Produktart
Zustand
Einband
Weitere Eigenschaften
Gratisversand
Land des Verkäufers
Verkäuferbewertung
Verlag: Gardners Books, 1997
ISBN 10: 0571192742ISBN 13: 9780571192748
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 7,65
Verlag: Batsford, 2004
ISBN 10: 0713488557ISBN 13: 9780713488555
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Faber and Faber, 1996
Anbieter: Librodifaccia, Alessandria, AL, Italien
Zustand: Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Discrete con Difetti, bruniture.
Zustand: New. Technische Angaben:Sprache / Ton: Deutsch DD 2.0 (Mono), Englisch DD 2.0 (Mono)Bildformat: 2,35:1 (16:9) (Widescreen) (Technicolor)Untertitel: KeineDer Regisseur Paul Robaix will Madame Butterfly mit einer Japanerin in der Tite.
Verlag: Tonpool Medien|mediacs, 2023
Anbieter: moluna, Greven, Deutschland
Zustand: New. Der geistesgestoerte Genwissenschaftler Professor Nolter ist ein Mann mit hochgesteckten, aber abstrusen Zielen. Um zur naechsten Stufe der menschlichen Evolution durchzubrechen, indem er menschliche mit pflanzlicher DNA kreuzt, schreckt er nicht einmal vor o.
Verlag: Tonpool Medien|mediacs, 2023
Anbieter: moluna, Greven, Deutschland
Zustand: New. Der geistesgestoerte Genwissenschaftler Professor Nolter ist ein Mann mit hochgesteckten, aber abstrusen Zielen. Um zur naechsten Stufe der menschlichen Evolution durchzubrechen, indem er menschliche mit pflanzlicher DNA kreuzt, schreckt er nicht einmal vor o.
Verlag: Plaion Pictures|Koch Media Home Entertainment, 2021
Anbieter: moluna, Greven, Deutschland
Zustand: New. Monumentaler Abenteuerfilm mit absoluter Starbestzung als edle Mediabook-EditionInhaltsverzeichnis- Trailer- Bildergalerie mit seltenem Werbematerial- BookletKlappentextMonumentaler Abenteu.
Verlag: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph from the 1965 film. The film follows the 1911 protest against British rule in Ireland. A young laborer-turned-playwrite combats the regime with his artistic practice. Shot on location in Ireland and England. 8 x 10 inches. Near Fine.
Verlag: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Three vintage color British front-of-house cards from the 1965 film. The film follows the 1911 protest against British rule in Ireland. A young laborer-turned-playwrite combats the regime with his artistic practice. Shot on location in Ireland and England. 8 x 10 inches. Near Fine.
Verlag: o. O. u. D.
Anbieter: Kotte Autographs GmbH, Roßhaupten, Deutschland
Manuskript / Papierantiquität
100 : 150 mm. Brustbild am Set mit einer Darstellerin. - Cardiff gilt als einer der bedeutendsten Kameramänner der Filmgeschichte, besonders wegen seiner Pionierarbeit in der Anwendung des Technicolor-Verfahrens. Als Regisseur drehte er mit Söhne und Liebhaber (1960) einen der stilbildenden Filme der British New Wave.
Verlag: Burbank, CA: Warner Brothers, 1968, 1968
Anbieter: Adrian Harrington Ltd, PBFA, ABA, ILAB, Royal Tunbridge Wells, KENT, Vereinigtes Königreich
Manuskript / Papierantiquität
[Movie Memorabilia] DISTRIBUTOR'S CAMPAIGN BOOKLET and HERALD SAMPLE. Folio (38 x 26cm), a single folded sheet with two leaves inserted. Illustrated in black and white to front cover, concerning the film 'Naked Under Leather' starring Marianne Faithfull and Alain Delon. Also with the Herald sample mentioned in the brochure. A single leaf of paper, folded once. One central rough horizontal fold to brochure, and some light handling. Near fine. A rare promotional brochure sent to box office managers in the USA, encouraging them to invest in extra advertising material and merchandise for this edited version of 'The Girl on a Motorcycle,' which was the first film ever to achieve an X-rating in the US, and popularised the full-body leather motorcycling suit.
