burt marvin (14 Ergebnisse)

hardcover. Zustand: very good(+). Zustand des Schutzumschlags: very good. First. Many tables. xxxi + 92pp., small 8vo, cloth, d.w.; dust wrapper lightly rubbed, price clipped. New York: Vantage Press, (1977). A very good (+) copy in a very good dust wrapper.

Hardcover. 136 p. Good condition. Reading pages are clean and without marks. Retired library exemplar. Slight traces of storage or use. Otherwise good exemplar. 9780878150137 Sprache: Englisch Gewicht in Gramm: 476.

Soft cover. Zustand: Good. 1st Edition. Minor marks, otherwise in very good condition.

Gr.-8° (22,5-25 cm), Hardcover. 151 Seiten Good condition. Reading pages are very clean and without marks. Retired library exemplar, First page includes stamp. Sticker on the spine. 9780030570339 Sprache: Englisch Gewicht in Gramm: 450.

Zustand: New. pp. x + 351 Illus.

8°, Hardcover. Zustand: Gut. Import. 2 DVDs good condition Sprache: Englisch Gewicht in Gramm: 1100.

Paperback. Zustand: Brand New. reprint edition. 351 pages. 8.75x5.75x0.75 inches. In Stock.

Softcover. Zustand: Sehr gut. 123 Eine Sammlung von Filmromanen basierend auf bekannten Filmen, verfasst von verschiedenen Autoren. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-427-8/8-00539192 Sprache: Deutsch Gewicht in Gramm: 497.

Final Draft script for the 1976 television movie, originally aired on December 13, 1976, on ABC, and seen here under the working title "Ordeal at Entebbe." A dramatization of the real-life 1976 Entebbe raid, an Israeli counter-terrorist mission in Uganda, launched in response to the hijacking of a passenger plane by two Palestinian PFLP-EO terrorists and two German RZ terrorists. Dark blue titled wrappers. Title page present, dated October 23, 1976, noted as FINAL DRAFT, with credit for screenwriter Ernest Kinoy. 286 leaves, with last page of text numbered 284. Xerographic duplication, rectos only. Pages Fine, wrapper about Fine, bound with two gold brads.

Draft script for the 1956 revisionist Western. Near the end of Randolph Scott's career, producer Harry Brown, Scott, and director Budd Boetticher began work on a series of intelligent films that would combine Scott's minimalist acting style with Boetticher's lean approach to filmmaking. The result was a series of films today referred to as the "Ranown" cycle, a rich canon that formed a strong stylistic whole. Boetticher's approach to storytelling was traditional in the sense that it involved traditional Western characters, but revisionist in that his protagonist invariably worked alone, and sought his own brand of morality rather than one established by tradition, government, and family. Apart from ardent fans of Westerns, these films went unrecognized by most until Martin Scorsese made a case for them in his 1995 BFI documentary, "A Personal Journey with Martin Scorsese Through American Movies." Gray titled wrappers, dated September 15, 1955, with credits for screenwriter Burt Kennedy. Title page present, dated September 15, 1955, with credits for screenwriter Burt Kennedy. 100 leaves, with last page of text numbered 99. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 9/19/55 and 9/20/55. Pages and wrapper Very Good plus, with tide marks on the bottom edges of the title page and front wrapper, bound internally with three gold brads. Housed in a custom brown quarter-leather clamshell box. Pitts 3788. Schrader 52. Scorsese, A Personal Journey Through American Movies.

Collection of 16 vintage oversize French color photographs from the 1966 film. Based on the 1964 novel "A Mule for the Marquesa" by Frank O'Rourke, about four men hired to by a wealthy Texan to rescue his wife from a Mexican revolutionary, only to discover the job in not exactly what it seems. A sometimes overlooked and underrated entry into the Western canon, despite being nominated for three Academy Awards, including Best Director and Best Adapted Screenplay. Set in Mexico and Texas, shot on location in Mexico, Arizona, Nevada, and California. 9.5 x 11.5 inches. Near Fine.

Vintage reference photograph from the set of the 1966 Western film, showing French composer Maurice Jarre conducting an orchestra for the recording of the film's soundtrack. Dutch stamps on the verso, along with annotations in manuscript ink. Based on Frank O'Rourke's 1964 novel "A Mule for the Marquesa," about four men hired by a wealthy Texan to rescue his wife from a Mexican revolutionary, only to discover the job is not exactly what it seems. A sometimes overlooked and underrated entry into the Western canon, despite being nominated for three Academy Awards, including Best Director and Best Adapted Screenplay. Shot on location in Mexico, and throughout Arizona, Nevada, and California. 10 x 8 inches. Nick at top edge, else Near Fine. Pitts 3180.

[Vinyl records] Group of fourteen records (eleven LPs, 1 x 12-inch single, 2x seven-inch singles). UK/US origin, various pressings housed in their respective jackets or gatefold sleeves. Generally fine condition (earlier releases are at least VG). Not play tested. Soundtracks comprising: Thunderball (US, original), Thunderball (UK, Anniversary issue), Casino Royale (reissue), Live and Let Die (UK original), The Spy Who Loved Me (UK original), Moonraker (UK original), A View To A Kill (UK original, white vinyl issue), A View To A Kill (UK single), The Living Daylights (UK original), Licence to Kill (UK single), Tomorrow Never Dies/Moby Bond theme (UK 12-inch single), with three other James Bond-related albums. From the Jon Gilbert James Bond collection.

Six vintage borderless reference photographs from the 1966 Western film, featuring, variously, actors Claudia Cardinale, Woody Strode, Lee Marvin, and director Richard Brooks on the set. Based on the 1964 novel "A Mule for the Marquesa" by Frank O'Rourke, about four men hired by a wealthy Texan to rescue his wife from a Mexican revolutionary, only to discover the job is not exactly what it seems. A sometimes overlooked and underrated entry into the Western canon, despite being nominated for three Academy Awards, including Best Director and Best Adapted Screenplay. Set in Mexico and Texas, shot on location in Mexico, Arizona, Nevada, and California. 8 x 10 inches. Generally Near Fine. Pitts 3180.