charles durning (14 Ergebnisse)

VHS. Zustand: Gut. VHS B3496-189 Sprache: Deutsch Gewicht in Gramm: 500.

Vintage studio still photograph from the 1979 film. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s, following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Set in Dallas, shot on location in Los Angeles. 8 x 10 inches. Near Fine.

8°, DVD. Zustand: Wie neu. 91 min Jubiläums-Edition. 30 Jahre Kermit der Frosch. Original eingeschweißt / Sehr gutes Exemplar / H227 56694 227 Sprache: Deutsch Gewicht in Gramm: 582.

Two vintage black-and-white still photographs from the 1973 US film. De Palma does "Rear Window" (sort of) in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. Set and shot on location in New York City. 8 x 10 inches. Near Fine with some light toning. Arrow 919. Criterion Collection 89. Grant US. Spicer US.

Couverture souple. Zustand: bon. R100000194: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 40 cm x 54 cm. . . . Classification : 0-Affiches Cinéma.

Vintage US one sheet poster for the 1975 film. Based on the 1974 novel by Patrick Mann, in turn based on a true story published in "Life" magazine. An inexperienced robber and his friend attempt to rob a bank, largely in order for the robber's girlfriend, a preoperative transgender woman, to afford gender confirmation surgery. Director Sidney Lumet's masterpiece, a snapshot of New York invoking queer politics, city politics, police politics, personal politics, and the mood of a city in the heat of the early 1970sall without being overtly political. AMPAS holdings show two copies. Shot on location in New York. 27 x 41 inches. Very Good plus, folded as issued, with light wear and creasing along the folds. National Film Registry. Ebert III. Grant US. Hardy, The BFI Companion to Crime. Lee, The Heist Film. Spicer US.

Seven vintage studio still photographs from a television re-release of the 1991 film, including three compilation photographs. Based on characters created by Sara Paretsky, with a plot loosely drawn from her 1984 novel "Deadlock," starring Victoria Iphigenia "V.I." Warshawski, a tough but softhearted private eye. Set and shot on location in Chicago. 8 x 10 inches. Near Fine.

Draft script for the 1978 film. Script belonging to an unknown crew member, with their name in manuscript ink on the front wrapper. A man tries to save his son who has telekinetic powers from government agents who are torturing him. One of Brian DePalma's most entertaining genre films, predating David Cronenberg's slightly more intellectual "Scanners" by 3 years. Set in Israel and Chicago, shot on location in Israel and Chicago. Light blue titled wrappers, dated March 7, 1977. Title page present, dated March 7, 1977, with credits for author and screenwriter John Farris. 158 leaves, with last page of text numbered 156. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

First Draft script for the 1973 film, an early internally duplicated agency script with first-generation photocopied punch holes. Full provenance available. Following his 1969 hit "Butch Cassidy and the Sundance Kid," director George Roy Hill again once again enlisted Paul Newman and Robert Redford as his leads, leading to an even greater success. A jaunty tale of two confidence men taking a crime boss in for the long con as revenge for the murder of a mutual friend in 1930s Chicago. Winner of seven Academy Awards, including Best Picture, Best Director, and Best Screenplay. Set in Chicago, shot on location in Chicago and throughout California. Black untitled wrappers with a titled label. Title page present, noted as First Draft, with credits for screenwriter David S. Ward. 106 leaves, with last page of text numbered 109. Xerographic duplication, rectos only. Pages Very Good plus, with dampstaining to the upper left on the first several pages, wrapper Very Good plus, bound with three gold brads. National Film Registry. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense.

Revised First Draft script for the 1985 film. Copy belonging to hair stylist Philip Leto, with his name in manuscript ink on the front wrapper. Based on the 1983 novel by Elmore Leonard. One of only a few screenplays adapted by Leonard from one of his own novels, made memorable in that it layered a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled Universal wrappers, dated August 5, 1983, noted as REVISED FIRST DRAFT and production No. 02162 on the front wrapper. Title page present, noted as Revised First Draft, with credit for author and screenwriter Elmore Leonard. 109 leaves, with last page of text numbered 106. Xerographic duplication on blue stock, rectos only. Pages Fine, wrapper Near Fine, bound with three gold brads.

Revised First Draft for the 1985 film. Costume designer Norman Salling's copy, with his name in manuscript ink at the top of the front wrapper. SIGNED by novelist-screenwriter Elmore Leonard on the title page. An ex-car thief trying to turn his life around ends up witness to his friend's murder. While he wants to find love and spend more time with his daughter, the men who killed his friend kidnap his daughter sending him on a mission to save his daughter and avenge his friend. One of only a few screenplays adapted by Leonard from one of his own novels, made memorable in that it layers a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled wrappers, noted as Revised First Draft on the front wrapper, production No. 02162, dated August 5, 1983. Title page present, dated August 5, 1983, noted as Revised First Draft, with credits for author and screenwriter Elmore Leonard. 109 leaves, with last page of text numbered 106. Xerographic duplication on blue stock, rectos only, with blue revision pages throughout, dated 9/15/1983. Pages Near Fine, wrapper Very Good plus with some wear to the corners, bound with three gold brads.

Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood, Santa Cruz, and Los Angeles, California, and in Corpus Christi, Texas. Green titled wrappers. Title page present, undated, with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves, with last page of text numbered 151. Mimeograph duplication, rectos only, with undated blue revision pages throughout. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Third Draft script for the 1981 film, with rainbow revisions. Laid in with the script are two additional yellow revision pages, dated 3/28/80. Based on the 1977 novel by John Gregory Dunne, who with his wife Joan Didion wrote the screenplay for the film. Loosely based on the notorious 1947 Black Dahlia murder, about a homicide detective investigating the brutal murder of a young woman in Los Angeles. Set and shot on location in Los Angeles. Blue titled wrappers. Title page present, dated November 29, 1979, noted as Third Draft, with credits for screenwriters John Gregory Dunne and Joan Didion. 136 leaves, with last page of text numbered 121. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated between 1/9/80 and 3/24/80. Pages Fine, wrapper Near Fine, bound with two gold brads. Housed in a custom beige clamshell box.

Pas de couverture. Zustand: Très bon. Un jeu de cinq photographies destinées à la presse, 17,6 x 24cm, en noir et blanc, tirage argentique (brillant) sur lesquelles apparaissent Dustin Hoffman (5), Jessica Lange (1) et Sidney Pollack (1). Ensemble de belle qualité de tirage. Tootsie réalisé en 1982, a connu un grand succès et a été maintes fois nominé et récompensé (dont un Oscar en 1983 pour Jessica Lange pour meilleure actrice dans un second rôle et un British Academy Film Awards en 1984 pour meilleur acteur pour Dustin Hoffman).