Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.
paperback. Zustand: As New. This book is in near-perfect condition, showing minimal signs of use. It has clean, crisp pages with no markings or highlighting, and the spine and cover are intact without any creases or wear. This book appears as if it has been barely touched and is virtually indistinguishable from a brand new book. This book may be an ex-library item. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 34,76
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Mel Bay Publications, inc., 2016
ISBN 10: 0786695609 ISBN 13: 9780786695607
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 37,75
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 40 pages. 11.75x8.75x0.25 inches. In Stock.
Sprache: Englisch
Verlag: Mel Bay Publications, Inc., 2004
ISBN 10: 0786671866 ISBN 13: 9780786671861
Anbieter: LiLi - La Liberté des Livres, CANEJAN, Frankreich
Zustand: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.
Zustand: New. A theory primer for the serious study of jazz improvisation, arranging and composing. Included are many musical examples, written assignments, and performance exercises to reinforce theoretical concepts.This is a primer in jazz theory, intended to prepa.
Sprache: Englisch
Verlag: Schott Music, Mainz, Advance Music Okt 2012, 2012
ISBN 10: 3892210292 ISBN 13: 9783892210290
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - This is a primer in jazz theory, intended to prepare the student for the serious study of jazz improvisation, arrangement and composition. The focus is on the harmonic language of jazz, especially the harmonic practices which coalesced in the bebop and post bop periods of the 1940's and 1950's when bebop and standard tunes formed the core of the mainstream repertoire. The harmonic language of that period is still the framework on which contemporary jazz musicians build. Included are many musical examples and written assignments for practice in the theoretical skills. Appropriate exercises are provided to reinforce theoretical concepts by immediate application to the instrument.