buskirk robert (21 Ergebnisse)

Paperback. Zustand: Fair. 3. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Clean pages with no markings in the text. The front end paper has a small soil spot and a name printed. The dust jacket has a bunch of tiny soil spots.

Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First edition. Very slightly cocked else fine in price-clipped, near fine dustwrapper with a little occasional rubbing. Van Buskirk was recently at the center of a controversial report about the use of chemical weapons in Vietnam by *Time* and *CNN* that was eventually retracted and resulted in the firing of two producers at the latter news organization.

Zustand: Used. pp. 1162.

Zustand: Used. pp. 1162.

146 pp.; 23 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H.D. Buchloh; "Interviews with Ed Ruscha and Bruce Conner" by Elizabeth Armstron; "Echoes of the Readymade: Critique of Pure Modernism" by Thierry de Duve; "Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson" by Martha Buskirk; "Thoroughly Modern Marcel" by Martha Buskirk "Round Table: Conceptual Art and the Reception of Duchamp" with Benjamin H.D. Buchloh, Rosalind Krauss, Alexander Alberro, Thierry du Duve, Martha Buskirk and Yve-Alain Bois. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280. Very Good. Yellowing and light scratching of covers. Area of light soiling to recto measuring 13 cm. Contents clean and unmarked and binding tight to the spine.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Craig Clunas on Gao Minglu's 'Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art,'" by Craig Clunas; "Film: James Quandt on Raúl Ruiz's 'Mysteries of Lisbon,'" by James Quandt; "Slant: David Joselit on Nicolás Guagnini's 'The Panel Discussion, the Tennis Match, and a Bodegón,'" by David Joselit; "Slant: J. Hoberman on Jack Smith's Posthumous Career," by J. Hoberman; "On Site: Gary Indiana on the Steilneset Memorial," by Gary Indiana; "Film: Rachel Haidu on Sven Augustijnen's 'Spectres,'" by Rachel Haidu; "Top Ten," by Chandler Burr; "Fall 2011 Exhibitions: 45 Shows Worldwide"; "Julia Bryan-Wilson on 'Pacific Standard Time,'" by Julia Bryan-Wilson; "Venice 2011," by Claire Bishop, Daniel Birnbaum, Francesco Bonami, Benjamin Paul, Tim Griffin, John Kelsey, and Nicholas Cullinan; "Tabula Rasa: The Art of R.H. Quaytman," by Paul Galvez; "Truth or Dare: The Art of Witnessing," by David Joselit; "Close-Up: Leap Year," Yve-Alain Bois on Martin Barré's "Greenwich" and "60-T-44"; "Forest for the Trees: The Art of Goshka Macuga," by Dieter Roelstraete; "Openings: Adrián Villar Rojas," by Jessica Morgan; "Openings: Olivia Plender," by Brian Dillon. Reviews by Christine Mehring, Jeffrey Weiss, Sam Pulitzer, Dennis Lim, Frances Richard, Robert Pincus-Witten, David Frankel, Suzanne Hudson, Lisa Turvey, Ida Panicelli, Donald Kuspit, Emily Hall, Jeffrey Kastner, Michael Wilson, Lauren O'Neill-Butler, Eva Díaz, Daniel Quiles, Martha Buskirk, David M. Lubin, Nuit Banai, Franklin Melendez, Jan Tumlir, Catherine Taft, Michael Ned Holte, John-Paul Stonard, Barry Schwabsky, Zehra Jumabhoy, Maeve Connolly, Jian-Xing Too, Anthony Byrt, John Beeson, Michèle Faguet, Astride Wege, Noemi Smolik, Hans Rudolf Reust, Quinn Latimer, Giorgio Verzotti, Brigitte Huck, Markéta Stará, Kaelen Wilson-Goldie, Lauren Dyer Amazeen, Jon Bywater, Angie Baecker, and Shinyoung Chung. Cover: R.H. Quaytman.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.

Softcover. Zustand: Near Fine. Quarto. 71 typed leaves printed rectos only. Brad bound in unprinted wrappers. "Mr. Van Buskirk" written in ink on front wrap, some spotting on the wrappers, gift inscription in an unknown hand on first leaf: "With best wishes for 'Stalky' - Nan. These words were for singing and were sung - most of them. October 24, 1972." Libretto for an opera based on an early poem by Warren. According to Indiana University: "Professor Van Buskirk joined the voice faculty of the Indiana University Jacobs School of Music in 1946, where he was chairman of the voice department from 1961 until his retirement in 1971." *OCLC* locates two copies with a different pagination (both at Indiana University) and what is likely a third copy with a variant title and different pagination dated in 1956 and noting Bloomington as place of publication (also held at Indiana). Rare.