. Three-quarters brown morrocco over marbled boards with 5 spine bands and gilt decoration & lettering. Matching marbled endpapers. Top edge gilt with deckle cut page edges. [xviii…, 1, 311pp]. Illustrated with a tissue-guarded sepia frontispiece and 83 b/w photographs. Text tight & intact. Leaves clean without foxing. Front internal hinge cracked & internal edges of endpapers damaged. Binding tight. Some rubbing to spine & edges. Early owner's bookplate "MASON W. ZIMMERMAN, PHILADELPHIA". Photography, Sports. ; 8vo 8" - 9" tall; 311 pages.
Verlag: Horace Wentworth, Boston, 1853
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In den WarenkorbHardcover. Zustand: Good. New edition. 8vo; 1-636, [ii], 639- [640] pages - the last page is mistakenly numbered 702, contemporary black leather covers, newly rebacked saving as much of the original spine as possible, new endpapers. An intriguing compilation, illustrated with 40 portraits and plates, most hand-colored, six or so… in black-and-white, and half a dozen of animals ( such as an eagle, bison, grizzly bear, black squirrel, cougar) and portraits of Teumseh, Joseph Brant, King Philip, John Smith, Osceola, Samoset, and more. Note: the verso of p. 639 reads p.720, but should be 640. [ Sabin 8681]. Note: Field, in his INDIAN BIBLIOGRAPHY, pp. 49-50, of the 1857 edition opined "The last half of the title-page must have been written by the publisher and the illustrations drawn by his infant son, as the Preface and Text indicate too respectable a mind to have concocted such a farrago, involving at least half a dozen falsehoods regarding the plates, which are the most tawdry and offensive daubs." Field continued, "The work is fairly executed and contains much condensed information . . " Bennett's AMERICAN COLOR PLATE BOOKS (1800-1900) lists the later 1856 edition, and as having only 34 full-page plates.
Verlag: New York: Published At The American Subscription House, 1857., 1857
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In den Warenkorb8vo. pp. 639, [1]. 44 wood-engraved plates (incl. additional title, most hand-coloured. modern cloth (spine discoloured, extremities frayed, some foxing & browning to plates, edges of last leaf chipped). Field 198. cfSabin 8681.
Verlag: Hurlbut, Scranton & Company, Hartford, Connecticut, 1864
- Hardcover
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In den WarenkorbZustand: A very good copy. recent half calf with cloth, spine with raised bands and embossed ornaments, gilt morocco labels on two and four., Size : 8vo, With coloured title, 34 coloured and 9 uncoloured plates (includes frontispieces), Volume : 1.
Verlag: May 1890, 1890
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In den WarenkorbHardcover. Oblong 8vo., (3 4/8 x 5 4/8 inches). 17 fine pen and ink sketches, and one watercolour drawing of striking views in and around California and the Santa Fe trail through Arizona and New Mexico, each captioned and dated by the artist. Original maroon paper boards heavily embossed in gilt, inscribed by Brownell on the fr…ont free endpaper (a bit worn at the extremities). Brownell a landscape and still-life artist born in Providence, Rhode Island "sketched and painted some of the most distinctive scenery of any American artist, he had a natural scientist's curiosity for the minute details of nature, and made voluminous sketches in both pencil and watercolor of specific nature studies as well as more complete landscape compositions. He kept meticulously detailed notes of his surroundings, both as inscriptions on individual sketches as well as in a series of picture diaries [as here]. Brownell's pictures broadly follow the style of the Hudson River School; he painted many oils and watercolours of the same New England views popular with other landscape artists of the time, as well as subjects drawn from the vicinities of his family's properties in Connecticut and Rhode Island. Brownell's most significant contribution to American landscape painting, however is his body of landscapes of the island of Cuba, which he first visited in 1853. Free from financial worries, Brownell traveled extensively throughout his life, and seems never to have stopped sketching. In all his works, there is a strong sense of place, of a particular location sensitively recorded at a specific moment in time. Brownell's sketches are souvenirs of the many places he visited. They were intended as such; each is annotated careful in clear script, with date and location generally recorded along with vantage point, common and botanical names of plants, and other relevant information. Brownell kept these sketches to remind himself of precisely what he saw at various times and places as, in effect, a visual diary that could rekindle his memory. Bound by the artist into books, these sketches were kept in his possession until his death" (Zachary D. Ross "Charles de Wolf Brownell: A Decade of Travel, 1856-66" pages 5-6). The sketches in this album are: San Diego, Cal. From Florence Heights May 4.1890; Meru - Old Spanish Mission - near San Juan, Cal. May 9.1890; Santa Ana May 9. 