Carter brody (8 Ergebnisse)

cloth. Zustand: Gut. 345 S., Ill. Ex.-Libr., Good condition. Side corners / edges with stain. Sprache: Englisch Gewicht in Gramm: 865.

Hardcover. Zustand: Good. No Dust Jacket. Good condition ex-library hardcover without dust jacket, from St Catherine's College, Oxford. Proceedings of the Fourth International Conference on Input-Output Techniques, Geneva, 8-12 January 1968, Volume 1. Boards are slightly scuffed. Edges, corners and spine ends are bumped and rubbed. Page block is lightly blemished. Usual arrary of library stamps, stickers and barcodes noted. Binding is sound and pages are clear. LW. Used.…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Buone. inglese Condizioni dell'esterno: Discrete con difetti, manca sovraccoperta Condizioni dell'interno: Discrete con Difetti, timbro macchie.

Cloth. Zustand: Gut. 2. Aufl. 387 S. Input- Output- Analyse Produktion Konferenz guter Zustand/ good Ex-Library. Einband lichtrandig ha1078868 Sprache: Englisch Gewicht in Gramm: 750.

Zustand: New. Num Pages: 382 pages. BIC Classification: 1KBB; JKSW1; LAZ; LNFX5. Category: (P) Professional & Vocational. Dimension: 239 x 162 x 28. Weight in Grams: 708. . 2010. Hardback. . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. Landmark document by the Art Workers Coalition which compiled documents and correspondence aggregated to push for better situations for artists. 121 pages in stiff stapled wraps, this original is quite scarce in any condition, this copy being quite decent with one or two notes, most significant of which is a large stain to front cover, alongside some similar but significantly smaller and more faint iterations on front and back panel. Couple of teeny tiny dot stains to front and rear free endpages but hardly so and no other stains besides. Offset toning to full vertical length of front panel, also a bit around the very edges of the margins of the covers and to a lesser extent the interior pages. Staples rusted but still seem quite sturdy, and seems binding should hold well. Interior is clean and free of marks. Covers now in mylar.…

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.…