Produktart
Zustand
Einband
Weitere Eigenschaften
Gratisversand
Land des Verkäufers
Verkäuferbewertung
Verlag: Imprint Society, Barre, Massachusetts, 1971
Anbieter: Hoffman Books, ABAA, IOBA, Columbus, OH, USA
Signiert
Hardcover. Zustand: Very Good. 1 of 1950 sets. Signed Limited Edition with slip case, 2 Vol. set, Fine.
Verlag: Imprint Society, 1971
ISBN 10: 0876360150ISBN 13: 9780876360156
Anbieter: ThriftBooksVintage, Tukwila, WA, USA
Buch Signiert
Hardcover. Zustand: Good. No Jacket. Complete 2 volume set. SIGNED by the editor. Shelf and handling wear to cover and binding, with general signs of previous use. Numbered 132/1950; Slipcase shows moderate edgewear and rubbing; Both volumes in similar condition: Cover shows light edgewear; Binding is sound; Page edges are lightly foxed; Interior pages are unmarked; R.A.J. van Lier signature and numbering on final page of Volume 2; Secure packaging for safe delivery. 3.25.
Verlag: J. Johnson, London, 1813
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Volume II ONLY. Illustrated with 39 fine copper engravings and 1 folding map from drawings made by the author and engraved by William Blake, Bartolozzi and others. Small 4to, contemporary calf-backed marbled boards; spine lacking top segment, front inner hinge repaired. London: J. Johnson & J. Edwards, 1813. Second edition, corrected; second issue. A good copy. John Gabriel Stedman (1744-1797) was a distinguished British Dutch soldier and noted author. His first-hand account of his time in Surinam is ".one of most detailed descriptions ever written of an eighteenth-century slave plantation society." and became an important tool in the abolitionist cause. He described as well all aspects of natural lie in this South American colony. First published in 1796, the unsold copies of the second edition [of 1806] were issued with a new title-page in 1813. Library blind-stamp & label.
Verlag: J. Johnson, London, 1796
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Erstausgabe
hardcover. Zustand: very good(-). First. Engraved frontispiece in the first volume, and 2 title page vignettes, plus 79 (of 80) fine copper engravings from drawings made by the author and engraved by William Blake, Bartolozzi and others, which include 3 folding maps and 1 folding panoramic view. 2 volumes. Small 4tos, recent brown blind stamped polished calf, red spine labels. London: J. Johnson & J. Edwards, 1796. First edition. A very good (-) copy with decent margins, though title is cropped close on fore-edge side, and footer text has been partially cropped on some of the plates. Light foxing throughout and some staining in gutter at rear of volume one; plate 35 is amateurishly "colored." John Gabriel Stedman (1744-1797) was a distinguished British Dutch soldier and noted author. His first-hand observation and depiction of slavery and other aspects of colonization became an important tool in the abolitionist cause. He described as well all aspects of natural lie in this South American colony. An imperfect copy of the true first edition with tiny "Blake" engraved beside the cannon on first title vignette.
Verlag: Printed for J. Johnson and J. Edwards, London, 1796
Anbieter: Heritage Book Shop, ABAA, Beverly Hills, CA, USA
Erstausgabe
BLAKE, William (illustrator). With Eighty-Three Plates and Maps, of Which Sixteen are Engraved by Blake STEDMAN, Captain J.G. Narrative, of a Five Years' Expedition, against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America; from the year 1772, to 1777: elucidating the history of that country, and describing its productions, viz. quadruple, birds, fishes, reptiles, trees, shrubs, fruits, & roots; with an account of the Indians of Guiana, & Negroes of Guinea. Illustrated with 80 elegant engravings, from drawings made by the author. London: Printed by J. Johnson, 1796. First edition, among Blake's finest work as a book illustrator. Two quarto volumes (10 7/16 x 8 1/8 inches; 265 x 206 mm). xviii, 407 (ie 415 as usual), [1, blank], [7, index, directions for placing the plates and errata], [1, blank]; iv, 404, [7, index, directions for placing the plates and errata], [1, blank] pp. Plates watermarked 1794. Complete with eighty-three etched plates including frontispiece (first volume), both title pages with etched vignettes and eighty plates of which sixteen were engraved by Blake and five are folding (maps and plates). All after Stedman. Pages 111 & 112 of volume I misbound between pages 104 & 105. This copy with a faint "Blake" signature in Volume 1 vignette on the title-page, bottom left just above the protruding cannon, which is not present in volume 2. Later editions do not have this. Contemporary full mottled calf. Volume I with repairs to head and tail of the spine and the front and rear joints. Front and back joints of Volume I, cracked but holding. Volume II with invisible rebacking, preserving original spine. Boards tooled in gilt. Each volume with two black morocco spine labels, lettered in gilt. Edges speckled brown. Marbled endpapers. Green silk bookmarks in each volume. Overall a very good set and internally very clean. "Stedman, an officer in the Scots Brigade in Holland, volunteered for service against the negroes in Dutch Guiana. While out there he to all intents married the subject of Number 9 [facing p. 95], Joanna, a Mulatto, and had a son by her, who became a midshipman in the British Navy, but died young. The author emerges as a most interesting and sympathetic character. As Lowndes rightly says the book is as entertaining as a romance. It will be noticed that William Blake engraved thirteen plates, while three plates were engraved by Bartolozzi". "Many of the plates, it will be noticed, were engraved by [William] Blake, who had learnt his trade from Basire, to whom he was apprenticed for seven years from August 1772. As Keynes says in his bibliography From 1791 until 1800 Blake did much of his work as a journeyman engraver for the booksellers" (Abbey). Keynes eventually decided that Blake was responsible for sixteen of the plates. "Both text and plates made a strong impression on reviewers. The Analytical Review, XXIV (Sept. 1796), said 'The numerous plates.are neatly engraved, and are, we have great reason to believe, faithful and correct delineations of objects described in the work.' The Critical Review (jan. 1797) praised the engravings as being 'in a style of uncommon elegance'" (Bentley). Bentley 499A. Cox II, p. 285; Abbey, Travel, 719. Sabin 91075. Cundall, West Indies, 1715. Ray England 2. HBS 66086. $5,500.