Verlag: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage photograph from the set of the 1965 film. Mimeo snipe and Tony Crawley stamp on verso. A young Julie Christie sunning herself on the set of "Young Cassidy." Biographical drama based upon the life of playwright Sean O'Casey, John Cassidy (Taylor) in the film. Following the 1911 protest against British rule in Ireland, a young laborer-turned-playwrite combats the regime with his artistic practice. John Ford was originally slated to direct but fell ill early in the shooting. Set in and shot on location in Ireland and England. 10 x 8 inches. Very Good Plus, some light corner creasing and edgewear.
Verlag: Twentieth Century-Fox, Los Angeles, 1960
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage black and white photograph of director Jack Cardiff and other crew members on location during filming for the 1960 British film. With a mimeo snipe in French on the verso, along with manuscript ink annotations regarding layout. Based on the 1913 novel by D.H. Lawrence, following a young man caught between his domineering mother, his repressed former girlfriend, and an attractive but married coworker. Nominated for six Academy Awards including Best Picture, Best Director, Best Actor, and Best Screenplay, winning one for Best Cinematography. Set in the town of Bestwood, and shot on location in Nottingham, UK. 8 x 10 inches. Very Good plus, lightly creased.
Verlag: N.p., N.p., 1959
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in manuscript pencil and copy number "36" annotated on title page above title in manuscript ink. Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering, manipulative mother, his repressed former girlfriend, and an independent but married co-worker. Winner of an Academy Award, nominated for six others including, Best Picture, Best Director, Best Actor for Trevor Howard, and Best Screenplay. Nominated for the Palme d'Or. Set in an English coal-mining town in the early twentieth century. Shot on location in English coal-mining county of Nottinghamshire. Red untitled wrappers with die-cut title window in the British style. Title page present, dated December 8th, 1959, noted as SHOOTING FINAL, with credits for screenwriter Gavin Lambert and author D.H. Lawrence. 109 leaves, with last page of text numbered 107. Mimeograph duplication, rectos only, with white revision pages throughout, dated variously between Dec. 2. 1959 and Dec.5/2. 1959. Pages Near Fine, wrapper Near Fine, bound internally with three flat metal brads.
Verlag: N.p., N.p., 1959
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität Signiert
Shooting Final script for the 1960 film. Presentation copy belonging to producer Jerry Wald, with his name in gilt on the spine. 20 reference photographs bound in variously among the script pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering mother, his repressed former girlfriend, and an independent but married coworker. Nominated for seven Academy Awards, and nominated for the Palme d'Or. Set in an English coal-mining town in the early twentieth century, and shot on location in Nottinghamshire. Bound in blue cloth with navy quarter leather binding, with five raised bands and gilt titles on the spine. Title page present, dated December 8th, 1959, noted as SHOOTING FINAL, with credits for screenwriters T.E.B. Clarke and Gavin Lambert and author D.H. Lawrence. 150 leaves, with last page of text numbered 107. Mimeograph duplication on eye-rest green stock, rectos only, with revision pages on eye-rest green and blue stock throughout, dated variously between December 23, 1959, and April 18, 1960. Pages Near Fine, binding Near Fine.
Verlag: Warner Brothers, Burbank, CA, 1970
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph from the US release of the 1968 British-French film, seen here under the US title "Naked Under Leather," showing director Jack Cardiff helping actress Marianne Faithfull onto a motorcycle alongside actor Alain Delon. Based on the 1963 erotic novel by Andre Pieyre de Mandiargues. Dissatisfied with her husband, newlywed Rebecca takes off on her prized motorbike to visit her lover in Heidelberg. The first film to receive an X rating in the United States. Shot on location in France, Germany, England, and Switzerland. 8 x 10 inches, with wide side margins. Near Fine.
Verlag: Warner Brothers, Burbank, CA, 1968
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Two oversize double weight borderless photos of Jack Cardiff on the set of the 1968 film. Based on the 1963 novel by André Pieyre de Mandiargues. Dissatisfied with her husband, newlywed Rebecca takes off on her prized motorbike to visit her lover in Heidelberg. Nominated for the Palme d'Or, and the first film to receive an X rating in the United States. Shot on location in France, Germany, England, and Switzerland. 9.25 x 12 inches. Near Fine.
