catrin lorch (20 Ergebnisse)

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Broschur; Zustand: Gut. 20,5 cm x 29,5 cm; 16 Seiten, dabei viele Abbildungen; Künstler Kritisches Lexikon der Gegenwartskunst ist ein periodisch erscheinendes Lexikon, das Künstler der Gegenwart vorstellt. Es wurde herausgegeben von Detlef Bluemler und Lothar Romain. Nach Herrn Romains Tod ist Detlef Bluemler alleiniger Herausgeber. Seit Februar 1988 erscheint es in einem Rhythmus von drei Monaten und umfasst je Ausgabe die Arbeit von jeweils sieben Künstlern. Jedes Heft umfasst 16 Seiten über die Arbeit der Künstler, aus zwei Druckseiten persönlicher Äußerungen der Betreffenden, einem Künstlerporträt sowie aus drei Doppelseiten Abbildungen. Die Redaktion liegt bei Hans-Joachim Müller. Sprache: Deutsch Gewicht in Gramm: 50.

Broschiert; Zustand: Gut. 58 Seiten; Neben dem oben aufgeführten Artikel befinden sich auch weitere Beiträge auch anderer Autoren in dem gut erhaltenen Heft. Sprache: Deutsch Gewicht in Gramm: 300.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Taschenbuch. Zustand: Sehr gut. 1.,. 114 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 400.

Paperback. Zustand: Brand New. 160 pages. 11.25x9.50x0.50 inches. In Stock.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 60 pages. Hardcover exhibition catalogue, bound in maroon colored cloth covered boards and issued without a dustjacket. Text in English. Minimal shelfwear rubbing to the covers. Else, the binding is tight, the edges and corners of the boards sharp, and interior clean and free of markings. Published on the occasion of the exhibition held from April 30-May 29, 2004.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 19 x 28 cm, 242 Seiten/pages mit 85 Farb- & 23 s/w-Abbildungen - German-Finnish artist Matti Braun creates layered installations that allow objects from one culture to come into contact with those of another, resulting in intentional misunderstandings: a 2003 exhibition includes, among other references, lines by Indian poet Rabindranath Tagore and imagery from Steven Spielberg's 1982 E.T., for instance. This is Braun's first comprehensive monograph.

8vo. pp 115. Large format paperback. Copiously illustrated in colour and black and white throughout. Contributors include: Miria Swain, Sean Ashton, Jennifer Thatcher, Maja Fowkes & Rueben Fowkes. Published in association with Zoo Art Fair. ISBN: 0954824032 About fine.

First edition. Hardcover. Exhibition catalog for a show that ran April 30 through May 29, 2004. Text in English and German with an essay by Catrin Lorch. Includes over 35 color illustrations and a list of previous exhibitions. A fine copy in silk covered boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap.

Zustand: Sehr gut. 160 Seiten, 79 Abb. Sehr gutes Exemplar. / Very good copy. - Almost every work by Martin Boyce from the past five years may be traced back to the discovery of a black-and-white photograph of four, five-meter high concrete trees created by the sculptors Joël and Jan Martel to be set in a garden designed by Robert Mallet-Stevens for the 1925 Exposition Internationale des Arts Décoratifs in Paris. Instantly captivated by the image of these monumental, neo-cubist curiosities, which briefly bloomed during the Expo's run before disappearing from view, Boyce nevertheless set it aside for a time before figuring out how best to respond to this alluring but fugitive precedent. That he would eventually do so was almost inevitable given that his work, since its beginnings in the mid-1990s, has consistently involved the downbeat sculptural détournement of a succession of icons of high modernist design. Arne Jacobsen, Charles and Ray Eames, Jean Prouvé and Charlotte Perriand are among the mid-century masters whose classic pieces of furniture have been subjected to Boyce's less than reverent attentions, modulating in tenor between the abrasive and the melancholic, as the twentieth century shaded into the twenty-first." ISBN 9783905770742 Sprache: Englisch Gewicht in Gramm: 942 Broschur; Orig.-Schutzumschlag.

114 S. Buch mit moderate Lager und Gebrauchsspuren. Guter Zustand. 9783865882042 Sprache: Deutsch Gewicht in Gramm: 505.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 22 x 29 cm, 224 Seiten/pages with 94 color & 43 bw. illustrations. - The works of Turkish artist Ayse Erkmen exist almost exclusively as ephemeral scenarios. They are created around exhibition venues, experienced in situ and then seen later only in photo documentation. This volume collects 40 of her most important works since 1985.

Softcover. Zustand: Sehr gut. 1. Auflage. Z/B : 24 x 29 cm, 160 Seiten, 79 farbige & 26 s/w Abbildungen - Referenzmonografie.

Gebunden. Zustand: New. Das waren Farben, damals in den 70ern. Gruene Kaefer, gelbe Opel, rote Golfs. Der Mut zur Farbe fiel zusammen mit der Verbreitung des Farbfilms, was den jungen Fotografen Volker Doehne faszinierte. Gerade weil er damals Alltaegliches festhielt, was anderen gar .

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco.

Buch. Zustand: Neu. Neuware - Das waren Farben, damals in den 70ern. Grüne Käfer, gelbe Opel, rote Golfs. Der Mut zur Farbe fiel zusammen mit der Verbreitung des Farbfilms, was den jungen Fotografen Volker Döhne faszinierte. Gerade weil er damals Alltägliches festhielt, was anderen gar nicht auffiel, sprechen seine Bilder heute so unmittelbar an. Im zeitlichen Abstand sieht man außerdem: Die Farbigkeit stand im Gegensatz zur oft tristen Umgebung. Vielleicht erklärt gerade das, warum die Blechkäfer damals so liebevoll von Hand gewaschen, poliert und gepflegt und die Gartenlauben immer weiter ausgebaut und verschönert wurden. Was heute auch kaum noch bekannt ist: Die leuchtenden Farben hatten einen ganz praktischen Sicherheitsaspekt - die Automobile sollten besser gesehen werden. BUNT ist ein Buch zum Schmunzeln, Nachdenken und Erinnern - an das frühere Autos und die heute wieder angesagten Gartenlauben. Für all jene, die die 70er noch selbst erlebt haben. Denn, wie Döhne selbst sagt: 'Es bleibt ein unbeschreibbares Gefühl, wenn man von der Vergangenheit berührt wird.'.

Buch. Zustand: Neu. Bunt | Farbige 1970er Jahre | Catrin Lorch | Buch | 96 S. | Deutsch | 2019 | Greven | EAN 9783774309210 | Verantwortliche Person für die EU: Greven Verlag Köln GmbH, Eileen Loster, Neue Weyerstr. 1-3, 50676 Köln, info[at]greven-verlag[dot]de | Anbieter: preigu.

Hardcover. Zustand: Gut. 1., Aufl. 80 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung; Good copy, light signs of previous use, cover/dust jacket shows some rubbing/wear, interior in good condition D230703axh29 ISBN: 9783936711530 Sprache: Deutsch Gewicht in Gramm: 531.