brumfield john (15 Ergebnisse)

99 pp.; 27.9 x 21.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. Includes quotations and sources. Very Good / Fine. Light rubbing of cover edge and dusting of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

First edition. Softcover. 86 pages. Features an introduction by editor Lew Thomas along with essays by James Hugunin, Robert Leverant, Allan Sekula, Donna-Lee Phillips, John Brumfield, Geoffey Cook, Sam Samore, Harley W. Lond and with an inteview of John Baldessari by Hugunin. Includes black and white images by John Gutman, Lew Thomas, Phil Steinmetz, Jack Butler, Robert Cumming, Tom McLaughlin, John Baldessari and numerous others. A clean near fine copy in wrappers. Uncommon.

48 pp.; 28 x 20.5 cm.; comb bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second annual publication in the U-TURN Monograph series focusing on the subject of The Portrait. Edited by Dennis Grady and James Hugunin. Texts by Dennis Grady, Regie Bowron, Peter Reiss, John Brumfield, Larkin Maureen Higgins, David Moreno, Judith Golden, Christopher Burnett, Douglas Huebler, Dana Asbury, and James Hugunin. Includes notes on the contributors. Cover by Craig Dietz. Good. Rubbing, yellowing, and scratching of covers with bumping of corners at spine and top right corner of recto. 3.5 cm. and 2.8 cm. of soiling to verso with light yellow foxing along top edge of verso. Signed and inscribed on title page by [James Hugunin] in black ink. Contents otherwise clean and unmarked.

Paperback. Zustand: Good. First Edition. B&W Photographs; 4to 11" - 13" tall; 112 pages; 1978 NFS Press. Oversize paperback in glossy pictorial covers. 1st edition, limited to 1200 copies. Soundly bound with no marks. Shelf top spill had left a dmap wave and light tea colred damp line across the bottom edge of the covers and all pages. The ripple and damp line does not intrude on image or text but is a significant flaw. No pages stuck together or and such issue. Otherwise light shelf evidence to cover edges. B&W photos on glossy stock throughout. With faults, Good only.

Softcover. First printing. Quarto, 112 pages. In Very Good condition. Spine is white with black print. Price unclipped: "$12.95". Cover is illustrated, black print. Illustrated: b&w. Inscribed in ink by the author on the frontispiece. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. 1394438. FP New Rockville Stock.

Zustand: Very good. First edition. Scarce first printing of the conceptual photographer's landmark work. Important document of Thomas's work as artist and critic. Thomas was a significant influence on a number of photographers belonging to or associated with the Photography and Language group, including Hal Fischer, Cindy Sherman, John Baldessari, Allan Sekula, and others; laid in to this copy is a contemporary order form for Fischer's GAY SEMIOTICS, the first book published by Thomas and Phillips's own NFS Press. 12'' x 9''. Original black and white wrappers. Introduction by John Brumfield. Design and production by Donna-Lee Phillips. Black and white plates throughout. 112 pages. With two original NFS Press book order forms laid in (for Hal Fischer's GAY SEMIOTICS and Wanda Hammerbeck's DEPOSITIONS). Creasing and scuffing to corners and spine ends, with moderate toning and soil to covers.

Softcover. Zustand: Near Fine. Touch of soil to white covers. ; Pictorial white wrappers; black & white photographs and other reproductions throughout. ; 11.8 X 8.9 X 0.3 inches; 112 pages.

67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Good. Dusting and rubbing of covers with light edgewear. 1 cm. area of dark rust soiling around staple binding on recto. Very light and sparse yellow spotting throughout pages. Contents otherwise clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Very Good. Light dust soiling of covers and 1.4 cm. crease/bumping to bottom of publication. 3 mm. tear to top edge of spine. Contents clean and unmarked.

