borger irene (13 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good. Some creasing. *.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good. Some creasing. *.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good. Few creases. *.

Hardcover. Zustand: Good. No Jacket. Moderate loosening to binding. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.

Zustand: New. In.

Paperback. Zustand: Brand New. original edition. 400 pages. 8.50x5.25x1.00 inches. In Stock.

Zustand: Good. 8vo. 558 pp. Soft cover. Near fine. B/W plates, cuts, illustrations. Features interviews and works with Victoria Marks, Leslie Thornton, Chen Yi, Reza Abdoh, Carrie Mae Weems, et al. Audio CD included.

First Edition. First edition. Softcover. 150 pages. Published in conjunction a traveling exhibition. Features essays by Irene Borger, Susie Cohen, A.D. Coleman, David Pagel, and Lynne Warren. Includes numerous color and black and white illustrations, a checklist. list of public collection, list of previous exhibitions, and a bibliography. A clean and tight near fine copy in French style wrappers. A lovely copy of one of the best monographs on Heinecken.

Zustand: Good. 8vo. [ca 26 pp.]. Oblong. Very Good. Soft covers. Staple binding. Color and B&W plates throughout. Exhibition on the theme of dance, organized in three sections: a photographic chronicle of dance and dance events over the past 100 years; notational forms investigating the impulse for dance as drawn or text imagery; and the interpretation of expressed or implied kinetic imagery in various media. Catalogue of 53 photographs in Section One; 18 drawings and texts in Section Two; and 18 works in various media in Section Three. Introduction by Mark Johnstone; text and exhibition notes by Irene Borger. Scarce.

69 pp.; 27.5 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October/November 1978 issue of the periodical "Journal." Edited by Debra S. Burchett and Bridget Reak-Johnson. Contents include: "Re the Production of Work in the Age of Mechanical Art," by Jim Pomeroy; "A Proposal," by Kristine Stiles; "Fetish to Physics," by Melinda Wortz; "History / Art," by Christopher Knight; "Paragraphs," by Sanda Agalidi; "Notes for "Progress, Not Adventure," " by Al Ruppersberg; "Isolated Imagery: Joe Goode," by Michele De Angeles; "A Conversation with Vija Celmins," by Susan Larsen; "Chandlerism," by Alexis Smith; "Untitled," by Elyn Zimmerman; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Music," by Pauline Oliveros, Bob White; "Painting," by Richard Armstrong, Howard Singerman; "Photography," by Irene Borger, Robert MacDonald, James Hugunin; "Ephemera," by Ulisses Carrion; "Scoops," by Debra S. Burchett; "Sculpture," by Debra S. Burchett, Linda Rosengarten; "Video," by Frederick Dolan, John Sturgeon and "Performance," by Michael Auping, Bridget Reak-Johnson. Cover: Richard Jackson. Good / Very Good. 4 mm. yellow staining to recto. 12.1 cm area of yellow staining to verso. 8 mm. tear to top edge of spine. Additional light edge wear. Contents clean and unmarked.

First Edition. First edition. Softcover. 150 pages. Published in conjunction a traveling exhibition. Features essays by Irene Borger, Susie Cohen, A.D. Coleman, David Pagel, and Lynne Warren. Includes numerous color and black and white illustrations, a checklist, list of public collection, list of previous exhibitions, and a bibliography. A clean and tight near fine copy in French style wrappers. "Signed" by Heinecken with his rubberstamp to the front free endpaper. A very nice copy as the recipient was Nathan Lyons who was the co-founder of the Visual Studies Workshop and a well respected photographer.