bruce chamberlain (16 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Very good with very good dust jacket. Dust jacket is bumped and rubbed along top and bottom edges with a one inch tear at top back edge near corner and two shorter tears at bottom front edge near spine. 189 pages with index and bibliography.

Zustand: Good. Good condition. Very Good dust jacket. (Candles, Decoration and ornament ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. revised edition. 252 pages. 9.25x6.25x0.75 inches. In Stock.

Ohne Stempel. Anmerkungen auf zweiter Umschalgseite, sonst guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zahlreiche sw Abbildungen. Bibliotheksstempel und Bibliothekssignatur, sonst innen altersgemäß tadelloser Zustand. Softcover / Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Paperback. Zustand: Good. Dick Sargent (cover); Walter Skor; McGill; R.G. Harris; Bruce Bomberger (illustrator). First Edition. 104 pages. Features: Cover illustration of busy train station; Two-page Chrysler photo ad - more room inside; Color (blue) Corvair ad; Nice Avis photo ad; After Khrushchev, Who?; Botts and the Picket Line (short story); The Disease that fooled X-Rays - Histoplasmosis; Marriage Mood (short story); When I Busted Out of the Navy - Part 4 of Norman Rockwell's "My Adventures as an Illustrator"; Color-photo-illustrated article on Marvin Glass, "Troubled King of Toys"; Next Window Please (humor); The road to St. Vivien (short story); Men and Capital, by John Kenneth Galbraith; Sip of Death (short story); Color-photo inside Strafford, Vermont's "meeting house"; Night without End (short story); The Man Who Rides Sharks - William R. Royal of Venice, Florida; Color-photo ad for the 1960 Turbine Drive Buick features light blue Invicta four-door sedan; Theh Monitor Affair (part 7); Interesting one-page ad for the new Dodge 'sweptline' trucks; Color Pontiac Catalina (red) ad; Photo ad for Matson cruises; ad for Chevrolet's Sturdi-Build large trucks; Color ad for Sylvania TVs features Jack Paar; and more. Average wear. Bit of writing atop front cover. A quality vintage copy. .

[3] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held September 28 - October 22, 1960. Artists include Ronald Alley, Stephen Antonakos, Ronald Bladen, Lee Bontecou, George Brecht, Alberto Burri, John Chamberlain, David Chapin, Chryssa, Bruce Conner, Joseph Cornell, Roy De Forest, Andre de Dienes, Sari Dienes, Jim Dine, Enrico Donati, Rosalyn Drexler, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, Charles Ginnever, Mathias Goeritz, Robert Indiana, Jasper Johns, Allan Kaprow, Yves Klein, Irving Kriesberg, Anthony Magar, Robert Mallary, Louise Nevelson, Claes Oldenburg, Alfonso Ossorio, Lil Picard, Leo Rabkin, Robert Rauschenberg, George Rickey, Lucas Samaras, Salvatore Scarpitta, Jesus Rafael Soto, Richard Stankiewicz, Takis Vassilakis, Jean Tinguely, Stan Vanderbeek, Robert Watts, Robert Whitman, Wilfrid Zogbaum, and Berke, Bermudez, Bouras, Deschais, Doyle, Giles, Goodyear, Harris, Hendricks, Higgins, Kemeny, Kimball, Langlais, Latham, Levinson, Little, Long, Michaels, Millares, Terry, Wilson. Includes prices for works offered. Good. Folded in four with an additional vertical crease. Wear along fold lines and yellowing of pages. 8 mm. tear to top edge of first and second pages with chipping to third page. Fingerprint and ink smudging soiling to first page and bumping to top left corner with edgewear. Contents clean and unmarked.

[28] pp.; 27.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. Artists included Anthea Alley, Stephen Antonakos, Hans Arp, Hubert Berke, Jose Bermudez, Ronald Bladen, Lee Bontecou, Harry Bouras, George Brecht, Alberto Burri, Alexander Calder, John Chamberlain, David Chapin, Chryssa, Christo Coetzee, Bruce Conner, Joseph Cornell, Roy De Forest, Sari Dienes, James Dine, Enrico Donati, Tom Doyle, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, William Giles, Charles Ginnever, Mathias Goeritz, Red Grooms, Grover Hendricks, Edward Higgins, Robert Indiana, Paul Jenkins, Jasper Johns, Zoltan Kemeny, Yffe Kimball, Yves Klein, Irving Kriesberg, Bernard Langlais, John Latham, John Little, Hubert Long, Anthony Magar, Robert Mallary, Glen Michaels, Manolo Millares, Renee Miller, Henry Moore, Louise Nevelson, Claes Oldenburg, George Ortman, Alfonso Ossorio, Lil Picard, Arnaldo Pomodoro, Leo Rabkin, Robert Rauschenberg, Irwin Rubin, Salvatore Scarpitta, Kurt Schwitters, Richard Stankiewicz, Takis, Antonio Tapies, Alice Terry, Sofu Teshigahara, Stanley Vanderbeek, Robert Whitman, May Wilson and Wilfred Zogbaum. Includes eight installation images by Rudolph Burckhardt and checklist of the exhibition with prices listed. Very Good. Light rubbing of covers and edges with 7.1 cm. of yellowing to recto. Contents are clean and unmarked.

[1] pp.; 17 x 23 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided postcard / announcement published in conjunction with show of video works held September 29 - October 20, 1973. Artists include Lynda Benglis, John Chamberlain, Hermine Freed, Joan Jonas, Paul Kos, Richard Landry, Robert Morris, Bruce Nauman, Richard Serra, Keith Sonnier, and Lawrence Weiner. Very Good. Addressed and mailed copy with mailing marks and mailing wear. Light foxing of verso and light bumping of corners. Approximately 7 pinprick sized indentations to surface. Otherwise clean and unmarked.

[1] pp.; 17 x 23 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided postcard / announcement published in conjunction with show of video works held September 29 - October 20, 1973. Artists include Lynda Benglis, John Chamberlain, Hermine Freed, Joan Jonas, Paul Kos, Richard Landry, Robert Morris, Bruce Nauman, Richard Serra, Keith Sonnier, and Lawrence Weiner. Fair / Good. Mailed copy with handling wear and multiple soft folds across length of verso.

First edition, inscribed by the author to Prime Minister Neville Chamberlain on the day of the Munich Agreement: "For Mr. Neville Chamberlain in admiration R. H. Bruce Lockhart, 30 Sept. 1938". Lockhart, a British diplomat and intelligence operative, reflected on the day in his 1947 book, Comes the Reckoning: "Like others I felt ashamed, but for the moment I yielded to the general relief which flooded the whole country and submerged all other emotions. Munich was a peace of which everyone was glad and nobody proud. But the joy came before the shame" (p. 12). He defended Chamberlain as "the strongest personality in the Cabinet" and "guided throughout by principles of moral rectitude" (p. 71). Guns or Butter offers an account of Europe based on his visits over the previous two years. He analyzes the forces that are pushing it towards war but also asserts that general European public opinion is in favour of peace. Octavo. Original blue cloth, spine lettered in gilt. With dust jacket. Very slight rubbing at extremities and spotting to edges; unclipped jacket with minor spotting and tiny chips at extremities, slightly sunned: a near-fine copy in near-fine jacket.