Verlag: Printed for J. Johnson and J. Edwards, London, 1796
Anbieter: Heritage Book Shop, ABAA, Beverly Hills, CA, USA
Erstausgabe
BLAKE, William (illustrator). . Narrative of a Five Years' Expedition Against the Revolted Negroes of Surinam, in Guiana, on the wild coast of South America; from the year 1772, to 1777: elucidating the history of that country, and describing its productions, viz. quadrupeds, birds, fishes, reptiles, trees, shrubs, fruits, & roots; with an account of the indians of Guiana, & negroes of Guinea.illustrated with 80 elegant engravings from drawings made by the author. London: Printed for J. Johnson and J. Edwards, 1796. Full Description: STEDMAN, Captain J.G. Narrative, of a Five Years' Expedition, against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America; from the year 1772, to 1777: elucidating the history of that country, and describing its productions, viz. quadruple, birds, fishes, reptiles, trees, shrubs, fruits, & roots; with an account of the Indians of Guiana, & Negroes of Guinea. Illustrated with 80 elegant engravings, from drawings made by the author. London: Printed by J. Johnson, 1796. First edition, deluxe hand-colored large paper issue. Among Blake's finest work as a book illustrator. Two quarto volumes (11 1/2 x 9 inches; 290 x 228 mm). xviii, 407 (ie 415 as usual), [1, blank], [7, index, directions for placing the plates and errata], [1, blank]; iv, 404, [7, index, directions for placing the plates and errata], [1, blank] pp. Some plates watermarked 1794. Complete with eighty-three hand-colored etched plates including frontispiece (first volume), both title-pages with etched vignettes and eighty plates of which sixteen were engraved by Blake and five are folding (maps and plates). Two of the plates are heightened in gold. All after Stedman. Colored copies of the first edition are rare. this list of subscribers shows only about 200. Full contemporary marbled calf, rebacked. boards ruled and tooled in gilt. Spines with red and black morocco spine labels, lettered in gilt. Spines stamped in gilt. Drab green endpapers. Gilt dentelles. Gilt board edges. All edges marbled. Boards with some rubbing and corners a bit bumped. In volume I, C5 with a closed tear, repaired not affecting text. Leaves Y-Y3 with neat repairs to top margins, just barley touching headline. Leaf Y4 with closed tear to bottom margin, neatly repaired and just touching a few letters. In volume II, leaf Qq3 with a closed tear neatly repaired at bottom margin, not affecting text. Some general toning and light staining, but overall very good with beautiful hand-colored plates. "Stedman, an officer in the Scots Brigade in Holland, volunteered for service against the negroes in Dutch Guiana. While out there he to all intents married the subject of Number 9 [facing p. 95], Joanna, a Mulatto, and had a son by her, who became a midshipman in the British Navy, but died young. The author emerges as a most interesting and sympathetic character. As Lowndes rightly says the book is as entertaining as a romance. It will be noticed that William Blake engraved thirteen plates, while three plates were engraved by Bartolozzi". "Many of the plates, it will be noticed, were engraved by [William] Blake, who had learnt his trade from Basire, to whom he was apprenticed for seven years from August 1772. As Keynes says in his bibliography From 1791 until 1800 Blake did much of his work as a journeyman engraver for the booksellers" (Abbey). Keynes eventually decided that Blake was responsible for sixteen of the plates. "Both text and plates made a strong impression on reviewers. The Analytical Review, XXIV (Sept. 1796), said 'The numerous plates. are neatly engraved, and are, we have great reason to believe, faithful and correct delineations of objects described in the work.' The Critical Review (jan. 1797) praised the engravings as being 'in a style of uncommon elegance'" (Bentley). Bentley 499A. Cox II, p. 285; Abbey, Travel, 719. Sabin 91075. Cundall, West Indies, 1715. Ray England 2. HBS 69040. $17,500.