brugge david (35 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. 153 pp., Paperback, a small remainder mark to bottom edge of pages else fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Crisp, clean pages; no owners' marks; the soft cover is noticeably tanned along the spine and has a small bump and wrinkle at the spine heel, otherwise sound. 191pp.

Soft cover. Zustand: Near Fine. 1994/1999. North America, Native Americans. University of New Mexico Press. 307p. Very good - fine paperback.

Soft cover. Zustand: As New. B Nat American Arts Navajo Pottery: This is a magazine format booklet of 32 pages, clean, bright and tight. Photos of some potters in color and black and white. Thin stapled spine.

paperback. Zustand: Very Good. Research Report No. 2. Staple-bound, 122 pages. Clean, unmarked. Light wear. An owner's stamp inside. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

paperback. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Soft cover. Zustand: Very Good. Softcover, white paper cover clean, and without folds or tears. Bookplate of previous owner on inside front cover. 191 pages, no markings or writing. Binding square and tight.

Soft cover. Zustand: Very Good. Softcover, white paper cover clean, and without folds or tears. Bookplate of previous owner on inside front cover. 191 pages, no markings or writing. Binding square and tight.

Zustand: Very Good. Some outer edges have minor scuffs. Cover has light scratches. Book content is in very good readable condition.

Paperback. Zustand: Very Good. Staple bound, 26 pages. Clean, unmarked. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 8vo, i-xiv, 307 pp, black and white frontispiece, section of black and white illustrations, a fine copy in a similar dust wrapper.

Soft cover. Zustand: Very Good. 1986. North America, Southwest, Journals. U. S. Department of the Interior, National Park Service. 191p., very good paperback.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 3rd edition. 208 pages. 8.25x5.50x0.75 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. reissue edition. 366 pages. 8.00x5.25x0.86 inches. In Stock.

Paperback. Zustand: Brand New. 307 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: New. In.

Zustand: New. Thomas Varker Keam owned and operated a trading post in Keams Canyon, Arizona Territory, from 1874 to 1902. He was the first trader to develop American Indian arts and crafts as part of his business and the first to suggest that Native artists modify their .

328 pp.; 29.8 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Large-scale monograph edited and with text by Marianne Stockebrand. Additional texts by Donald Judd, Rudi Fuchs, Thomas Kellein, Nicholas Serota, Richard Shiff, and Rob Weiner. "This handsome publication is the first comprehensive presentation of the Chinati Foundation''s collection in more than twenty years. The book describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati (and including its two predecessors--his buildings in New York and his residence in Marfa). The individual installations at Chinati are presented in chronological order with stunning photography these include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Carl Andre, Claes Oldenburg, and Coosje Van Bruggen, as well as Judd himself. His installations at Marfa include 15 outdoor works in concrete and 100 aluminum pieces housed in two carefully renovated artillery sheds. The book also features writings by Judd relating to Chinati and Marfa, and a complete catalogue of the collection." --publisher''s statement. Fine. In publisher's issued shrink wrap, clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Blattgrösse: 29x20 cm. Plattengrösse: 12,7x8,7 cm. Wasserflecken im linken Rand. Aus "Helvetiens berühmte Männer in Bildnissen", Zürich, Heinrich Pfenninger Mahler, 1782-1799. - David Joris, geboren in Flandern, Glasmaler, wurde 1528 als Anhänger der Reformation verbannt. Beeindruckt vom Märtyrertum vieler Täufer liess er sich 1534/35 taufen und wurde nach dem Fall des Täuferreichs zu Münster 1535 neben Menno Simons zum wichtigsten Führer der Bewegung in den Niederlanden. Wegen seines ekstatischen Spiritualismus und seiner wachsenden Bereitschaft zu äusserlicher Anpassung an die Grosskirchen verlor er ab 1540 gegenüber Simons an Einfluss. 1544 siedelte er unter dem Pseudonym Jan van Brügge mit grossem Anhang unerkannt nach Basel über, wo er sich als verfolgter Calvinist ausgab und dank seines Reichtums gern aufgenommen wurde. Äusserlich angepasst, pflegte Joris weiterhin intensive europaweite Kontakte mit seinen ihn finanziell unterstützenden Anhängern. Zusammen mit Nonkonformisten wie Sebastian Castellio und Celio Secondo Curione setzte er sich für grössere Toleranz ein. Das Bekanntwerden der wahren Identität von Joris führte 1559, drei Jahre nach seinem Tod, zur Verbrennung seines Leichnams sowie vieler Bücher und Bilder. Eine Nachwirkung seiner Schriften, die z.T. in der Basler Universitätsbibliothek lagern, ist speziell im radikalen Pietismus feststellbar. (HLS).

328 pp.; 29.8 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Large-scale monograph edited and with text by Marianne Stockebrand. Additional texts by Donald Judd, Rudi Fuchs, Thomas Kellein, Nicholas Serota, Richard Shiff, and Rob Weiner. "This handsome publication is the first comprehensive presentation of the Chinati Foundation''s collection in more than twenty years. The book describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati (and including its two predecessors--his buildings in New York and his residence in Marfa). The individual installations at Chinati are presented in chronological order with stunning photography these include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Carl Andre, Claes Oldenburg, and Coosje Van Bruggen, as well as Judd himself. His installations at Marfa include 15 outdoor works in concrete and 100 aluminum pieces housed in two carefully renovated artillery sheds. The book also features writings by Judd relating to Chinati and Marfa, and a complete catalogue of the collection." --publisher''s statement. Very Good. Light yellowing and dusting of dust jacket and text block edge and light bumping of cover corners. Slight yellowing of page edges. INSCRIBED, DATED, AND SIGNED BY MARIANNE [STOCKEBRAND]. Contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

hardcover. Zustand: New. 1st.

Zustand: New.

Buch. Zustand: Neu. Neuware - In this retrieval study David Van Brugge addresses how the current understanding of a homiletical use of imagination for expository preaching might be strengthened. The current need for strengthening becomes apparent when the various understandings of imagination and their implications for practical theology are realized. This is compounded as trends in homiletics seem to minimize the imagination or embrace it in modern or postmodern ways. The original contribution of this study is recognizing that the homiletical use of imagination can be strengthened by retrieving the Puritan baroque characteristics of Jonathan Edwards' imagination as evidenced in his sermons to the Stockbridge Indians of 1751-1758. Edwards drew on a rich background to display an imagination that synthesized thoughts and ideas, thought beyond the senses, and that, by the grace of God, transformed thought and practice. Through that creative thought, Edwards maintained Biblical exposition and appeal to the affections. Van Brugge further develops and evaluates the idea of Puritan baroque characteristics, concluding that it is a helpful characterization of Edwards' Stockbridge Indian sermons. In these sermons Edwards imaginatively used imagery, light, space, movement, and glorification for the ultimate goal of directing the affections of his audience towards God. Such a use of imagination for affective purpose becomes a key for the strengthening of a homiletical use of imagination today.; Dissertationsschrift.

Buch. Zustand: Neu. That Which They Can't See | A Retrieval of Jonathan Edwards' Homiletical Use of Imagination | David Van Brugge | Buch | 308 S. | Englisch | 2025 | Vandenhoeck & Ruprecht | EAN 9783525502082 | Verantwortliche Person für die EU: Brill Deutschland GmbH, Wollmarktstr. 115, 33098 Paderborn, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.