1890; View North, from near San Borodino May 9. 1890; Mojave Desert May 9. 1890; Mojave May 9.1890; Mojave Indians at the Needles - on the Colorado River May 10.1890; At the Needles - course of the Colorado River May 10.1890; Dum Palms - Arizona. Indian huts May 10.1890; Across the Colorado River: the old bridge - the Needles May 10-1890; New Bridge, over the Colorado River - at the Needles- May 10.1890; Doum Palms - Arizona May 10.1890; Arizona May 10. 1890; Arizona - or New Mexico May 10.1890; Arizona or New Mexico May 11.1890; Arizona or New Mexico May 11.1890; New Mexico May ii.1890; New Mexico Mayy.1890 (watercolour). For more information about this watercolour, please contact Lori Cohen at Arader Galleries.
Verlag: February - May 1894., 1894
- Hardcover
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In den WarenkorbHardcover. Oblong 8vo., (7 x 10 4/8 inches). 29 fine full and double-page pencil sketches of views in and around Jamaica, each captioned and dated by the artist. Original maroon roan backed maroon cloth, inscribed by Brownell on the front free endpaper (front cover detached, rubbed). Brownell, a landscape and still-life artist b…orn in Providence, Rhode Island "sketched and painted some of the most distinctive scenery of any American artist, he had a natural scientist's curiosity for the minute details of nature, and made voluminous sketches in both pencil and watercolor of specific nature studies as well as more complete landscape compositions. He kept meticulously detailed notes of his surroundings, both as inscriptions on individual sketches as well as in a series of picture diaries [as here]. Brownell's pictures broadly follow the style of the Hudson River School; he painted many oils and watercolours of the same New England views popular with other landscape artists of the time, as well as subjects drawn from the vicinities of his family's properties in Connecticut and Rhode Island. Brownell's most significant contribution to American landscape painting, however is his body of landscapes of the island of Cuba, which he first visited in 1853. Free from financial worries, Brownell traveled extensively throughout his life, and seems never to have stopped sketching. In all his works, there is a strong sense of place, of a particular location sensitively recorded at a specific moment in time. Brownell's sketches are souvenirs of the many places he visited. They were intended as such; each is annotated careful in clear script, with date and location generally recorded along with vantage point, common and botanical names of plants, and other relevant information. Brownell kept these sketches to remind himself of precisely what he saw at various times and places as, in effect, a visual diary that could rekindle his memory. Bound by the artist into books, these sketches were kept in his possession until his death" (Zachary D. Ross "Charles de Wolf Brownell: A Decade of Travel, 1856-66" pages 5-6). The sketches in this volume are of: Dry Harbour Feb.28.1894; Montego Bay - Looking West. Mar.3.1894; At Cambridge - Farthest work on the new Railroad - Mar.5.1894; The Doctor's North - and Mrs Jervis Mar.8.1894; British Fleet in Montego Bay - The Blake etc, Mar.8.1894; Jewish Graveyard - S. from Jervis's Mar.8.1894; South, and South-West - from my window - Jervis's - Montego Bay Mar.9.1894; Jervis Lodging House - Montego Bay, Jamaica. Mar.10.1894; Montego Bay - Ruin of the N.E. Hill Mar.16.1894; Montego Bay from the North East Mar.21.1894; Montego bay - Old fortifications - & Crater Mar.21.1894; The Ceiba (detail); Ceibas, at Montego Bay Mar.28.1894; In the Harbor of Lucea Apr.12.1894; Savanna La mar April 18.1894; Black River - The Santa Cruz Range - Apr.13.1894; Alligator Pond. April 13.1894; From the Entrance to Kingston harbor - at Sunrise April 14.1894; Kingston harbor - On the road to Newcastle - April 15.1894; Kingston from Newcastle - Officer's Mess - April 15.1894; At Gordon Town - April 16.1894; On the Road to "Content", Gordon Town Ap.16.1894; Hope river - Newcastle Road - Ap.16.1894; At Gordon Town Ap.16.1894; Newcastle - From Mt. Load S.E. Apr. 17.1894; Newcastle, from path along the precipice. S.E. Apr.17.1894; Mount Diablo, from Ewarton. April 24,1894; Blue Mountains, from Road to Half-Way Tree- May 3.1894; Cape Mayor - East End of Cuba - May 10 10.1894; Watlings Island - from the East May 11.1894.
