carol marks (12 Ergebnisse)

Spiral-bound. Zustand: Very Good. 1. Supplements included. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Spiral-bound. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Jaffrey, New Hampshire: David R. Godine / Verba Mundi (2008). First edition. Second printing. Hardbound. New/New. A pristine unread copy (without marks or bruises or any other defect). Comes with archival-quality mylar dust jacket cover (not clipped, of course). Shipped in well-padded box. A novel, translated from the French.

Paperback. Zustand: Brand New. Ceric, Ado (illustrator). 2nd edition. 160 pages. 8.00x5.00x0.37 inches. In Stock.

Paperback. Zustand: Brand New. 352 pages. 8.50x5.50x0.91 inches. In Stock.

Paperback. Zustand: Brand New. 352 pages. 8.50x5.50x0.91 inches. In Stock.

Zustand: New. Editor(s): Suarez-Orozco, Carola; Abo-Zena, Mona M.; Marks, Amy Kerivan. Num Pages: 368 pages, black & white illustrations. BIC Classification: JFFJ; JFFN; JFSL1. Category: (G) General (US: Trade). Dimension: 155 x 230 x 25. Weight in Grams: 584. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Reprint, stapled. Zustand: Gut. pp. 169-192. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - With author's dedication to William Speed Hill. - A very good and clean copy. - From the text: Although everyone pays lip service to Shakespeare's mastery of blank verse, few analysts of his style have considered metrical technique as a source of meaning. One reason for neglect of Shakespeare's metrics is the lack of a broadly accepted theoretical framework. Professional prosodists in the late nineteenth and early twentieth centuries ornamented the elements of traditional metrical analysis with such an array of "allowable" deviations, explained in an arcane and often inappropriately classical terminology, that it lost all value as a means of understanding verse. Furthermore, opposing camps in the wars of the prosodists disputed stress prosody versus temporal prosody, and the battle became a series of inconclusive skirmishes, with the stressers having a numerical superiority but never completely vanquishing their foes. As linguists took an interest in metrics - beginning with Otto Jespersen in 1900, and increasing markedly in the past thirty years - other deficiencies of the traditional approach became evident, the most obvious being its limitation to two levels of stress and its rigid adherence to the foot. Sprache: Englisch Gewicht in Gramm: 550.

Reprint, stapled. Zustand: Gut. pp. 503-521. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - With author's dedication to William Speed Hill. - A good and clean copy. - From the text: When Falstaff addresses the newly crowned heir of Henry IV as King Hal, his political error correctly describes the new kings reconciliation of his multiple selvesa Jack, a sneak-up (1, III. iii.83), Harry Monmouth, Hotspurs sword-and-buckler Prince of Wales (I.iii.227), Harry [who succeeds] Harry (2, V.ii.49). In his effort to penetrate his royal role, the Prince plays such a variety of parts that he sometimes seems more a series of figures in a kaleidoscope than a single dramatic character in the round. The object of the present article is to demonstrate that Hal, Harry, the Prince, and Harry England (H5, III.v.48) are one person whose development we can trace from a seemingly wanton, and effeminate boy (R2, V.iii.10), through his fathers doubtfully worthy heir, to a triumphant majesty as Notre très cher filz Henry, Roy dAngleterre, Héritier de France (V.ii.357-58). What I shall trace more particularly is how Hal/Henry talks: the names by which others speak of him signify who he appears to be; how he himself speaks reveals who he is or is becoming. Sprache: Englisch Gewicht in Gramm: 550.

