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in 8° - pp.3 + 3 + 3 + 3 + 3 + 3 + 7 - Brossura editoriale illustrata - 7 Fascicoli - Partitura per Tromba, Saxofono Tenore, Saxofono Contralto, Contrabbasso, Violini/Fisarmonica/Chitarra e Pianoforte. - Libro usato.

4pp.

Soft cover. Zustand: Fine. 1st Edition. [Soviet Agitation and Propaganda; Mass Celebrations in the USSR; Decoration of a City; Musical Theatrical Design of a Parade and Demonstration] Octavo 18 x 13 cm. Wrappers, 141, [3] pp., [39] pages of illustrations. Print run 5,000 copies. Fine condition: small crease across bottom outer corner of the front cover, slight wear of the spine. This publication, prepared by a work team of the Leningrad Division of the State Academy of Art Studies (LOGAIS), serves as a valuable source of information on the principles and methods of organizing mass events in the Soviet Union of the early 1930s. The authors consider mass celebrations as a crucial tool for communist education. The book analyzes the experience of artistic decoration of urban spaces during demonstrations and parades, particularly focusing on the Leningrad May Day of 1931, and proposes methods that could be applied in other Soviet cities. One of the key themes is the balance between professional art and creativity of masseson the one hand, there is a need to improve the quality of decoration (so-called "izo-oformlenie") of mass festivities, which includes posters, banners, sculptural compositions, and dynamic installations, while on the other hand, it is important to maintain active participation of the working masses in artistic work. The authors also strive to combine creative innovation with political relevance, which is reflected in use of Stalin's quotes and an emphasis on aligning with the ideological requirements of the time. In addition to its analytical content, the book is richly illustrated with 39 full-page black-and-white photographs depicting designs of tribunes, buildings, demonstrations, and art installations. These materials not only reinforce the authors' theoretical arguments but also provide insight into the visual language of Soviet propaganda. Thus, the book remains a valuable resource for studying the culture and aesthetics of mass festivities in the USSR, combining a scholarly approach, ideological commitment, and real examples of urban space organization during the era of socialist construction. The striking avant-garde cover is designed in red and black colors, featuring a graphic depiction of the May 1st demonstration, a Red Army soldier with a rifle, and a bourgeois hand adorned with a cufflink in the shape of a swastika.