Verlag: January - April, 1897., 1897
- Hardcover
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In den WarenkorbHardcover. Oblong 8vo., (4 x 6 inches). 32 fine double-page pencil drawings of places from San Francisco to England, captioned and dated by the artist (some later childish sketches on blank pages at the end. Original linen cloth over boards sketchbook, inscribed by the artist: C De W. Brownell, Bristol, R.I., USA on the front co…ver. Brownell a landscape and still-life artist born in Providence, Rhode Island "sketched and painted some of the most distinctive scenery of any American artist, he had a natural scientist's curiosity for the minute details of nature, and made voluminous sketches in both pencil and watercolor of specific nature studies as well as more complete landscape compositions. He kept meticulously detailed notes of his surroundings, both as inscriptions on individual sketches as well as in a series of picture diaries [as here]. Brownell's pictures broadly follow the style of the Hudson River School; he painted many oils and watercolours of the same New England views popular with other landscape artists of the time, as well as subjects drawn from the vicinities of his family's properties in Connecticut and Rhode Island. Brownell's most significant contribution to American landscape painting, however is his body of landscapes of the island of Cuba, which he first visited in 1853. Free from financial worries, Brownell traveled extensively throughout his life, and seems never to have stopped sketching. In all his works, there is a strong sense of place, of a particular location sensitively recorded at a specific moment in time. Brownell's sketches are souvenirs of the many places he visited. They were intended as such; each is annotated careful in clear script, with date and location generally recorded along with vantage point, common and botanical names of plants, and other relevant information. Brownell kept these sketches to remind himself of precisely what he saw at various times and places as, in effect, a visual diary that could rekindle his memory. Bound by the artist into books, these sketches were kept in his possession until his death" (Zachary D. Ross "Charles de Wolf Brownell: A Decade of Travel, 1856-66" pages 5-6). The sketches in this volume are of: Near Granger Jan 1897; Island off San Francisco - Farraleon Feb.2.97; Entrance of the Great Inland Sea - of Japan Sinonoreki Mar.8.1897; Inland Sea - Japan. 8th Mar. 1897; Inland Sea - Japan M.9.1897; Inland Sea - Japan Mar. 1897; Inland Sea - Japan M.9.1897; Inland Sea - Japan Mar. 1897; Inland Sea - Japan M.9.1897; Jakaboko - Papenberg - Massacre Island - below Nagasaki - Whence the Jesuits (270) were thrown - (by old accounts, 40,000 natives) Mar.10.1897; Trees nearly leafless - Shanghai River - Yenesei - Mar.13.1897; Shanghai Mar.13.1897; Approach to Singapore - Mar 24.1897; From Singapore - Mar 25 1897; Singapore Mar.25.1897; At Penang 1897; At Penang 1897; At Colombe - Ceylon Apr.4.1897; Cape Guardafin Ap.1-.1897; Arabian Coast - Straits of Bab-el-mandelo Ap.11.1897; In the Red Sea - Ap.11.1897; S. Shore - Enrance of the Gulf of Suez - Apr.16.1897; Galeta - off Tunis - P.M.7th.Ap.1897 - Cape Bon - A.M. p.22. 1897; Galeta - Later Apr.22.1897; Galeta - Farther West - Apr.22.1897; Algiers Apr.23.1897; Sierra Nevada Apr.25.1897; Sierra Nevada Apr.25.1897;The "Billings" - off the Coast of Spain - N. of Lisbon Apr.27.1897; Beachy Head - S. Coast of England Apr. 30.1897; Dover - Apr.30.1897.
