cardew michael (12 Ergebnisse)

1976 1st edition with numerous B&W illustrations; spine and cover uncreased with yellowed edges. a sprinkle of foxing to page fore-edgesDust jacket not price-clipped and in VGC. Internally, owner's name on first page; pale yellow discolouration spots to edges of pages throughout; otherwise, a good, tidy copy. Used - Good. Good paperback in dust jacket Used - Good. Good paperback in dust jacket.

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Reprint. 1962. Reprint of the second edition of 1945. xxvii, 294pp., 4 colour plates, 77 black and white illustrations and numerous other illustrations within the text. Bernard Howell Leach (1887-1979) was a famous English potter, born in Hong Kong and was the leading figure in the development of Studio Pottery in Britain. In Japan he was a student of Ogata Kenzan, and after returning to England he established a pottery at St. Ives with Shojin Hamada, where he produced stoneware and rakuwear using local materials. This book is the outcome of 33 years' experience of making pots by hand processes in the Far East and in England. It is a practical book for those potters who work as artists, either in one-man studios or in small workshops. After an intorduction on Leach in Japan by Soyetsu Yanagi, a preface by Michael Cardew and the author's preface, the book contains the following chapters: Towards a Standard; Raku - English Slipware - Stoneware - Porcelain; Clays; The Making of Clay Shapes; Decoration; Pigments and Glazes; Kilns; The Workshop. The book is bound in the original tan cloth covered boards with red titling on the spine and front board together with a red illustration of a potter at a wheel on the front board. The case of the book is in very good condition with light bumping to the spine ends. The contents are tight and clean with no inscription. The unclipped dustwrapper is very good with some shelf wear and light soiling and slight fading to the spine. There is rubbing down the spine edges and the spine ends are lightly bumped. The rear flap has an old tape stain running down the edge. The wrapper is in an easily removed clear plastic protective cover.

Zustand: Gebraucht / Used. Paperback. Good. 205pp.

Paperback. Zustand: Very good in wraps. First Edition. 18 x 23cm very good paperback with a short essay plus colour reproductions.

Hardcover. Zustand: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery.

SOFTCOVER. Zustand: Fine. 1st Edition. Landscape 4to in colour printed stiff glossy card covers, 54pp (plus a few pages of auctioneers blurb at rear), 152 lots all or most illustrated in colour. . [CONDITION: Some scattered ink notes to text else FINE, an otherwise well preserved clean and tight copy ] . . . . . . . . . . . . . To see more of our books on Ceramics type DbbPOTTERY in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

First edition, first printing. Fine in fine dustjacket.

Hardcover. Zustand: VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. 10.2 X 7.3 X 1.1 inches. 368 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

hardcover. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

First edition, first printing. Very good, to include an article on the pottery of Bernard Leach by Michael Cardew.

Paperback. Zustand: Near Fine. 1st Edition. Book. Rare complete run of Living Arts Magazine (3 issues published 1963-4),edited by Theo Crosby and John Bodley. Black & white printed in glossy wraps. Crosby associated himself with ICA in the early 60s and in 1963, under Croby's lead, the ICA exhibited Living Cities, to foreground the urban theories of the young Archigram group. The magazine therefore becomes an intrinsic part of the new international vision set out by Crosby and others, overlapping with other landmark publications of the era/movewment such as This Is Tomorrow, and Archigram. Autumn '60 for Ochestra by Cornelius Cardew, Photographs by Robert Freeman and Letter from the Airport by Carl Nesjar feature in Volume 1. Volume 2 includes : Sculptures and Statement by Peter Startup, Urbane Image by Richard Hamilton and Living City by Peter Cook, Dennis Compton et al. Volume 3 includes THe Allegorical Situation by Bernard Cohen, David Sylvester interviewing David Smith, Communication and Symbolic Value by Gillo Dorfles, THe Atavism of the Short-Distance Minicyclist by Reyner Banham and review of Living City by Robert Maxwell. The 50 page Living City section of Volume 2 includes THE EXHIBITION - EXPERIENCE 19 JUNE - 2 AUGUST 1963 described and expanded by it's designers, with Manifesto, Introduction & ket to the numerous pages of illustrations, design and texts. Amongst the many contributions are THE KEY TO THE VITALITY OF THE CITY by Peter Cook, CITY SYNTHESIS by Dennis Crompton, Total Exhibition Structure, MOVEMENT GLOOP, and FINAL NOTES ON THE LIVING CITY. Condition - the plastic cover tends to bubble. A fault uniform in all copies (& apparent in all 9 copies of issue 2 exhibited in Tate Modern Hamilton retrospective, 2014). These copies have some of that bubble effect but are the best I have seen with only a little near spine. Each rubber stamped neatly on colophon page "Michael Farr (Design Integration) 97 Jerymn Street London " (a prestigious London design company). Slight wear to issue 1 cover. General minor handling. Copies are prone to curling of covers due to plastic overlay, but being housed in a homemade cardboard slipcase these copies are better than usual. Minor rubbing to colophon pages (from inside flap printed image). Very difficult to find a set in this kind of condition. VG++/ near fine.