Casid jill (20 Ergebnisse)

Soft cover. Zustand: Near Fine. Near fine copy in softcover. Tall 8vo. Mostly black spine with white titles.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 328 pages. 8.50x5.50x1.50 inches. In Stock.

Zustand: New. pp. 328.

Zustand: New. pp. 312.

Paperback. Zustand: Brand New. 1st edition. 312 pages. 9.75x7.00x0.75 inches. In Stock.

Zustand: New. In English.

Zustand: New. Num Pages: 312 pages, 88ill. BIC Classification: AMV; HB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 17. Weight in Grams: 544. . 2004. First edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Zustand: New. In English.

Zustand: New. Num Pages: 328 pages, 41 black & white illustrations. BIC Classification: AC; AFKV; JFD; TBX. Category: (G) General (US: Trade). Dimension: 216 x 140 x 20. Weight in Grams: 440. . 2015. Illustrated. Paperback. . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. 1st Edition. With globalisation steadily reshaping the cultural landscape, scholars have long called for a full-scale reassessment of art history's largely Eurocentric framework. This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decentre and reorient what is often assumed to be a unified field. xxiii, 231 pages : illustrations ; 25 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Paperback. Zustand: Brand New. 231 pages. 9.25x7.00x1.00 inches. In Stock.

Zustand: Nuevo. -Escenas de proyección- toma los instrumentos proyectivos de la revolución científica desde el telescopio de proyección y la cámara oscura, hasta la luz solar y el microscopio para demostrar que la escena es un complejo dispositivo de poder que produce su propio sujeto. En la medida que saca al yo de su vulnerabilidad e instala la fantasía de una visión de un sujeto racional e inmanente respecto de todas las figuras minoritarias, raciales, queer, feminizadas, perpetúa una estructura de dominación. A lo largo de este libro, Jill H. Casid nos lleva desde los orígenes míticos de la representación hasta instancias ejemplares del arte contemporáneo, con el objetivo de explorar el potencial de transformación de las tecnologías de proyección e invertir su dirección en virtud de posiciones no normativas. Es decir, traza conexiones reprimidas entre elementos de la escena y elementos que cruzan de una escena a otra, para así abrirla y reinventar el sujeto, inaugurar devenires, liberar el potencial del por qué-no, del no no-aquí y del no no-todavía.…

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware - Planting and transplanting, seeding and reshaping-landscaping practices that emerged in the eighteenth century-are inextricable from the contested terrain of empire within which they operated. From the plantations of the 'nabobs' to the island gardens of narrative fiction, from William Beckford's estate at Fonthill to Marie Antoinette's ornamented farm, Sowing Empire considers imperial relandscaping-its patriarchal organization, heterosexual reproduction, and slavery-and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance-how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape.In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the 'heartlands' of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system-as a means of regulating national, sexual, and gender identities-Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as 'European.'Utilizing a wide range of both visual and written sources-maps, literature, and travel writing-this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.Jill H. Casid is assistant professor of art history and part of the developing transdisciplinary program in visual culture studies at the University of Wisconsin, Madison.…

01-12-2022 edición A lo largo de este libro, Jill H. Casid nos lleva desde los orígenes míticos de la representación hasta instancias ejemplares del arte contemporáneo, con el objetivo de explorar el potencial de transformación de las tecnologías de proyección e invertir su dirección en virtud de posiciones no normativas. Es decir, traza conexiones reprimidas entre elementos de la escena y elementos que cruzan de una escena a otra, para así abrirla y reinventar el sujeto, inaugurar devenires, liberar el potencial del por qué-no, del no no-aquí y del no no-todavía. páginas/pasges.…

Taschenbuch. Zustand: Neu. Sowing Empire | Landscape and Colonization | Jill H. Casid | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2004 | University of Minnesota Press | EAN 9780816640966 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Zustand: New. Zustand des Schutzumschlags: NUEVO.