Verlag: July 1886-May 1890., 1890
- Hardcover
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In den WarenkorbHardcover. Oblong 8vo., (3 6/8 x 5 4/8 inches). 20 fine full- and double-page pen and ink sketches, each captioned and dated by the artist. Original beige cloth, with Brownell's monogram on the front cover, and inscribed by him on the front free endpaper. Brownell a landscape and still-life artist born in Providence, Rhode Islan…d "sketched and painted some of the most distinctive scenery of any American artist, he had a natural scientist's curiosity for the minute details of nature, and made voluminous sketches in both pencil and watercolor of specific nature studies as well as more complete landscape compositions. He kept meticulously detailed notes of his surroundings, both as inscriptions on individual sketches as well as in a series of picture diaries [as here]. Brownell's pictures broadly follow the style of the Hudson River School; he painted many oils and watercolours of the same New England views popular with other landscape artists of the time, as well as subjects drawn from the vicinities of his family's properties in Connecticut and Rhode Island. Brownell's most significant contribution to American landscape painting, however is his body of landscapes of the island of Cuba, which he first visited in 1853. Free from financial worries, Brownell traveled extensively throughout his life, and seems never to have stopped sketching. In all his works, there is a strong sense of place, of a particular location sensitively recorded at a specific moment in time. Brownell's sketches are souvenirs of the many places he visited. They were intended as such; each is annotated careful in clear script, with date and location generally recorded along with vantage point, common and botanical names of plants, and other relevant information. Brownell kept these sketches to remind himself of precisely what he saw at various times and places as, in effect, a visual diary that could rekindle his memory. Bound by the artist into books, these sketches were kept in his possession until his death" (Zachary D. Ross "Charles de Wolf Brownell: A Decade of Travel, 1856-66" pages 5-6). The sketches in this volume are of: Bass Har[bor], Mt. Desert. July 7.1886; Bar Harbor. Mt. Desert. 3h July 8.1886; The Ovens Mt. Desert July 9. 1886; Green Mountain Mt. Desert July 11.1886; Catholic Church, from the "Malvern" July 11.1886; the Malvern July 11.1886; Otter Cliffs July 13.1886; 1888. On the Hudson. "Olana" Residence of Frederic E. Church May 29; Hudson River - looking S. from Newburgh May 29.1888; Looking down the Hudson - West Point May 29.1888; Entrance to San Diego, Cal May 2.1890; Indian Stonetown of Laguna: Santa Fe Route May 11.1890; Indian Adobe House May 11.1890; View Down the Valley of the Rio Grande May 11.1890; At the "Junction", Valley of the Rio Grande's Indian Reservation. May 11.1890; North of Albuquerque May 11.1890; Trinidad May 12.1890; The Spanish Peaks, Colorado May 12.1890; Spanish Peaks, Colorado May 12. 1890; Mt. Wachusett, Mass. May 16.1890; Kent, Ohio My 15.1890.
