cedar lewisohn (32 Ergebnisse)

Hardcover. Zustand: Good. Book shows shelf & handling wear, including edge wear and scuffing. Pages are slightly worn on their external edges and have a remainder mark. Interiors are intact with unmarked text/pictures. Good reading copy.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. Good ex library copy, with limited stamps/stickers etc. Cover is clean with little wear. Contents are clean and brighty throughout.

Zustand: as new. Wie neu/Like new.

Paperback. Zustand: Good. Good condition paperback with lightwear, marks. Small indent to outer page ends with small tear to one page. Contents are clean and bright throughout with no markings.

Soft cover. Zustand: Good. A special one off edition produced to accompany the exhibition Altermodern: Tate Triennial 2009, 3 Feb - 26 Apr, Tate britain.

Paperback. Zustand: Fine. **PAPERBACK**.

Hardcover. Zustand: Very Good. No Jacket. N/A (illustrator). 2011. Merrell, London, 2011. Pictorial hard cover. Book Condition : Very good to near fine, appears little read. Heacy book may incur extra postage. Book will be sent by Uk postal service. Inventory #BY0149. N/A.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

Paperback. Zustand: Fine.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

25.0 x 25.0cms 160pp The chapters are: the progress of comics; social satire & the grotesque; politics; the worship f bacchus; the bawdy; the absurd.

1st edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 160 p.: ill. (some col.); 26 cm. Notes; Catalog of the exhibition held at Tate Britain, June 9-Sept. 5, 2010. Includes bibliographical references (p. 150-151) and index. Includes a foreword by Penelope Curtis. Contents; What's so funny about British art? / Martin Myrone -- Carry on Tate / Cedar Lewisohn -- British comic art -- Frames of reference: the progress of comics / Paul Gravett -- Social satire and the grotesque -- Politics -- The worship of Bacchus -- The bawdy -- Bawdy beautiful / Sally O'Reilly -- The absurd -- Cedar Lewisohn. Summary; Put together with some the country's best-known cartoonists and comedy writers, this exhibition explores British comic art from the 1600s to the present day. Bringing together a wide array of paintings, sculptures, film and photography, as well as graphic art and comic books, the exhibition celebrates a rich history of cartooning and visual jokes. The room on the Absurd is curated by comedian Harry Hill, and includes such diverse materials as Alice in Wonderland illustrations, David Shrigley's sculpture, and films by Edwina Ashton and Oliver Michaels. Within the Bawdy, Donald McGill's smutty seaside postcards can be seen with works by artists as different as Aubrey Beardsley, Sarah Lucas, and Grayson Perry. The rooms exploring Politics, Social Satire and Cruikshank's Victorian masterpiece The Worship of Bacchus, have been put together with Gerald Scarfe, Steve Bell, and the cartoonists from Viz. These show the power of comic art as a form of social and political commentary throughout history, from satires of Georgian society by Rowlandson and Gillray to Spitting Image's damning Thatcher puppet. Looking at comedy that is both timeless and of-its-time, Rude Britannia contrasts contemporary artists such as Angus Fairhurst with key historical pieces, and covers everything from Hogarth to the YBAs. Comic Art - art that gains its effect through visual humour, caricature, exaggeration and slapstick, whether in print, reproduction or through the moving image - has long helped shape and inform British culture. This entertaining and irreverent history aims to present a wide-screen vision of comic art, from Hogarth to Spitting Image, from Michelangelo to The Mighty Boosh. Tackling the big themes of morality, politics, the bawdy and the absurd, from the eighteenth century to the present day, it will feature works by classic cartoonists and caricaturists, from Gillray, Rowlandson and Cruikshank, to Edward Lear, Heath Robinson, Oz and Viz magazine. Many of the greatest cartoonists and comic artists of recent years will be featured, including Steve Bell, Robert Crumb, David Low and Ronald Searle. Beginning with the origins of the caricature, the book's journey encompasses cartoons, comic books, film, photography, audio, new media and contemporary art. It will trace the development of different genres and techniques, and deal with the development of successive media, from the engraving through to the newspaper and the online blog. Humour is a weapon and a corrective. Over the period covered by the book it is seen to take on social commentary, politics, satire, sex, morality and the absurd. Politicians are remorselessly pilloried and pretensions pricked. The pious are revealed as hypocrites and the rich and famous as fools. Through extensive illustrations of classic and little known facets of comic art, the book succeeds in telling an alternative history of Britain. Leading critics will be joined by well-known comedians, cartoonists and historians, making this a very contemporary take on what is still a rich and vibrant seam in the public life of the nation. Subjects; Tate Britain (Gallery) - Exhibitions. Tate Britain (London, England) - Exhibitions. Wit and humor in art - History - Exhibitions. Wit and humor, Pictorial - Exhibitions. Art - Great Britain - Themes, motives - Exhibitions. English wit and humor, Pictorial - Exhibitions. Comic, The, in art - Great Britain - History. English wit and humour, Pictorial. Cartoons and comics - Great Britain - History - Exhibitions. Comic books, strips, etc. - Great Britain - History and criticism. Caricatures and cartoons - Great Britain - History - Exhibitions. Humor in art - Exhibitions. Caricatures - United Kingdom. Humorous Art - United Kingdom. Great Britain - Social conditions - Exhibitions. BRITISH COMICS - COMICS. Popular culture. Comic book & cartoon art; Exhibition catalogues and specific collections; British Isles. ART / Techniques / Cartooning. ART / European. Great Britain - Social conditions. Art - Great Britain - Themes, motives. 1 Kg.

