Verlag: University Of Chicago Press, 2014
ISBN 10: 022609491X ISBN 13: 9780226094915
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy. Very Good.
Verlag: Fratelli Alinari, FIRENZE, 1992
ISBN 10: 887292197X ISBN 13: 9788872921975
Anbieter: Biblioteca di Babele, Tarquinia, VT, Italien
Zustand: BUONO USATO. INTERLINGUE Volume in brossura pubblicato dalla Fratelli Alinari per iniziativa dell'ENI in colllaborazione con L'Ente Autonomo Teatro della Scala, traduzioni di Erika Pauli e di Fabio Palmiri, copertina flessibile con alette ilustrata a colori, velata da ombre di polvere, ma molto ben conservata, i fogli, impreziositi da un corposo apparato illustrativo, appaiono integri e privi di imperfezioni, testi in italiano e in inglese. N. pag. 109.
Verlag: Cambridge University Press, 2013
ISBN 10: 0521632145 ISBN 13: 9780521632140
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
Erstausgabe
Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. A firm and square hardback with sharp corners and strong joints, complete with original dustjacket, just showing a few very minor rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and tight. Also, no pen-marks and not from a library so no such stamps or labels. Now offered for sale at a very sensible price.
Verlag: Cambridge University Press, 2018
ISBN 10: 1108461832 ISBN 13: 9781108461832
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.
Verlag: Cambridge University Press, 2013
ISBN 10: 0521632145 ISBN 13: 9780521632140
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.