bronson e a (10 Ergebnisse)

Zustand: Good. Bronson, Linda (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Bronson, Linda (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. 8°. Leather bound with gold-embossed title on the back. (6) 426 pages with some monochrome illustrations. Good, clean condition. --- Lederband der Zeit mit goldgeprägtem Rückentitel. 3 Blatt, 426 Seiten mit einigen einfarbigen Abbildungen. Gutes, sauberes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Amer.

broché. Conférence faite par M. George Bronson Rea, conseiller au ministère des affaires étrangères du Mandchoukouo à l'Athénée de Genève le 14 Octobre 1932. (George Bronson Rea journalist, publisher, engineer, spy, lobbyist, blackmailer and fortune hunter) 44 p. Cet ouvrage est disponible à la librairie. Merci de me contacter avant de vous déplacer 06 51 13 88 91. This book is available at the antiquarian bookstore.

128 pp.; 26.5 x 20.4 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue / critical theory published in conjunction with show held at the Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983 and Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. Texts by AA Bronson, Peggy Gale, Jean-Christophe Ammann, Michael Asher, Anne Rorimer, Harald Szeemann, Ursula Wevers, Marcel Broodthaers, Benjamin H.D. Buchloh, Daniel Buren, James Lee Byars, Marcel Duchamp, Robert Filliou, R. Austen Marshall, General Idea, Walter Grasskamp, Daniel Spoerri, Image Bank, Donald Judd, Hans Haacke, Wulf Herzogenrath, On Kawara, Garry Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, N.E. Thing Co. LTD., Claes Oldenburg, Coosje van Bruggen, and Garry Schum. "An anthology of texts and works exploring the relationship of the artist to the museum, from Marcel Duchamp's seminal 'Boite-en-Valise' and Claes Oldenburg's 'Mouse Museum' to the critical work of Hans Haacke and Daniel Buren. Harald Szeemann's proposal for the 'Museum of Obsessions' at a future Documenta is here reproduced in English for the first time. Edited by AA Bronson and Peggy Gale. With texts / works by Jean-Christophe Ammann, Michael Asher, AA Bronson, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Marcel Duchamp, Robert Filliou, Vera Frenkel, General Idea, Walter Grasskamp, Hans Haacke, Wulf Herzogenrath, Image Bank, Donald Judd, On Kawara, Gary Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, Claes Oldenburg, Museum of Conceptual Art, N.E. Thing Company Limited, Garry Schum, Harald Szeemann." -- publisher's statement. Covers by Daniel Buren, and insert by James Lee Byars. Texts in English and French. Fair / Good. Rubbing, scratching, and discoloration of covers with 2.2 cm. and 1.5 cm. surface tears to spine. Bumping of corners with 1.8 cm. dog-ear to top left corner of recto. 5 mm. and 2 mm. surface tears to bottom edge of verso. Price sticker from MoMA on inside of recto flap. 3 mm. yellow stain to page 288. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

. 18 cm. 183 pág. Ilustr. con 4 lám. en b/n., fuera del texto. Enc. en tela. "Col. Herres. Entre Los Rebeldes." Cuba. Guerra.

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.

Single Issue Magazine. Zustand: Fair. Rayner (cover art); Price, Norman; Overman, Charles; Summers, Gloyne (illustrator). First Edition. 76 pages. Features: Cover art of girl being thrown from saddle; Editorial entitled "If Germany Wins" in the wake of US Ambassador to Canada, James H.R. Cromwell being rebuked by his superiors for telling a Canadian audience that the future of world democracy depends upon victory over Germany; Nice full-page Fargo truck ad shows a Kraft cheese vehicle in service; The Passport (fiction); Your Mind and Your Car - safe driving is an attitude of mind; Political comments on the absence and return of U.S. Ambassador to Britain, Joseph Kennedy; Tux Luck (fiction); James H.R. Cromwell - U.S. Ambassador to Canada - photo and article; How many civic, home and health problems in Australia and New Zealand have been solved through direct land taxation; Red Drops Falling (fiction); Wonderful article and photos of Canada's Library of Parliament; Wakeville, Awake! (Part 3) (fiction); Full-page ad for the 1940 Dodge car; Canada's Fighting Forces - Part 8 - Coast Defense - article with photos; Gordon Dunstan's Thirteenth Quiz; Nice Chevrolet Truck ad; Full-page colour photo ad features the beautiful Dionne Quintuplets!; Colour full-page ad for the Ford V-8 engine; Photos of Miss Diana Blythe Barrymore in Woodbury soap ad; Nice 1940 DeSoto car ad; The Winnipeg Volunteer Signal Training School; College for Indian Youth at Ohsweken, Ontario; Half-page two-colour ad for Alka-Seltzer features photo of hockey game between the Maple Leafs and New York Rangers with Syl Apps and Gordie Drillon on the ice; Nice colour photo ad for the 1940 Studebaker Champion inside back cover. Somewhat above-average external wear. A nice vintage issue.

Paris, Imprimerie de J. Dumoulin, 1921. In-8, 48 pp., broché, couverture originale imprimée (quelques minuscules taches à la couverture, pâle mouillure). Édition originale rare de la traduction française de cet essai. Exemplaire non coupé. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

pamphlet. First. 21 pages, printed with text in double columns. Original pamphlet, sewn (dampstain at upper corner, and rough at edges but well inside the ample margins; some pages still un-opened). New York: At the Office of the New-York Courier, 1815. First edition. A very good copy of this exceedingly scarce pamphlet. OCLC lists only 13 copies, including those at Columbia, Cornell, Yale, Harvard, and the New York Historical Society. Attributed to Isaac Bronson by F. Redlich in "The Molding of American Banking," 1868, volume 1, page 308. "Isaac Bronson was a highly successful financier of the Jacksonian era who was also one of the period's most original and influential banking theorists. Bronson accumulated his very considerable fortune in New York primarily by judicious personal money-lending operations on long-term bonds and mortgages at a cautious 7 per cent annual return, supplemented by successful ventures in land speculation. In addition to wealth, he had by the 1830's acquired a weighty reputation for sober financial conservatism and was regarded as an authoritative exponent of sound banking principles. Prominent in the financial community, he had long thrown his weight as a sound banking theorist against the "wild-cat" practices of the then rampant state banks." --Venit, A. (1945). The Journal of Economic History.