brigid marlin (26 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. From East to West This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Soft cover. Zustand: Very Good. Very good, paperback. Generally clean, bright and tight. Slight marks and light age tanning but otherwise in very good condition.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Very Good. 1st Paperback Edition. Paperback From East to West Awakening to a Spiritual search (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. Academic and Scholarly books and Modern First Editions ,and all types of Educational Reference Literature.).

Card Cover. Zustand: Very Good. 1st Paperback Edition. PapebackFrom East to West Awakening to a Spiritual Searct with a foreward by Mary Paperback. 190 pages. In stock (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. Academic and Scholarly books and Modern First Editions ,and all types of Educational Reference Literature.).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 176.

Zustand: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good. No Jacket. Brigid Marlin (illustrator). 1st Edition. Some fading on cover.

Zustand: New. In.

Paperback. Zustand: Brand New. 176 pages. 1.00x1.00x1.00 inches. In Stock.

Zustand: NEW.

Zustand: New. &Uumlber den AutorBrigid Marlin is an internationally acclaimed artist. Her early training took place in the leading art schools of Dublin, Paris and New York and she later studied with the famous visionary artist Ernst Fuchs in .

Hardcover. Zustand: Very Good. Marlin, Brigid (illustrator). 144pp, numerous black and white illustrations. Green cloth-covered boards; silver design on front, silver titles on spine. 8vo. Lightly rubbed spine ends. Text block edges tanning. Endpapers just starting to fox. Otherwise, internally neat, clean, bright and tight.

Taschenbuch. Zustand: Neu. Neuware - A 'How to' book featuring painting techniques used by Dutch Renaissance Masters such as Rembrandt and Rubens, Bruegel and Bosch.This beautifully illustrated book for practising artists and art students examines everything there is to know about the techniques used by the Dutch Masters of the Golden Age. From the preparation of surfaces and the creation of paints and pigments to the methods used, award-winning artist Brigid Marlin considers how these skills can work in modern settings and includes stunning representations of contemporary artists' work.Discover the techniques and materials used by Rembrandt in his portraits, how to achieve balance and tension, rhythm and points of interest in the style of Bruegel and Rubens, and how to recreate luminous still-life paintings like those of the Van Eyck brothers. Projects include clear, step-by-step demonstrations to replicate these almost-forgotten techniques as well as examples of works which they inspired.

Taschenbuch. Zustand: Neu. Techniques in Painting | Learning from the Dutch Masters | Brigid Marlin | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Bloomsbury USA | EAN 9781789940589 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand des Schutzumschlags: dj. First Edition. [Children's illustrated] FIRST UK EDITION. Octavo (24 x 17cm), pp.143 [1]. With many in-text line illustrations by Marlin. Publisher's red cloth, gilt bird motif to upper board, gilt titles to spine. With the pictorial dust-jacket priced at 12s 6d to front flap. Internally bright and clean but for some gentle spotting to first few leaves. Prize bookplate to front flyleaf, dated to 1970. Some spotting to reverse of jacket. Spotting to white section of jacket front panel. Toning to jacket spine. Gentle edgewear. Very good. A charming tale about three brother dwarves who find a fairy child alone and abandoned on their doorstep. They must take him in, and in doing so, learn to become less grumpy.

PB, 279 x 242 mm, 176 p , ENG, fabulous illustrations in colour / b/w, . ISBN 9781789940589. The art of Brigid Marlin describes a visionary world of almost unlimited dimensions and self-sufficiency ? when I first saw The Rod I was so impressed by its imaginative sweep that I sent an enthusiastic letter of appreciation to her, the only fan letter I have ever sent to a painter. The sense of a clearly realised poetic universe, in which every detail, however modest, was accorded equal attention, was what most gripped my imagination. Surrealism, which had played a large part in forming my own view of the world, had seemed to falter with the death or old age of its greatest practitioners ? Max Ernst, Magritte, Dali and Delvaux ? and here in Brigid Marlin was a painter who might be the first of the next generation. I remember writing her with as much excitement as I felt when I came across the paintings of Francis Bacon in the 1950?s. The surrealist dream of remaking the world and revealing its true nature seemed to live on in the work of this woman painter ? in the best and most ambitious of her paintings we see clearly her dramatic and visionary remaking of the world, but this regeneration of life and space and spirit is present even in her smallest and most domestic images. In her work, as in the greatest of the surrealists, archaic myth and spiritual apocalypse meet and fuse. ? J. G. Ballard In the work of this artist allegorical forms reveal a world philosophy. Symbols are projected into dream landscapes of transparent clarity in which different aspects of surrealism are revealed ? from the convulsive forms of Dorothea Tanning, the fetishism of Dali, and the alchemical and magical sources of the Middle Ages, and then returning to close the circle of Freudian symbolism. This painter is not striving after the latest in art fashion, rather she has an iconography which searches for the hidden roots of modern consciousness, and confronts the material world with transcendence. Her thought world is realised with extraordinary perfection and penetration. Her paintings are both original and sophisticated in their dimensional world of which they are both the surface and the core, going beyond introversion and extroversion, and forcing us to guess at unknown possibilities. The absolute values of known painting fade away in the viewer, letting these paintings, undisturbed by convention, pursue their own visual and spiritual level. The compulsive picture language of Brigid Marlin hints at the visual signposts of a world whose deeper meaning slumbers in a kind of presensuality. One might say that here are beautifully depicted nightmares of the psyche, or that there are effortless presentations of the art of madness. The visual foreground is cleared away, the creation becomes transparent, and one enters a world which radiates rare psychological effects, testing the capacity of the spectator?s power to experience her art. 1020 g.