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 175 pages; Physical description. : 175 p. : ill. (some col. ) ; 24 x24 cm. Subject: Lewisohn, Cedar. Kruger, Barbara, 1945-Child, Lottie. Powers, Stephen, 1968-Futura 2000. Graffiti Graffiti - History - 20th century. Graffiti - History - 21st century. Street art. Summary: Since the early days of the graffiti movement in late 1970s New York, street art has transformed cities around the world. The author provides a vibrant account of the 'outer limits' of street art and graffiti that are being explored by artists in cities as diverse as London, Prague, and Philadelphia. 1 Kg.

kartoniert. Zustand: gut. 1. Auflage. Erschienen zur gleichnamigen Ausstellung der Tate Britain, London vom 9.6. bis 5.9.2010. In englischer Sprache. 160 S. pages. 25,5 x 24,5 cm.

Hardcover. Zustand: Very Good. 1st Edition. Pictorial boards, 4to, pp.160. Illustrated. A history of the artform, from cave painting to city walls and the emergence of such as Banksy. Includes interviews with a number of leading street artists. Light sunning to rear cover margins and spine, where title is bleached. Small bump to rear cover top edge. Contents clean and tight. VG.

Soft cover. Zustand: Fine. 4to, glossy wrps., profusely illustrated, 50 p. On off special edition of Irresistible Magazine as part of the exhibition "The Irresistible Force" at the Tate Modern In fine condition. K13.

Zustand: Very good.

SOFTCOVER. Zustand: As New. 1st Edition. 4to in colour printed stiff card covers, 95pp, illustrated in colour throughout . [CONDITION: A well preserved AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

The Hagua, Museum of Contemporary Art, 2005. 63 pp. Col.ills. Softcover. Mint. [161384].