Zustand: New. Editor(s): Suarez-Orozco, Carola; Abo-Zena, Mona M.; Marks, Amy Kerivan. Num Pages: 368 pages, black & white illustrations. BIC Classification: JFSP1. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 24. Weight in Grams: 680. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Glamour Wounds: Rhonda Lieberman on Helmut Newton," by Rhonda Lieberman; "Agitpop: Andrew Ross' Weather Report," by Andrew Ross; "Agitpop: Diedrich Diederichsen on 'Lipstick Traces' the CD," by Diedrich Diederichsen; "Special Effects: Carol Squiers on the Massacre in Hebron," by Carol Squiers; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Creatures of the Plane," Klaus Kertess visits Carroll Dunham; "As Is: Wolfgang Tillman's Live Style," by Hilton Als; "Louise Fishman: Valles Marineris," by Bertha Harris; "April 4, 1994: A Project for Artforum," by Craigie Horsfield; "Derek Jarman, 1942-1994: A Political Death," by Simon Watney; "Bad Girl Blues: Toot Toot," by Jan Avgikos; "Bad Girl Blues: (Sigh)," by Benjamin Weissman; "Bad Girl Blues: Beep Beep," by Michael Corris; "Once More with Intellect: Italy's New Idea Art," by Giorgio Verzotti; "Openings: Ted Byfield and Lincoln Tobier," by Thad Ziolkowski. Reviews by Dan Cameron, Thomas McEvilley, Donald Kuspit, K. Marriott Jones, Ingrid Schaffner, Patricia C. Phillips, Joshua Decter, Keith Seward, Matthew Weinstein, Barry Schwabsky, Jenifer P. Borum, Lois Nesbitt, Justin Spring, Ronny Cohen, Francine Koslow Miller, James Yood, Sarah Vowell, Lisa Anne Auerbach, Rosetta Brooks, Laura U. Marks, Yishai Jusidman, Menene Gras Balaguer, Francesca Pasini, Olivier Zahm, Claudia Jolles, Noemi Smolik, Sabine B. Vogel, Frank-Alexander Hettig, and Michael Archer. Cover: Craigie Hors.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. GLAMOUR WOUNDS Rhonda Lieberman on The Way We Were DEMOCRACY, INC. Diedrich Diedrichsen and Jutta Koether on Springtime for Hitler PRESS Tina Lyons on Martha Stewart SPECIAL EFFECTS Carol Squiers on the New Penile Code BOOKS Beth Coleman on bell hooks' Black Looks BOOKS Maurice Berger on Richard Bolton's Culture Wars TOP TEN Greil Marcus COLUMNS FEATURES REVIEWS HI-YO SILVER: CADY NOLAND S AMERICA Lane Relyea SOUL CITY: AN INTERVIEW WITH ALAN RUDOLPH Rosetta Brooks PHILIP-LORCA diCORCIA: FIVE NIGHTS OF A DREAMER Gary Indiana A RIDDLE WRAPPED IN A MYSTERY INSIDE AN ENIGMA: THE ART OF S. Y. KOCHELEV Andrew Solomon Josif Bakshteyn THE FUTURE OF THE NATIONAL ENDOWMENT FOR THE ARTS Maurice Berger in cooperation with Ronald Feldman CINDY SHERMAN: BURNING DOWN THE HOUSE Jan Avgikos OPENINGS: RACHEL LACHOWICZ Maria Porges COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Frank Stella Donald Kuspit on Richard Diebenkorn Lisa Liebmann on Richard Tuttle Kirby Gookin on Jan Groover Jan Avgikos on Christopher Wool Linda Yablonsky on David Bowes Keith Seward on Lawrence Gipe Keith Seward on Camera As Weapon Joshua Decter on Candida Höfer Barry Schwabsky on Ellsworth Kelly Justin Spring on Andrew Young Ronny Cohen on Abraham Walkowitz Andrew Perchuk on Jessica Diamond Lois Nesbitt on Hirsch Perlman Lois Nesbitt on Leonardo Drew Jenifer P. Borum on Jaune Quick-to-See Smith BOSTON Francine Koslow Miller on Elizabeth Rosenblum CHICAGO James Yood on Robert Lostutter MINNEAPOLIS Vince Leo on Stuart Mead HOUSTON Tom Moody on Ange Leccia LOS ANGELES David Pagel on Daniel Wiener Amelia Jones on Adam Fuss Amelia Jones on Daniel Wheeler TORONTO Laura U. Marks on Deborah Samuel BARCELONA Menene Gras Balaguer on Pep Duran TURIN Francesca Pasini on Alfredo Pirri MILAN Anthony Iannaci on Jane Hammond PARIS Jean-Pierre Criqui on Emmanuel Saulnier Miriam Rosen on Agustín Victor Casasola SAINT SAVIN Michael Tarantino on Hamish Fulton ZURICH Hans Rudolf Reust on Anselm Stalder BERN Jean-Pierre Criqui on Robert Grosvenor VIENNA Christian Kravagna on Jessica Stockholder MUNICH Justin Hoffmann on Joachim Brohm COLOGNE Norbert Messler on Rosemarie Trockel, Andreas Schulze BONN Noemi Smolik on Alighiero e Boetti HAMBURG Wolf Jahn on Günther Förg BERLIN Bojana Pejic on Heimo Zobernig BRUSSELS Sabine B. Vogel on Michael Asher LONDON Michael Archer on Catherine Yass SYDNEY Charles Green on Lyndal Jones.