Cao maggie (24 Ergebnisse)

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Hardcover. Zustand: Brand New. 368 pages. 10.25x7.25x1.25 inches. In Stock.

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Paperback. Zustand: Brand New. 160 pages. 12.25x9.00x10.98 inches. In Stock.

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 160 pages. 12.25x9.00x10.98 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

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Zustand: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 368 pages. 10.25x7.25x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. 261 pages. 10.25x7.25x0.75 inches. In Stock.

Zustand: New. In English.

Zustand: New. &Uumlber den AutorMaggie M. Cao is associate professor of art history and the David G. Frey Scholar in American Art at the University of North Carolina at Chapel Hill. She is the author of The End of Landscape in Nineteenth-Ce.

Buch. Zustand: Neu. Neuware - A fresh look at the global dimensions of US painting from the 1850s to 1898. Painting US Empire is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Maggie M. Cao crafts a nuanced portrait of nineteenth-century US painters' complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture. Revealing how the US empire was 'hidden in plain sight' in the art of this period, Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including Tavares Strachan, Nicholas Galanin, and Yuki Kihara, Cao addresses important contemporary questions around representation, colonialism, and indigeneity. This book foregrounds an underacknowledged topic in the study of nineteenth-century US art and illuminates the ongoing ecological and economic effects of the US empire.…

Gebunden. Zustand: New. Klappentext The End of Landscape in Nineteenth-Century America engages the precarious status of landscape art in the period that witnessed the closing of the frontier, the transition to finance capital, and a crisis of both.

Buch. Zustand: Neu. Neuware - 'The End of Landscape in Nineteenth-Century America engages the precarious status of landscape art in the period that witnessed the closing of the frontier, the transition to finance capital, and a crisis of both subject and representational means. At once deeply grounded in the material, cultural, and discursive conditions of painting in the later nineteenth century, Cao's important book--by explaining the eccentric logic of landscape's endgames--also refigures our understanding of its beginnings and its futures. Lucidly analyzing the varied responses of landscape artists to the ever more immaterial conditions of modernization, and to the loss of a firm 'ground' for their genre, Cao's book adds to our expanding understanding of the space-time matrix--the physical, social, and historical transits--within which works of art live.'--Angela Miller, Professor of Art History, Washington University in St. Louis.…