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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Octavo, 196 pages. In Very Good minus condition. Spine white and blue with black and white lettering. Rubbing to boards. Bumping to board corners. Creasing to spine hinges. Large dent to spine. Age toning and foxing to textblock. Mild scratching to textblock. Age toning to boards. Shelved Literary Criticism. 1413569. Shelved Dupont Bookstore. First Publisher's Edition, First Printing.

Zustand: very good. Taschenbuch. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 194 Seiten. In englischer Sprache. Einband mit Lesespuren sowie leicht verfärbt. Seiten in gutem Zustand.

Softcover. Zustand: Poor. First Edition. Front cover evenly detached; chips with loss to leading edges of front & back cover; loss of up to 1" bottom of spine; covers soiled; moderate tanning to text pages. Holding tight in spite it all. ; Printed wrappers. ; 8vo 8" - 9" tall; 194 pages.

Hardcover. First English language edition. 191 (2) pages. 19 x 14.5 cm. Published from the original French sheets. Critical essays on Joyce's "Finnegans Wake. Beckett, in Joyce's company at the time, and his essay (the first of the essays here published, by virtue of the alphabet) is his first publication notes, "It takes few intellectual prisoners: " . . . if you don't understand it, Ladies and Gentlemen, it is because you are too decadent to receive it." Clean copy, pencil notations front free endpaper. Orig. azure blue cloth spine lettered in gilt. Near fine in very good dust wrapper with slightly faded spine.

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.

First edition. [3]-194, [2] p. 191 x 140 mm. (7 1/2 x 5 1/2 in.). Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy (the Danish translator of Ulysses) inscribed to him by Sylvia Beach, and with two letters from him to a former owner, explaining the circumstances. Small chip from rear wrapper edge, light creasing on front wrapper, otherwise a fine copy. In a folding box, with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print.