Verlag: Edinburgh University Press, 2023
ISBN 10: 1474460852 ISBN 13: 9781474460859
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: Brand New. 304 pages. 13.38x61.44x0.64 inches. In Stock.
Verlag: Edinburgh University Press, 2023
ISBN 10: 1474460852 ISBN 13: 9781474460859
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In den WarenkorbZustand: New. Über den AutorKenneth Chan is Professor of English and Film Studies at the University of Northern Colorado Dr Andrew Stuckey is an independent scholar.KlappentextChina s haunted screens boast a r.
Verlag: Edinburgh University Press, 2023
ISBN 10: 1474460852 ISBN 13: 9781474460859
Sprache: Englisch
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Verlag: Edinburgh University Press Jan 2023, 2023
ISBN 10: 1474460852 ISBN 13: 9781474460859
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Taschenbuch. Zustand: Neu. Neuware - China's haunted screens boast a rich legacy of uncanny, bizarre, grotesque, horrific, mystical and paranormal tales dating back to the silent era. Emerging from a period in which the supernatural ran afoul of censors in the Peoples' Republic of China, the resurgence of films rooted in 'superstition' merits serious critical attention. This anthology provides penetrating insight into this re-enchantment seen in films by auteurs such as Zhang Yimou (PRC), Hou Hsiao-hsien (Taiwan), and Tsui Hark (Hong Kong) as well as in reimagined classics such as Journey to the West in its multiple manifestations on screen. Gina Marchetti, University of Hong Kong Although Chinese film audiences have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic film in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. With case studies of films such as The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016), this novel approach uses the framework of 'Sino-enchantment' as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema. Kenneth Chan is Professor of English at the University of Northern Colorado. Andrew Stuckey has taught at Kalamazoo College, the Ohio State University, the University of California at Irvine, and the University of Colorado at Boulder.
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474460844 ISBN 13: 9781474460842
Sprache: Englisch
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New.
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474460844 ISBN 13: 9781474460842
Sprache: Englisch
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In den WarenkorbZustand: New. Über den AutorKenneth Chan is Professor of English and Film Studies at the University of Northern Colorado Dr Andrew Stuckey is an independent scholar.KlappentextChina s haunted screens boast a r.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Brand New. gld edition. 304 pages. 9.21x6.14x0.75 inches. In Stock.
Verlag: Edinburgh University Press Jun 2021, 2021
ISBN 10: 1474460844 ISBN 13: 9781474460842
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - China's haunted screens boast a rich legacy of uncanny, bizarre, grotesque, horrific, mystical and paranormal tales dating back to the silent era. Emerging from a period in which the supernatural ran afoul of censors in the Peoples' Republic of China, the resurgence of films rooted in 'superstition' merits serious critical attention. This anthology provides penetrating insight into this re-enchantment seen in films by auteurs such as Zhang Yimou (PRC), Hou Hsiao-hsien (Taiwan), and Tsui Hark (Hong Kong) as well as in reimagined classics such as Journey to the West in its multiple manifestations on screen. Gina Marchetti, University of Hong Kong Although Chinese film audiences have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic film in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. With case studies of films such as The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016), this novel approach uses the framework of 'Sino-enchantment' as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema. Kenneth Chan is Professor of English at the University of Northern Colorado. Andrew Stuckey has taught at Kalamazoo College, the Ohio State University, the University of California at Irvine, and the University of Colorado at Boulder.