56 pp.; 41 x 29 cm.; loose leaves; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed; Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. Contents include: "Editorial," by Aleksandra Mir; "Happy Birthday from the Lighthouse," by Peter Hill; "To the Editor," by Tim Griffin; "Emergency Love," by Adam McEwen; "Nobody Gives a Shit," comic by Dan Perjovsch; "How to Ride the Bus," by Jennifer Bronstein; "Bike Wreck," by Dan Wilken; "Artists'' Shocking 9/11 Predictions Bring Laughs to New York Celebs at Christie''s ''Central Asian Furniture Show'' and Charity Fundraiser! 700 People in Attendance!;" "Inventory list of my father''s compulsive collection of airline silverware between 1989 - 1997," by Cornelia Schbleck; "B irthday," by Raimar Stange; "Bring in the Clowns: Andy Smith of The Moscow State Circus interviewed by Polly Staple;" "Sydney in September," by Simon Rees; "Long Photographs," by Emil Goh; "Pink Tank;" "The Usher," by Cedar Lewisohn; "The best thing that happened to me in 2002 was that Theo my cousin became a goth and his mate Corrin became a punk," by Tasha Amini; "The World Still Turns," by Kathy Temin; "Alien Sighting," by Samuel Blum; "McCartney & Narcissus," by Gabriel Fowler; "Punching Through the Clouds," Miles Boyce after Mies Van der Rohe; "Crash America," by Ken Hollings; "The World''s Greatest Rebel - at 88," by Andrew Wilson; "Structure Kills," text and photos by hobbypopMUSEUM; "First Woman Takes North Pole!," by I. Hope Halperin; "Cities, Holiday Hotspots and Commerce Zones Rethink Slogans," by Jarrett Mitchell; "Advertisement," by Cecily Brown; "Family Takes Break," by Michelle Grabner; "Tire on Fire," by Brad Killam; "The Housitter''s Club in More Trouble with the Law than Oak Park Homeowners," by Amy Park Saxe; "I read ''Big Asteroid Leaves Scientists Unruffled'', Was Ruffled," by Curtis Whaley; "Abstract Sculpture from Park to Somewhere Else," by Wade Guyton; "September 11 Memorial," by Jeffry Vallance; "The Event Forces Us to Think," by Roger Cook; "11th September," by Kathrin Boehm; a drawing by Claude Closky; "You Deserve to Break Something; "Virulent Images," by Leif Elggren; "QRU (Wuick Response Unit)," by Gavin Wade & Garrick Jones; newspaper clipping submission by Piotr Uklanski; an image by Richard Kern; "Holiday Column," by Aleksandra Mir; a text by Andy Stillpass; "I Remember," by Kaethe Cherney; a text by James Angus; "That Horoscope," by Onome Ekeh; "Skyjack Sunday Over Europe;" "The Long Haul," by Russel Storer; "Strategic Questions," curated by Gavin Wade; "What is Negative? Why?," by Alexsandra Mir for Gavin Wade; "Top Tips," by Kate Fowle; "The Masterpiece," comic by Olivia Plender; "Aldous Eveleigh''s exhibition.;" Image with caption by Harry Staple; image by Milos Manetas; "Re: FWD: A Statement of Conscience," signed by multiple artists including Laurie Anderson, Ida Applebroog, Noam Chomsky, Eve Ensler, Leon Golub and many others; "A Cockney Poem," by Matthew Arnatt; "Curtain," by Paul Noble; "Kisses Honeywagon - The Novel;" "Page Twenty-Six," by Wallace Robertson; "Guarding the dog and the cows," by Antje Majewski and Ingo Niermann; photograph by Gurvan Madec; "woman is." by Dave Beech; "Barman Joe Latimore chronicles the underbelly of New York''s nitelife;" "Ubiquitous Recluse Revives the Eternal," by Johnny Gato; "In Memoriam: Katri Vala," by Cecilia Stenbom and Minna L. Henriksson; "Chalk Circles," by Katri Vala; "Book Review: The Selected Letters of Marianne Moore," by IB; "Suicide Note," by Nanogod; comic by Roberto Cuoghi; "Beware of Windows!," by Stefan Saffer; texts by Jonas Maria Schul; "Recipes," by Coeinna Durland; "My Friend Najla''s Babaganoush," by Jennifer Higgie; "Eulogy for the Living," by Christian Holstad; "Oh Superman," Karl Holmquist after Laurie Anderson; "Birthday Party part III," by Mika Hannula and more. Backcover: "I (Bomb) NY," by Bernadette Corporation. "September 11, 2002. Enjoying my hot-off-the-press Daily on Avenue B with a cup of burned deli coffee. New York''s Hometown Newspaper was printed in an edition of 1,000 on the first anniversary of 9-11, to reclaim my birthday on the same day The newspaper contains articles, poems, drawings, ads, and all sorts of stupid beautiful shit solicited from over 100 physical artist friends and univocally accepted under the open editorial policy as birthday gifts. The back I BOMB NY logo is by the Bernadette Corporation. Looking back though, it is interesting how certain mainstream politicians have taken all our avant-garde strategies, DADA, Punk, Fiction, Surrealism, Performance, Wigs, even FAKE NEWS (homage: Yves Klein), squeezed the dear soul out of them, and weaponized them for their delinquent purposes. If that is really the case of our times, then what is the role of an artist today? Discuss." -- Artist's statement Very Good / Fine. Light yellowing of covers, light bumping of bottom edge and slight curl to spine. Otherwise clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.