boyer vidal (30 Ergebnisse)

Couverture souple. Zustand: Satisfaisant. Editions du Gerfaut collection , 2005. 1 volume broché(s) format In-8 assez bon.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Comme neuf. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Bon. Ancien livre de bibliothèque. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Bon. Légères traces d'usure sur la couverture. Salissures sur la tranche. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Stains on the edge. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Very Good. Bon état. 13 6x1 4x20cm. 2005. Broché. Very Good.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

in-quarto, 68 pp., illustrations dans le texte, 1 grand tableau dépliant, br Bon état.

Zustand: Neuf.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2009. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2009. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Zustand: Très bon état. In-4 broché 25 cm sur 22. 140 pages. Très bon état d'occasion.

Paperback. Zustand: Brand New. 262 pages. French language. 9.45x6.10x0.66 inches. In Stock.

Zustand: CN. S.l., br.; in-8, 119 pp.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: New.

Couverture souple. Zustand: bon. R240163323: 2001. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 227 pages - quelques photos et illustrations en noir et blanc dans et hors texte. . . . Classification Dewey : 372.6-Livre scolaire : français.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: New.

Zustand: TBE. broché, couverture illustr; in-8, 212 pp.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: new. vendeur professionnel; envoi soigne en 24/48h.

Taschenbuch. Zustand: Neu. Besse Et Vassivière, Notice Historique Et Extraits Des Archives Communales de Besse | A. Boyer-Vidal | Taschenbuch | Litterature | Kartoniert / Broschiert | Französisch | 2016 | Hachette Livre - BNF | EAN 9782011289599 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Pas de couverture. Zustand: bon. RO50023328: 12 janvier 1902. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Photos et gravures noires et blanches représentant Sarah Bernhardt dans "Théodora", "Contes de la veillée" d'après F. du Puigandeau, "Nos humoristes" croquis de Cappiello et Sem. . . . Classification Dewey : 780.26-Partitions.

Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in manuscript ink noting French film title and "B. Bardot," the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper, and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in manuscript pencil, a few with rubber-stamps crediting film title and starring actors, and photos in notebook numbered at the edges prior to being printed. Bardot is seen in nearly every image, highlighting an array of hairstyles and costumes, scenes in the pilot's cockpit, snacking between takes, dancing, being curious at galas. Contact sheets, glamour portraits of Madeleine Lebeau, action sequences of bar fights, and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches, mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches, with 3 medium-format negatives, 3.5 x 4.5 inches. Photographs Near Fine overall, light curling, a handful with short creases, negatives Very Good, notebook Very Good plus, box Very Good.

Seven original black-and-white photographs from the 1957 French film, here under the original French title, "Une manche et la belle." Henri Vidal and Isa Miranda are seen in most, and in two with Demongeot in the background. All with numerical annotations in manuscript pencil, three with blue rubber-stamps (Victorine), and one with French film titles in manuscript pencil on the versos. Housed in a French Kodak photo paper box. Noirish murder drama loosely based on Chase's novel "The Sucker Punch" (1954). Betty Farnwell (Miranda) is a rich widow living in Nice with a bewitching daughter, Eva (Demongeot). Betty marries Philippe (Vidal), a good-looking but self-interested man. Cue Eva. Philippe falls for the calculating, femme fatale, who has plans to marry someone else. Betty's life is in danger as Philippe struggles with his transgressions. Photographs 5 x 7 inches. Near Fine, with slight curling and light foxing, box Very Good overall.

Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week after the French premiere. Scarce and cool Bardot ephemera, and a unique Japan-France collaboration, circa 1957-1958. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Sheets 4.5 x 8 inches, stamps 1.25 x 1.75 inches. Very Good plus overall, with a little light handling and toning.

Five vintage borderless reference photographs from the 1957 French film, including four oversize photographs. Numerical annotations and annotations identifying subjects in manuscript pencil and ink on the versos. Loosely based on Hadley Chase's 1954 novel "The Sucker Punch." A rich widow's daughter marries a good-looking but self-interested man, who promptly falls in love with another woman. Oversize photographs 9.5 x 12 inches, and one photograph 9.5 x 7.25 inches. Generally Near Fine. Selby France.

Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the cast and crew, spinning records on a portable player, and traveling by plane and train. Most keybook photos with 12 images per sheet, and a few have been trimmed to only a few images per sheet, amounting to over 1700 images captured. Nearly all images with series number bordering the image, but unlike similar examples from France, all sheets lack credits for the photo laboratory, film studio, film title, and often, the photographer. A few with layout annotations in manuscript pencil on the image, a few with brief annotations on the verso in manuscript ink, and two loose photographs with ditto-style mimeo snipes on the verso, crediting original title, Boyer, Vidal, Bardot, and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Most keybook contact sheets and 3 loose photos 7 x 9.25 inches, binder slightly larger, and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller, and all are 2-hole punched. Very Good Plus overall, keybook photos rubbed.

Collection of 19 vintage color slides taken by photographer Sam Levin, most with Brigitte Bardot as the subject, for the 1957 French film. Occasional annotations in manuscript ink on the cardboard sleeves. Based on the 1885 play by Henry Becque, about the romantic and troubled relationship between the French president's daughter and her father's secretary. 2 x 2 inches. About Fine.