Cardew richard (9 Ergebnisse)

Paperback. Zustand: Brand New. 312 pages. 9.20x6.10x0.70 inches. In Stock.

Zustand: New. In English.

Einband - fest (Hardcover). Zustand: New. Richard V. Cardew, John V. Langdale, David C. RichDuring the 1970s, accelerating change accompanied by dramatic developments in finance, technology and energy usage had a profound impact on the processes of urban development throughout the Western wo.

Hardcover. Zustand: Brand New. 1st edition. 307 pages. 9.37x6.38x0.94 inches. In Stock.

Zustand: New. Explores the relationship between urban growth and economic change in Sydney, particularly in the 1970s. This book concentrates on the major productive sectors of economic activity and investigates the various roles of government - local, state and federal. It considers the social consequences of urban change, and evaluates policy options. Editor(s): Cardew, Richard V.; Langdale, John V.; Rich, D.C. Num Pages: 310 pages, Illustrations, maps. BIC Classification: JFSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 23. Weight in Grams: 566. . 2006. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Buch. Zustand: Neu. Neuware - During the 1970s, accelerating change accompanied by dramatic developments in finance, technology and energy usage had a profound impact on the processes of urban development throughout the Western world. Why Cities Change explores the relationship between urban growth and economic change in Sydney, particularly ini the 1970s. It concentrates on the major productive sectors of economic activity and investigates the various roles of government - local, state and federal. The social consequences of urban change are considered, and policy options evaluated. Sydney is the focus of the book as a particularly interesting example of patterns and problems to be found in most major Western cities.This book was first published in 1982.…

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.…

Paperback. Zustand: Near Fine. 1st Edition. Book. Rare complete run of Living Arts Magazine (3 issues published 1963-4),edited by Theo Crosby and John Bodley. Black & white printed in glossy wraps. Crosby associated himself with ICA in the early 60s and in 1963, under Croby's lead, the ICA exhibited Living Cities, to foreground the urban theories of the young Archigram group. The magazine therefore becomes an intrinsic part of the new international vision set out by Crosby and others, overlapping with other landmark publications of the era/movewment such as This Is Tomorrow, and Archigram. Autumn '60 for Ochestra by Cornelius Cardew, Photographs by Robert Freeman and Letter from the Airport by Carl Nesjar feature in Volume 1. Volume 2 includes : Sculptures and Statement by Peter Startup, Urbane Image by Richard Hamilton and Living City by Peter Cook, Dennis Compton et al. Volume 3 includes THe Allegorical Situation by Bernard Cohen, David Sylvester interviewing David Smith, Communication and Symbolic Value by Gillo Dorfles, THe Atavism of the Short-Distance Minicyclist by Reyner Banham and review of Living City by Robert Maxwell. The 50 page Living City section of Volume 2 includes THE EXHIBITION - EXPERIENCE 19 JUNE - 2 AUGUST 1963 described and expanded by it's designers, with Manifesto, Introduction & ket to the numerous pages of illustrations, design and texts. Amongst the many contributions are THE KEY TO THE VITALITY OF THE CITY by Peter Cook, CITY SYNTHESIS by Dennis Crompton, Total Exhibition Structure, MOVEMENT GLOOP, and FINAL NOTES ON THE LIVING CITY. Condition - the plastic cover tends to bubble. A fault uniform in all copies (& apparent in all 9 copies of issue 2 exhibited in Tate Modern Hamilton retrospective, 2014). These copies have some of that bubble effect but are the best I have seen with only a little near spine. Each rubber stamped neatly on colophon page "Michael Farr (Design Integration) 97 Jerymn Street London " (a prestigious London design company). Slight wear to issue 1 cover. General minor handling. Copies are prone to curling of covers due to plastic overlay, but being housed in a homemade cardboard slipcase these copies are better than usual. Minor rubbing to colophon pages (from inside flap printed image). Very difficult to find a set in this kind of condition. VG++/ near fine.…

Zustand: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers' knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg's inclusion in no. 1 emphasises that it did see itself as a reaction against narrow concrete: "The aim of Pages is to publicise the avant-garde, and by doing so to prove that it does not exist except as a name" (Foreward, Pages No. 1, David Briers). Pages No. 1, Autumn, 1970. David Briers (ed.), 35pp., 210 x 295 mm. Printed black, white and blue on white stock, stapled into colour printed wraps. Includes a loose inserted postcard by Richard Hamilton 'Postmark' (1970). Contents include: dsh's 'parameters and paramitas' with other contributions from Diter Rot, Jochen Gerz, Jiri Valoch, Tom Phillips, Mauricio Kagel, Joseph Beuys. Cover image by Herman Makkink 'Christ Unlimited'. Pages No. 2, Winter, 1970. David Briers (ed.), 37pp., 210 x 295 mm. Printed black, white on white and green paper, stapled into colour printed wraps. 39pp. Includes Nicholas Zurbrugg's article 'Towards the death of concrete poetry' and controbutions from Jiri Valoch, John Furnival, Richard Demarco, Cornelius Cardew, Ian Breakwell, Robert Filliou and others. Cover image by Herman Damen. Pages No. 3, 1972. 23pp., 210 x 295 mm. Cover image by Robin Crozier. Ref: Allen, Artist's Magazines - An Alternative Space For Art, MIT Press, 2011 p283. Condition: some wear and marks to covers, some foxing to top of front covers of issues 1 & 3, no writing or tears. Overall: VG+. ADDITIONAL MATERIAL: Included with this complete set of magazines are 2 additional sheets, printed black on white stock and stapled in corner. These sheets are rare and have not been seen by us before. They include Pages information and sales details.…