boris allan (15 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Mass Market Paperback. Zustand: Very Good-. Scuffing and reading wear.

Soft cover. Zustand: Good. Zustand des Schutzumschlags: Good. THE COVER IS RUBBED WITH SMALL MARK TO FRONT AND FADING TO BACK. MINIMAL BUMPING TO CORNERS AND BOTH ENDS OF SPINE. MARKS TO EDGES AND PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

softcover, De commodore 64 was de best verkopende computer aller tijden, en heeft tegenwoordig een cult status van mythische proporties. Dit zeldzame zakboek leert je de mogelijkheden en beperkingen van de C64, als handleiding voor de beginnende programmeur. 101 pp. -(Enkele sporen van gebruik, maar in goede conditie.). ISBN 906449035x.

Zustand: Acceptable. Used - Acceptable. Heavy wear and tear. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Soft cover. Zustand: Good. 1st Edition. A4. Papers presented at the BSA Annual Conference 1976 on 'Sociology, Health & Illness: Theory, Research & Policy'.One volume, 87pp, has 4 papers by Michael Frears, Allan MacLaren, Helen Rugen & Sally Macintyre. The other has 65pp and 3 essays by Anne Murcott, Tina Carmeli & Robert Dingwall. The covers are slightly grubby. Colin Barker's copies.

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. In Victorian London, Edward Styles is accused of being the notorious Haymarket Strangler, the brutal killer of five women. Twenty years after he is tried and executed for these crimes James Rankin (Karloff), a novelist and social reformer, launches an investigation to prove that Styles is innocent. His search for clues leads him first to the sleazy Judas Hole music hall, where the Strangler picked his victims from the resident can-can dancers and loose women, and then to the prison cemetery of Newgate where Styles was buried - in order to exhume his body. When the killings start again, Rankin's theory seems to be vindicated. However his growing obsession with the case signals a most unwelcome revelation as to the true identity of the murderer. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

203 pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph of new art and artists selected by fifteen artists and writers in 1973 - 1974. Edited by Willem Sandburg. Introduction by Sam Hunter. Artists selected by Jean-Christophe Ammann, Ludo Bekkers, Richard Bellamy, Gilbert Brownstone, Yona Fischer, Klaus Groh, Pontus Hultén, Zelimir Koscevic, Achille Bonito Oliva, Ad Petersen, Barbara Reise, Alfred Schmeller, R. Stanislawski, Harald Szeemann, and Rafael Santos Torroella. Artists include Sergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, Rolf WinnewisserSergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, and Rolf Winnewisser. Tex in English. Good / Very Good. Wear to spine, light wear to covers and edges. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

Milano, Gruppo Editoriale Jackson, 1986, 16mo (cm. 16,5 x 11) brossura con copertina illustrata a colori, pp. 62 con 9 figure nel testo (Le Guide di Bit, 15) .

Zustand: Very good++. Boris Lurie in NO!art: Boris Lurie and NO!art, Koroska Galerija Likovnih Umetnosti, Slovenj Gradec, Slovenia, April 2019. 280 x 222mm. 194pp. book, illustrated in colour throughout. Text in English and Slovenian. Edition of 500. Catalogue on Boris Lurie and other NO!artists. Published to coincide with an exhibition at Koroska Galerija Likovnih Umetnosti 5 April 2 June 2019. NO!art is a radical avant-garde anti-art movement, started in the mid-twentieth century by Lurie, Sam Goodman and Stanley Fisher. With texts by Lurie, Fisher, Andreja Hribernik, Ivonna Veiherte, Thomas B. Hess, Tom Wolfe, Dore Ashton and Harold Rosenberg. Heavy item; extra postage required. Condition: minor ding top left; otherwise fine, no tears or writing. Overall: Very good++.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Essays "Q & A: David Colman on Cybersalons," by David Colman; "Books: Andrew Hultkrans on Mark Leyner's Hyper Text," by Andrew Hultkrans; "Brian Massumi on Nicholas Negroponte's 'Being Digital,' Michael Hammer and James Champy's 'Reengineering the Corporation,' Emily Martin's 'Flexible Bodies,' and John Naisbitt's 'Global Paradox,'" by Brian Massumi; "Books: R. U. Sirius on James Brook and Iain Boal's 'Resisting the Virtual Life,'" by R. U. Sirius; "Film: David Rimanelli on Douglas Keeve's 'Unzipped,'" by David Rimanelli; "Real Life Rock: Mim Udovitch's Top Ten," by Mim Udovitch; "Letter from Venice," by Allan Schwartzman, Jean-Pierre Criqui, Jan Avgikos, and Peter Plagens; "Letters from Venice: Boris Groys on Jean Clair's 'Identity and Alterity,'" by Boris Croys; "Doing Life," Nan Goldin talks with Danny Lyon; "A Flash. Then Night: Beat Streuli's Photographs," by Giorgio Verzotti on Beat Streuli; "Critical Reflections," by Thierry de Duve with an Introduction by Jeff Wall; "Danger Dirty Data: A Project for Artforum," by Julia Schor with an Introduction by Andrew Hultkrans; "Arshile Gorky: How My Mother's Embroidered Apron Unfolds in My Life," by John Ash; "How Like a Goddess," by Thyrza Nichols Goodeve talks with Sandy Stone; "Openings: Kathleen Schimert," by Jan Avgikos; "Focus: 'Rites of Passsage,'" by Simon Watney. Reviews by Giorgio Verzotti, Barry Schwabsky, Neville Wakefield, Joshua Decter, Bruce Hainley, Faye Hirsch, Donald Kuspit, Kirby Gookin, Ingrid Schaffner, Thad Ziolkowski, Keith Seward, David Levi Strauss, Nicolai Ouroussoff, RoseLee Goldberg, Francine Koslow Miller, Michael Corris, Maria Porges, Andrew Perchuk, Amy Gerstler, Laura U. Marks, Menene Gras Balaguer, Marco Meneguzzo, Hans Rudolf Reust, Christian Kravagna, Yilmaz Dziewior, Marek Bartelik, Sabine Vogel, David Batchelor, and Azby Brown. Cover: Katharina Fritsch.

Vintage reference photograph from the 1958 film, showing an outraged actress Vera Day as someone pours champagne down her dress. Mimeo snipe on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A man researching a long-dead serial killer becomes possessed by the spirit of the murderer. 8 x 10 inches. Very Good plus, with annotation in manuscript ink on the top margin of the recto, and faint horizontal crease on the upper portion of the photograph.

Soft Cover. Zustand: Good. Tempos Livres, 169. Editorial Presença. Lisboa. 1984. De 18,5x12,5 cm. Com 134, [v] págs. Brochado. Ilustrado. Language: Português / Portuguese Location/localizacao: SACO MA702-34.

Vintage reference photograph from the 1932 pre-Code film, showing actress Myrna Loy in yellowface as the daughter of Fu Manchu. Based on the 1932 novel by Sax Rohmer. The best-known of the early Fu Manchu films, wherein the eponymous doctor determines to find the legendary mask and sword of Genghis Khan. 8 x 10 inches. Very Good plus, lightly faded.