Verlag: October-November 1888- April and May 1894., 1894
- Hardcover
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In den WarenkorbHardcover. Oblong 8vo., (4 x 6 4/8 inches). 47 fine full-page and double-page pencil sketches of coastal and inland views of islands in the Caribbean, each captioned and dated by the artist. Original tan pictorial cloth, gilt, edged in maroon morocco, inscribed by Brownell on the front free endpaper, and with a printed passenger… list for the "Barracouta" which sailed from New-York to the Caribbean on the 10th October, 1888, tipped-in between the endpapers. Brownell, a landscape and still-life artist born in Providence, Rhode Island "sketched and painted some of the most distinctive scenery of any American artist, he had a natural scientist's curiosity for the minute details of nature, and made voluminous sketches in both pencil and watercolor of specific nature studies as well as more complete landscape compositions. He kept meticulously detailed notes of his surroundings, both as inscriptions on individual sketches as well as in a series of picture diaries [as here]. Brownell's pictures broadly follow the style of the Hudson River School; he painted many oils and watercolours of the same New England views popular with other landscape artists of the time, as well as subjects drawn from the vicinities of his family's properties in Connecticut and Rhode Island. Brownell's most significant contribution to American landscape painting, however is his body of landscapes of the island of Cuba, which he first visited in 1853. Free from financial worries, Brownell traveled extensively throughout his life, and seems never to have stopped sketching. In all his works, there is a strong sense of place, of a particular location sensitively recorded at a specific moment in time. Brownell's sketches are souvenirs of the many places he visited. They were intended as such; each is annotated careful in clear script, with date and location generally recorded along with vantage point, common and botanical names of plants, and other relevant information. Brownell kept these sketches to remind himself of precisely what he saw at various times and places as, in effect, a visual diary that could rekindle his memory. Bound by the artist into books, these sketches were kept in his possession until his death" (Zachary D. Ross "Charles de Wolf Brownell: A Decade of Travel, 1856-66" pages 5-6). The sketches in this album are: In the "Doldrums" Oct.14.1888; Santa Cruz - Oct.17.1888; Brimstone Hill. St. Eustasius. Mt. Misery, St. Kitt's Oct.18.1888; South End of Guadeloupe - from Point a Pitre. Oct.19.1888; Pointe a Pitre. The Usines. Oct.19.1888; The Suffriere from Pointe a Pitre. Oct.19.1888; Les Saintes. 1888-Oct.20; N. End of Dominica Oct.20.1888; Dominica - from Prince Ruperts Pt. Oct.20.1888; Dominica Oct.20.1888; Dominica Oct.20.1888; N. End of Martinique Oct.20.1888; The Pitons of St. Lucea - from the S. end of Martinique. Oct.20.1888; Sketched by Moonlight - Pitons of St. Lucie. Oct.20.1888; Fort at Kingston St. Vincent Oct.21.1888; Kingston St. Vincent Oct.21; at Kingston St. Vincent Oct.21; South End of St. Vincent Oct 21.1888; at Grenada Oct.23.1888; At Grenada Oct.23 1888; Grenada Oct.23.1888; Grenada Oct.23.1888; Grenada Oct.23.1888; Grenada Oct.23 1888; Governor's House - Port of Spain, Trinidad Oct.24.1888; San Fernanado, Gulf of Paria Oct.24.1888; Demerara River Oct.27.1888; Barbados from the N.W. Nov.3.1888; S. End of Guadaloupe Oct.4.1888; Montserrat Nov.4.1888; Nevis Nov.5.1888; Mt. Misery. St. Kitts' from N.W. Brimstone Hill. Nevis. Nov.5.1888; St. Eustacious - from S.W. Nov.5.1888; St. Eustacious - from the N.W. Nov.5.1888; Saba - from N.E. Nov.5.1888; North End of Saba. Torrens Point Nov.5.1888 Diamond R.; From the bridge over Hope River - at GordonTown - Jamaica Ap.15.1894; Westward from Porus, Jamaica. Apr.19.1894; At Williamsfield, Jamaica Apr.19.1894; Aris Greenvale, Jamaica- Apr.19.1894; Among the Clouds Apr.20.1894; Head of Kingston Harbour- Apr.30.1894; Blue Mtns., from Mrystle Bank Lawn May 2.1894; (Thunderstorm) - from the Yacht-Club May.