Verlag: Warner Brothers, Burbank, CA, 1968
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Oversize double weight sepia-tone photograph of Marianne Faithfull (and Alain Delon's legs) on the set of the 1968 film. Based on the 1963 novel by André Pieyre de Mandiargues. Dissatisfied with her husband, newlywed Rebecca takes off on her prized motorbike to visit her lover in Heidelberg. Nominated for the Palme d'Or, and the first film to receive an X rating in the United States. Shot on location in France, Germany, England, and Switzerland. 9.25 x 12 inches. Near Fine.
Verlag: Warner Brothers, Burbank, CA, 1968
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Two vintage studio still photographs and one vintage reference photograph from the 1968 film, all showing cast and crew members on the set. Based on the 1963 novel by André Pieyre de Mandiargues. Dissatisfied with her husband, newlywed Rebecca takes off on her prized motorbike to visit her lover in Heidelberg. Nominated for the Palme d'Or, and the first film to receive an X rating in the United States. Shot on location in France, Germany, England, and Switzerland. 10 x 8 inches. Near Fine.
Verlag: The Writers' Guild of Great Britain 430 Edgware Road London. Two items on Pulman's letterhead 31 Steele's Road London, 1968
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität Signiert
Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S. Bourguignon, Ronald Duncan, Jack Cardiff, Gillian Freeman'. A full description of the case in fourteen numbered sections, giving a great deal of detail regarding the composition of the script (beginning with a list of six 'writing stages'), and Pulman's reasons for reaching his conclusion. He describes the film as 'a story, done very much in the style of "Un Homme et Une Femme", using a very similar continuity of flashback and throught [sic] track'. On reading through the material presented to him, Pulman found that 'one impression emerged clearer than ever that the final shooting script (6) differed very little from Bourguignon's adaptation which Cardiff says could "never be used on a professional basis." To see whether this impression was correct or not, I made a careful breakdown of scene continuity of the Bouguignon script, the Duncan script and the final shooting script, and compared them. These are enclosed with this opinion.' (The are Items Two to Four below.) He does not 'believe that anyone, comparing these breakdowns, could come to any conclusion other than that the screenplay credit belongs niether [sic] to Cardiff nor Duncan but solely to Bourguignon'. Since Bourguignon 'seems to be claiming no credit' he proposes to amend the credit to: 'SCREENPLAY by S. Bourguignon. | Additional Scenes by Ronald Duncan and Jack Cardiff.' TWO: Two-page typescript headed 'Continuity - BOURGIGNON [sic]'. Twenty-four points, beginning with 'Rebecca rises from her husband's bed, puts on her black suit, takes her motorcycle and sets off to see her lover, Daniel.' Last point: '24. She leaves the cafe and gets on her motor cycle again. She is going very fast. She is killed in a collision.' THREE: Three-page typescript, headed 'Ronald DUNCAN - Continuity. | Second Draft'. Twenty-seven numbered points, beginning with: '1. Rebecca rises from her husband's bed, takes her black suit and motorcycle and sets off for her lover.' Last point: '27. She leaves the grass verge and drives on. She arrives at Daniels. He is not present but she sees the photo frame, this time with the woman in it which is [sic] obviously always takes out when he visits her. She walks out of his life, leaving the motor cycle there.' FOUR: Three-page typescript headed 'Continuity - Final Script | Jack Cardiff'. Thirty-one points, beginning with: '1. Rebecca, asleep with her husband, has a dream about him and Daniel.' Last point: '31. She leaves the grass verge and gets back on the road again. Thinking of Daniel, she has a collision with a car and is killed.' FIVE: Copy of typed 'postscript to my opinion dated 29th April, 1968', by Pulman. On his letterhead. Dated 6 May 1968. 1p., 4to. Amending his proposed credit, following a discussion 'at some length with Dick Sharples', to 'Screenplay by - RONALD DUNCAN | Adapted by - JACK CARDIFF'. SIX: Copy of letter from Alan Griffiths, General Secretary of the Writers' Guild, to Stuart Freeman, 14 May 1968. 1p., 4to. With Griffiths' compliments slip.