c de morgan (37 Ergebnisse)

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. Standard Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Used.

Hardcover. Zustand: Used.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. 1781721648. 6/17/2026 6:40:48 PM.

Zustand: New.

Paperback. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: fine. Zustand des Schutzumschlags: near fine. Oscar De Mejo (illustrator). With color illustrations and b/w photos throughout. 143 pages. 4to, green cloth, d.w. New York: Abrams, (1992). A fine copy in a near fine dust wrapper, faint scuffing to covers.

Zustand: Neuf. Alex Alice (illustrator).

Zustand: Good. Light scuffs & scratches to the jacket, wear & nicks to the edges. Minor bumps to the corners of the hardcover. Stickers on the endpapers. Faint marks to the edges of the textblock. Content is in very good, clean condition.

Zustand: Very good.

Zustand: Very good.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. Zustand: Gut. Department of Mathematics, Monash University, Clayton 1976 - 1979. History of Mathemtics Papers, 1, 8, 9.- De Morgan and the Foundation of Algebra.- De Morgan's Notebook on Complete Algebra.- De Morgan and the Transition from Infinitesimals to Limits.

Magazine. Zustand: Very Good. 40pp. Newsprint [43cm x 27.5cm / 17" x 11"]. Ten bifolia (sheets folded vertically once to form forty pages). Lightly and sporadically age-toned, a bit more so around edges and folds. Some very light and sporadic staining, creasing, toning. Earth First! is a group of radical environmentalists that formed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice. No compromise in the defense of Mother Earth!" (Dave Foreman, Editor). Rear cover half-page illustration by Brush Wolf is untitled and depicts two howling wolves standing atop an upside down bulldozer. Cover articles: "El Tigre: Doesn't Live Here Anymore" by Dan Dagget and "Undeveloped Lands In New England For Sale, Cheap" by Jamie Sayen. Other articles include "Connecticut River of Salmon Return" by Zapus Sylvester, "Quebec Ski Area Slides Over Local and Environmental Concerns" by Roger Sansterre, "Idaho Wilderness Gets the Axe!" by Somerset, "Deep Ecology and the New Civil Rights Movement" by Mike Roselle, "Conservation Biology and the Greater North Cascades Ecosystem" by Mitch Friedman, "The Neanderthal Gene" by Dave Foreman, and "Of Corporate Scum and Dirty Fingernails" by Jamie Sayen, amongst others. The "Nerthus" supplement insert on pages 19-22 focuses on the theme of paganism. Edward Abbey's book review of Richard Kazis and Richard L. Grossman's "Fear At Work: Job Blackmail, Labor, and the Environment" appears on page 25. The "Armed With Vision" poetry page is on page 35. "Earth First! Trinkets & Snake Oil" on page 36. Many illustrations throughout. Advertisements at the rear.

329 pp.; 30.4 x 25.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Tate Modern, London, October 13, 2009 ? January 10, 2010. Traveled to Museu d'Art Contemporani de Barcelona, February 5 - April 25, 2010; the Los Angeles County Museum of Art, June 20 - September 12, 2010 and to the Metropolitan Museum of Art, New York, October 17, 2010 - January 9, 2011. Edited by Leslie Jones and Jessica Morgan and with contributions by Marie de Brugerolle, Bice Curiger, Douglas Eklund, Russell Ferguson, Rainer Fuchs, Tim Griffin, Friedrich Meschede, David Salle, and John C. Welchman. "A major figure in contemporary art, John Baldessari is widely considered one of the most influential artists to emerge since the mid-1960s. From his early text-and-image paintings to his more recent photo collages and installations, Baldessari has continued to make art that addresses the social impact of mass culture, often playfully through strategies of appropriation and deconstruction. Baldessari's lifelong interest in language, written and visual, and the interaction between the two, raises questions about the nature of communication and perception. More than 400 illustrations are presented in full color in this monograph published in conjunction with a major exhibition organized by the Los Angeles County Museum of Art and Tate Modern in London. Eleven essays by critics, curators, art historians, and an artist and former student of Baldessari's round out this volume. Few contemporary artists have achieved the range and relevance of Baldessari's oeuvre, which is finally given its due in this elegant retrospective book." --publisher's statement. Very Good / Fine. Light rubbing of cover edges, otherwise Fine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Zustand: Very Good. 1st Edition. First Edition (200 x 130 mm) pp. xlv, 388. Minor pencil lining in margins, but overall very clean text block. Errata slip included at beginning of text proper. Preface written by August de Morgan, mathematician and husband of author, Sophie Elizabeth de Morgan. Bookseller stamp, S. F. Occult Book Co. to title page. Later owner's early 20th century binding in red half calf with marbled boards, and colored silk end bands, no binders stamp. Leather has discolored fly leaves. Overall VERY GOOD condition. From Matter to Spirit (1863) is a landmark Victorian exploration of spiritualism, documenting ten years of firsthand encounters with séances, spirit manifestations, and psychic phenomena. Written with intellectual rigor rather than blind belief, it grapples seriously with evidence, skepticism, and the limits of scientific explanation. A fascinating primary source for collectors of occult history, 19th-century philosophy, and the cultural roots of modern paranormal inquiry.