Zustand: Very Good. Stuart, Muriel (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Verlag: University Press of Florida, 1998
ISBN 10: 0813016177 ISBN 13: 9780813016177
Sprache: Englisch
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Stuart, Muriel (illustrator). Reprint. Used book that is in clean, average condition without any missing pages.
Verlag: University Press of Florida, 1998
ISBN 10: 0813016177 ISBN 13: 9780813016177
Sprache: Englisch
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Stuart, Muriel (illustrator). Reprint. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Paperback. Zustand: As New. No Jacket. Stuart, Muriel (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Stuart, Muriel (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Stuart, Muriel (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Stuart, Muriel (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Stuart, Muriel (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. Stuart, Muriel (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Verlag: Knopf, 1952
Anbieter: My Dead Aunt's Books, Hyattsville, MD, USA
hardcover. Zustand: ACCEPTABLE. Zustand des Schutzumschlags: NONE. PLEASE NOTE: THIS IS NOT AN INSCRIBED COPY; 243 mostly clean, unmarked, tight pages with several small stains and light tanning around edges; front hinge is cracked at title page; cover is sturdy with wear around edges and corners, darkened spine, fraying at ends of spine, and mild scratches and dings; no dj; very worn program from The Ballet Theatre performance at the Met. Opera House in 1953 laid in.
Verlag: Silvermine Guild Of Artists, New Canaan Ct, 1957
Sprache: Englisch
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Erstausgabe
Soft cover. Zustand: Very Good. 1st Edition. 24 Pp. Descriptions Of All 55 Works With Biographies Of The Artists. Soft Cover. Covers With Browning And Dust, But Almost No Wear, And Contents Fine. Scarce; Worldcat Locates Only One Institutional Holding, At Syracuse. Emily Genauer (1911 - 2002) Was An American Art Critic For The New York World, The New York Herald Tribune, And Newsday. She Won The Pulitzer Prize For Criticism In 1974. She Was Born On Staten Island In 1911, To A Delicatessen-Owning Father Who Was An Amateur Sculptor. After Studying At Hunter College And Columbia University's Graduate School Of Journalism, She Went To Work As A Writer For The New York World, Eventually Becoming A Critic In The 1930S. After She Married Frederick Gash, She Retained Her Maiden Name As Her Byline. She Was Instrumental In Introducing Modern Artists To Her Readers, Championing Marc Chagall, Diego Rivera And Pablo Picasso. She Quit The Newspaper (Which Had Become The New York World-Telegram After A Merger) In 1949, During The Cold War, When World-Telegram President Roy W. Howard Complained That She Was Promoting Left-Wing Artists. Genauer Joined The New York Herald Tribune, Where She Was The Art Critic Through 1967. She Then Went To Work For Newsday, Which Syndicated Her Work. Genauer Also Wrote Books And Served On The National Council On The Humanities From 1966 To 1970.
Verlag: Duell, Sloan And Pearce, New York, 1949
Sprache: Englisch
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Erstausgabe Signiert
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 245 Pp. A Much-Enlarged Edition Of Armitage's 1936 Book, Which Was The First English Language Book About Stravinsky, With Much New Material Added. Black Cloth Printed In Yellow. End Sheets By Carlos Dyer And Edward S. Stevens Jr. Designs And Drawings By Merle Armitage And Executed By Al Ewers. Portrait Photographs By Edward Weston, John Vachon, Fred Plaut, Arnold Newman; Portraits Of Stravinsky By Klee, Pablo Picasso, Russell Cowles, J E Blanche, Marc Chagall, Pasquale Giovanni Napolitano; Drawings By Carlus Dyer And E S Stevens. Inscribed From Merle Armitage, His Wife And His Daughter To Dorothy (Brett). "Editor And Book Designer Merle Armitage Wrote A Book About This Time In New Mexico. Taos Quartet In Three Movements Was Originally To Appear In Flair Magazine, But The Magazine Folded Before Its Publication. This Short Work Describes The Tumultuous Relationship Of D. H. Lawrence, His Wife Frieda, Dorothy Brett And Mabel Dodge Sterne, A Wealthy Patron Of The Arts. Armitage Took It Upon Himself To Print 16 Hardcover Copies Of This Work For His Friends. Richard Pousette-Dart Executed The Drawings For Taos Quartet That Was Published In 1950." (Wikipedia). A Near Fine Example With Just A Trace Of Rubbing At Corners. Dj Complete, Not Price Clipped, No Fading, Slight Browning And Faint Splash Marks On Spine Panel, 1/4" Closed Tear At Center Of Top Edge Of Spine. Inscribed by Author(s).
Verlag: Knopf, New York, 1952
Anbieter: Old Book Shop of Bordentown (ABAA, ILAB), Bordentown, NJ, USA
Erstausgabe Signiert
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: poor. First edition. Firts edition (stated). Oblong oversized hardcover in paper covered boards over light gray cloth spine. WARMLY INSCRIBED ON THE FRONT FREE ENDPAPER, " To my darling Joan-/ My love and interest in her future career. Always/Muriel Stuart/ '52". xii+ 243 pp. with index; 118 line drawing plates demonstrating various ballet techniques. Preface by George Ballanchine. Very good, some edge wear to the boards. Tattered dust jacket laid in. A classci in its field. a guide to the basic techniques and terminology of the ballet. From the personal library of the late general manager of the New York City Opera Daniel Rule, with his ownership signature on the front pastedown and again , as was his habit, on page 99. Muriel Stuart (1901-1991) was an English-born ballerina who danced with Anna Pavlova and later was the leading teacher at the American School of Ballet. Stuart first auditioned for Pavola when she was 8 years old and joined Pavlova's troupe at age 13, dancing with her until 1926.