63 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February/March 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "Video Art in Southern California," by Louise Lewis; "VD Lives/TV Must Die," by Vito Acconci; "Mass Media and the Artist: A Conversation with Gene Youngblood, Tamara Tovey, John Riddler and David Ross," by Davis Ross; "Interview with Eleanor Antin," Dinah Portner; "ADP: An Answer Driving the Problem," by James Hugunin; "The Regime of the Video State," by John Riddler; "The Holland Race," by Robert Morgan; "Film Space: A Preliminary Sketch," by Grahame Weinbren; "Painting: Americans in Paris," by Francis Colpitt; "Performance: What Can Happen, What Does Happen: The Kipper Kids," by Fredrica Drotos; "Photography: Count Dracula in the Olive Grove," by John Brumfield "Photography: A Growth Investment," by Dr. Lawn Mower. Cover by Eleanor Antin. Very Good. 3.6 cm. crease to bottom right corner of recto. Light rubbing of covers and yellowing of pages. Contents clean and unmarked.

64 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1983 issue of Journal, edited by Michael Delgado. Contents include: "History Repeats Itself (Part I)," compiled by Frances Colpitt and Michael Delgado with assistance from Mitch Tuchman; "The Artist and Television," by Kathy Huffman; "On Meaning and Significance," by John Brumfield; "Art in Search of a Public," by Suzaan Boettger; "Interview: Henryk Grajewski," by Judith Hoffberg; "Artists Pages: Greg Colson, Jeff Colson" and "Colson's Corner." Also includes a Special Insert Project by Alexis Smith between pages 32 and 33. Cover: Studio interior of Karen and Ernst Van Leyden. Good. Significant rubbing of covers with edge wear and wear to corners. Yellowing of verso. Contents clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Good / Very Good. 2 mm. yellow stain to recto with dust soiling of covers. Additional light soiling across verso. Bumping of corners. Contents clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art at the Museum of Modern Art in 1984," by Thomas McEvilley; "Sign on a Truck," by Jenny Holzer; "Campaign 1984," by Alison Gardner Pratt; "Terry Winters' Earthly Anecdotes," by Prudence Carlson; "Naming Pictures: Conversations between Lee Krasner and John Bernard Myers," by John Bernard Myers; "In the American Grain: Robert Helm," by James Ivory; "Tracking Some Angles: A Talk with Alain Resnais," by Frederic Tuten; "Poets and Art: John Ashbery, Tony Towle, Ann Lauterbach, and Barry Schwabsky interviewed by John Yau; with poems by Michael Brownstein, Ashbery, Towle, Lauterbach, Schwabsky, and Rene Ricard"; "Hilton Kramer: An Appreciation," by Thomas Lawson; "Books: Lionel Lambourne on 'The Collected Letters of William Morris,'" by Lionel Lambourne; "Forum: Philosophy and Art: Elective Affinities in and Arranged Marriage," by Donald Kuspit; "Bruce Springsteen: In Your Heart You Know He's Right," by Greil Marcus. Reviews by Thomas McEvilley, Donald Kuspit, John Yau, Jeanne Silverthorne, Patricia C. Phillips, Jean Fisher, Ida Panicelli, John Howell, Barbara Kruger, Ronny Cohen, Nancy Stapen, Judith Russi Kirshner, Michael Bonesteel, Ed Hill, Suzanne Bloom, Hal Fischer, Charles Hagen, Linda Burnham, John Brumfield, Ingrid Rein, Annelie Pohlen, Max Wechsler, and Stuart Morgan. Cover: Mask from Sulka, New Britain.

First edition. Softcover. 86 pages. Features an introduction by editor Lew Thomas along with essays by James Hugunin, Robert Leverant, Allan Sekula, Donna-Lee Phillips, John Brumfield, Geoffey Cook, Sam Samore, Harley W. Lond and with an inteview of John Baldessari by Hugunin. Includes black and white images by John Gutman, Lew Thomas, Phil Steinmetz, Jack Butler, Robert Cumming, Tom McLaughlin, John Baldessari and numerous others. A very good copy in wrappers with some bumping to the top of the spine and some other slight wear. Uncommon.

67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Very Good. Dusting and rubbing of covers with light edgewear. Light yellow spotting/soiling along recto spine edge. Contents clean and unmarked.