brooks rice (13 Ergebnisse)

Paperback. Zustand: Fair. 0. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Rice, Garrett Brooks (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. Rice, Garrett Brooks (illustrator). 130 pages. 8.90x6.00x0.40 inches. In Stock.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Hardcover. Zustand: Good. Hardcover. No DJ. SCARCE 1902 PRINTING. Pages are clean and unmarked. Gilt top page edge. Foxing on inside covers and end papers. Covers show minor shelving wear. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Zustand: Fair. First Edition. 136 pages. Features: How Jim Moores Became Florida's Go-To Guy for Restoration; '55 Downeast Dory Adventure; Painting New Wooden Boats; The Renaissance of Duckboat Racing on Barnegat Bay; Falcon II and the enduring Legacy of the Universal Rule; Beyond Formica; The PocketShip from Chesapeake Light Craft; and more. Above-average wear. Usual library markings. A worthy reference copy.; 4to - over 9¾" - 12" tall; WoodenBoat (Wooden Boat) Magazine, March/April 2009 Jim Moores Became Florida's Go-To Guy for Restoration; '55 Downeast Dory Adventure; Painting New Wooden Boats; The Renaissance of Duckboat Racing on Barnegat Bay; Falcon II and the enduring Legacy of the.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. Cohen; "James Lee Byars and the Atmosphere of Question," by Thomas McEvilley; "Working Conditions," by Hans Haacke; "The End of the Avant-Garde? And So the End of Tradition. Notes on the Present 'Kulturkampf' in West Germany," by Bazon Brock; "Project," by Anselm Kiefer; "Not About Julian Schnabel," by Rene Ricard; "Indiana in Berlin at the FilmFestpiele '81," by Gary Indiana; "Skied and Grounded in Queens: 'New York/New Wave,' at P.S. 1," by Richard Flood; "Books," by Hal Foster and Nancy Foote; Reviews by Ronnny H. Cohen, Hal Foster, Thomas Lawson, Amy Taubin, Colin L. Westerbeck, Jr., Jeanne Silverthorne, Shelley Rice, Moira Roth, Schuldt, Joan Casademont, Stuart Morgan, Judith Russi Kirshner, Brook Adams, Linda Frye Burnham, Hal Fischer, Annelie Pohlen, and Luciana Rogozinski. Cover: Coffee-shop paper cups.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Ulrich Rückriem: The Monumental Ritual," by Ted Castle; "The 1979 Dime Store Figurine," by Mike Glier; "The Barren Flowers of Evil," by Komar and Melamid; "Towards a Theory/Practice of Painting," by Paul Rodgers; "Urban Nature: The Work of Maria Nordman," by Germano Celant; "Ian Wilson, For Example: Texts on Words," by René Denizot. Reviews by Nancy Foote, Brooks Adams, Colin L. Westerbeck, Jr., Carrie Rickey, Shelley Rice, Maureen Connor, Deborah Perlberg, Christopher Knight, Joanna Frueh, Richard Armstrong, Richard Flood, Mary Stofflet. Cover: One photograph from a series of six photos of a condition at The University Art Museum, Berkeley, June 21, 1979, one cycle.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Ulrich Rückriem: The Monumental Ritual Ted Castle The 1979 Dime Store Figurine Mike Glier The Barren Flowers of Evil Komar and Melamid Towards a Theory/Practice of Painting Paul Rodgers Urban Nature: The Work of Maria Nordman Germano Celant Ian Wilson, For Example: Texts on Words René Denizot FEATURES REVIEWS NEW YORK Nancy Foote on Buildings for Best Products and "Siteten Brooks Adams on Panel Discussion With Joseph Beuys Colin L. Westerbeck, Jr. on Zeke Berman Colin L. Westerbeck, Jr. on Hope Sandrow Colin L. Westerbeck, Jr. on Jan Staller Colin L. Westerbeck, Jr. on Ralph Steiner Carrie Rickey on Ida Applebroog Carrie Rickey on John Ahearn Shelley Rice on Colette Shelley Rice on Les Levine Shelley Rice on Carla Liss Maureen Connor on Diane Blell Maureen Connor on Pat Oleszko Deborah Perlberg on Theodora Skipitares BALBOA Christopher Knight on Vija Celmins CHICAGO Joanna Frueh on John Obuck LOS ANGELES Richard Armstrong on Ed Moses PHILADELPHIA Richard Flood on Greg Weaver SAN FRANCISCO Mary Stofflet on La Mamelle Videozines Mary Stofflet on Doug Hall.

[1] pp.; 28 x 21.8 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Singe sided program for films presented at Film-Makers' Cinematheque on November 30, 1964. Films presented included "Newsreel" by Andy Warhol, "Chumlum" by Ron Rice, "The Directions of Harry Hooton" by Dick Preston, "Thigh Line Lyre Triangular" by Stan Brakhage, "Nightspring Daystar" by David Brooks, "A Movie" and "Cosmic Ray" by Bruce Conner, and "Senseless" by Rice. Very Good. Light handing marks and flattened fold marks. Recto / verso clean and unmarked.