bricker george (20 Ergebnisse)

Paperback. Zustand: Very Good. Paperback. Pages are clean and unmarked. Slightly foxed. Covers show very minor shelving wear. An excellent reading or reference copy!; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Stained to top edge of leaves. Wrappers are gently worn and scuffed. Some bumping to corners and edges. 411 pp.

Paperback. Casebound. Ex-library. Gently worn and scuffed casebound boards. 411 pp.

First edition. Softcover. 40 pages. Exhibition catalog for a show that ran March 13 through April 12, 2008. Features texts by Debra Bricker Balken and Werner L. Feibes. Includes illustrations of 29 works, a checklist, biographical information, list of previous exhibitions, and a list of selected public collections. A fine copy in wrappers.

Paperback. New book. 436 pp.

Hardcover. Zustand: New.

Zustand: New. In.

Paperback. New book. 422 pp.

Vintage studio still photograph of Skip Homeier and Joan Vohs from the 1954 film. Ex-cop Vic Barron (Mark Stevens) is out for revenge after he's released from prison for crimes he didn't commit and for the murder of his wife and child by notorious gangster Tino Morelli (Douglas Kennedy). Set in and shot on location in Los Angeles, San Francisco, and Ketchikan, Alaska. 8 x 10 inches. Very Good, with pinholes and two 1-inch closed tears at the bottom edge. Grant US. Selby US. Silver Classic Noir. Spicer US. Olive Films OF684.

Paperback. Zustand: Brand New. 268 pages. 8.90x6.00x0.60 inches. In Stock.

Zustand: New. In.

Zustand: New. pp. 436.

Paperback. Zustand: Brand New. 436 pages. 8.50x5.50x1.00 inches. In Stock.

Taschenbuch. Zustand: Sehr gut. 1. Auflage. 424 Seiten Fresh and clean copy in good condition. Frisches und sauberes Exemplar in gutem Zustand. Contents: he Anxious Bench - The Sect System - Early Christianity - Vindication of the Revised Liturgy - Letter to Dr. Henry Harbough ISBN 9780915138371 Sprache: Englisch Gewicht in Gramm: 563.

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 64pp on stiff art paper, colour plates, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (very slight crease to head of spine panel) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Zustand: Brand New. 422 pages. 8.75x5.50x1.25 inches. In Stock.

Vintage publicity studio still photograph from the 1946 film, showing actor Rondo Hatton. A struggling sculptor tricks a psychopath in his debt into murdering his critics. Hatton would pass away on February 2, 1946, just 20 days before the film's release, due to complications from his acromegaly. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Very Good plus, with a small chip at the bottom right corner.

Draft script for the 1945 film. Copy belonging to studio secretary Marion Pecht, with her name in manuscript pencil at the top right corner of the front wrapper. The sixth and final Inner Sanctum installment, featuring spiritualists, a haunted house, and a murder by suffocation, in what was seemingly a last gasp from the studio's film series. Sadly, the film's failure superseded its potential, even with all the right elements of a chilling melodrama. Chaney,Jr. plays attorney Wayne Fletcher, who is engaged in an affair with his secretary, Donna (Joyce), who is tied to a rich family. He arrives home after a late night at the office to discover his wife has been murdered, a death by asphyxiation, with Wayne as the suspect. With the help psychic Julian Julian (Bromberg), the police investigate the murder. The psychic's motives are questionable, but he says he can contact Wayne's dead wife. At a seance to reach Vivian's spirit, the reluctant Wayne hears what he thinks is her voice but discovers Julian Julian in the shadows and accuses him of conspiracy. After several sleepless nights haunted by the voice of his lost wife, Wayne finally "gives in" to her spirit and attempts to kill Donna with a pillow, but is overpowered by police and leaps from a window to his death, per his wife's instructions. Gray card titled wrappers, lacking rear wrapper, rubber-stamped production No. 7285, dated February 19 1945, with credits for screenwriter Bricker and story writer Babcock. 106 leaves, mimeograph duplication. Pages Near Fine, wrapper Good, lacking rear wrapper, bound with two gold brads. Weaver, Universal Horrors.

Vintage banner poster from the 1951 film. Elliott Reid, a magazine writer on a fishing vacation in Wisconsin, stumbles upon a nearly deserted town, where all of the fish have mysteriously died and the villagers are either tight-lipped or outright hostile, eventually uncovering a communist plot to poison the US water supply. Originally written and shot as a speculative drama about Nazis in a plot to hide a still-alive Hitler and involved in germ warfare, RKO president, Howard Hughes, insisted the plot be changed to make communists the threat, rather than Nazis, (1951 being the height of McCarthyism and US anti-communist hysteria) and ordered extensive re-writes and re-shoots. Set in the fictional town of Winnoga, Wisconsin, shot on location at Big Bear Lake, San Bernardino National Forest, California. 81 x 24 inches. Very Good plus, with light rubbing and faint creasing overall, with four closed tears in the margins. Grant US. Lyons, Death on the Cheap. Selby US. Spicer US.

Draft script for the 1953 film. With a single manuscript pencil notation reading "1952" to the top left corner of the front wrapper. In Tangier, an American spy posing as a black marketeer is on a mission to stop three atomic scientists who plan to pool their government secrets and make a profitable deal with the Communists. A late-career project from prolific director Lew Landers, best known for his low-budget western and adventure films at RKO and Columbia. Blue titled wrappers, noted as production No. 203. Title page integral with the distribution page, with receipt intact, rubber-stamped copy No. 46, with story and screenwriting credits to George Bricker. 115 leaves, with last page of text numbered 110. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 9/13/52. Pages Near Fine, wrapper Very Good plus, with some creasing and light fading, bound with two gold brads.