cartwright veronica (13 Ergebnisse)

Vintage compilation publicity photograph from the 1986 film, showing Emilio Estevez and Demi Moore. Estevez' directorial debut, about a young graduate who decides to embark on a cross-country bank robbing spree, accompanied by his girlfriend, in order to erase loan and mortgage records for the farmers and working class citizens of the country. Shot on location throughout Southern California, and in Albuquerque, New Mexico. 10 x 8 inches. Fine.

VHStape. Zustand: Befriedigend. 3 VHS-Kassetten in Pappschuber.- Schuberkanten mit Tesa verstärkt, SChuber berieben, Kassetten in Ermangelung eines entsprechenden Gerätes nicht funktionsüberprüft /// Standort Wimregal HOM-51.236 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 938.

Hardcover. Zustand: Very Good. In stock ready to dispatch from the UK.

250 : 200 mm. Brustbild von vorn als Cathy" in The Birds".

VHStape. Zustand: Befriedigend. Seiten; VHS - 6-72-3-L3 I6-DOVR-E1GC Sprache: Deutsch Gewicht in Gramm: 500.

GROSSFOTO, EIGENHÄNDIG SIGNIERT (dito : GF mit etwas schwacher Widmung für Euro 35,-).

Draft script for the 1979 British-American film, a revision credited to screenwriters Walter Hill and David Giler, based on an earlier draft by Dan O'Bannon and Ronald Shusett. Noted as copy No. 43 in blue manuscript ink on the verso of the last leaf, along with some broad notes on the screenplay. The original drafts for "Alien" were written by O'Bannon and Shusett between 1976-1977. In early-mid 1978 Walter Hill and David Giler rewrote the script over several drafts (this being one of those), and finally in late 1978 Dan O'Bannon returned to do a complete rewrite, and ultimately received the screenwriter credit in the film. One of the greatest science fiction or horror films ever made (take your pick), and the auspicious debut of director Ridley Scott. The franchise was so rich in themes and expandability that it has generated five sequels, including the second "Aliens," directed by James Cameron. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways. Returning home from a mission, the crew of the spacecraft Nostromo is aroused by the ship's computer to answer a distress signal from a nearby planet. The rescue team, lead by Capt. Dallas (Skerritt), discovers a bizarre pod field with pods housing unseen terror. When a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt), the crew is reluctant to help. Over the objections of Ripley (Weaver), they let Kane back on the ship, but the alien soon erupts from Kane's chest and escapes, eager to find more human hosts. Shot on location in England. Winner of an Academy Award for Best Effects. Titled blue wrappers, dated 1976, with credits for screenwriters Walter Hill and David Giler. Title page integral with front wrapper. 106 leaves with last leaf numbered 104, eye-rest green stock, rectos only. Xerographically reproduced. Near Fine. National Film Registry. Lentz US. Muir US.

Vintage borderless reference photograph of director Ridley Scott with a camera crew on the set of the 1979 film. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels of comparable (or nearly comparable) artistic merit. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways (but also caused viewers to vomit in theaters upon its initial release). Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.

Two vintage borderless reference photographs from the 1975 British film. Annotations in manuscript ink on the verso. A group of silent film actors struggling to survive the transition to sound film decide to start making adult films. John Bynum's directorial debut, filmed entirely in real time on a single set. 8 x 10 inches. About Fine.

Two vintage borderless reference photographs from the 1979 film, one showing Sigourney Weaver and Ridley Scott, the other showing Tom Skeritt examining an alien carcass. Provenance stamps on the versos. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels. Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.

Four vintage color reference photographs from the 1979 film, all four showing actress Sigourney Weaver along with others in the cast. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels. Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. Lightly toned, else Near Fine. National Film Registry. Ebert II.

Revised Draft script for the 1986 film. Copy belonging to First Assistant Camera Egon Stephan, with his name in manuscript ink on the front wrapper. A fantasy tale about a young boy who travels eight years into the future, where he gets entangled with an alien craft. One of the first major Hollywood films to use computer-generated imagery extensively, and one of the first Hollywood films to feature an entirely electronic musical score. Shot on location in Miami, Jupiter, Ft. Lauderdale, Opa-Locka, and Hollywood, Florida, and in San Francisco and San Diego, California in the US, and in Tårnåsen, Norway. Housed in a generic black three-ring binder. Blue titled front wrapper, missing rear wrapper. Title page present, dated January 13, 1986, with credits for screenwriters Michael Burton and Douglas Day Stewart. 129 leaves, with last page of text numbered 113. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 11/26/85 and 1/13/86. Pages Very Good plus, wrapper Very Good plus, with front wrapper moderately foxed and toned.

IP signed photograph, shows Veronica Cartwright in a film scene, 8 x 10 inch, obtained In-Person, signed in silver felt tip "Veronica Cartwright", in very fine condition.