catherine futter (14 Ergebnisse)

Paperback. Zustand: Very Good. Clean, unmarked, tightly bound. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Hardcover. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Zustand: MOLTO BUONO. Skira Rizzoli Publications, cm.25x30, pp.304 illustrato a colori. brossura con copertina figurata a colori.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. 304pp. Beautiful color endpapers of Paris. Smooth Black boards, white lettering. Upper corner lightly bumped, otherwise as new, unread copy. Unclipped pictorial jacket has sunfading. the book is is lavishly illustrated with two hundred examples of woodwork, metalwork, ceramics, glass, jewelry, and textiles from private and public collections, primarily in America and Europe, many never before published or seen outside of their respective collections. Incredibly diverse but all representing the pinnacle of scientific and artistic achievements of their time, these extraordinary creations range from a monumental 1850s Gothic Revival cabinet to a streamlined glass chair from 1939, to masterpieces of jewelry and objects in glass, silver, and porcelain by Baccarat, Tiffany, Gorham, Cartier, Sèvres, and Herman Miller. This unprecedented volume, edited by Jason Busch and Catherine Futter, and with contributions by them and many other specialists and scholars, breaks new ground in the study of decorative arts. Size: 10.3 x 1.3 x 12.3 inches. Book.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. 256 pages : illustrations (some coloor), maps ; 28 cm. Published to accompany an exhibition held at the British Museum, London, October 10, 2019-January 26, 2020, and the Islamic Arts Museum Malaysia, Kuala Lumpur, [originally scheduled June 20-September 20, 2020].

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. . . 2024. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 336 pages. 9.61x6.65x1.00 inches. In Stock.

Zustand: Very good.

Buch. Zustand: Neu. Neuware - The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically.These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume in A Cultural History of Furniture presents essays that examine key characteristics of the furniture of the period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; visual representations; and verbal representations.

Hardcover, 247 pages, English, 290 x 250 x 25 mm, good condition, with photographs in colour, . ISBN 9789461300867. In this fascinating collection of photographs, the Belgian artist Ives Maes explores the architecture of world expos. He sets the faded glory of these sites against the ambitious and utopian project, full of promise, represented by the first world exhibition. Maes shows how time has taken its toll on these architectural monuments and pavilions, now decayed, abandoned, or torn from their original context. In this comprehensive book, Maes?s photographs are set alongside images of the Great Exhibition in London (1851) through to the most recent expo in Shanghai (2010). The images are accompanied by essays from Anna Jackson, Elena Filipovic and Catherine L. Futter on the history of world fairs, the role of photography and the sculptural character of Maes?s photographic work 1550 g.