Bolger ray (20 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: VERY GOOD. Original book club edition - first thus. A special edition of this classic fantasy, with 24 photographs from the 1939 MGM movie, and an introduction by Ray Bolger, who played the Scarecrow in the film. Chapter heading illustrations by Robert Leydenfrost. Very good in a very good- dustjacket (prev owner's name, edgewear to dj.). …

BOLGER, Ray. WHERE'S CHARLEY? PLAYBILL PROGRAM. [NY: Playbill Inc., March 14, 1947]. 8vo., printed wraps. Original Playbill magazine for the St. James Theatre production, starring Ray Bolger. Very good (tiny stain front cover). $17.50.

Zustand: Very Good. Very Good condition. Good dust jacket. Book Club edition. MGM edition. (fantasy, juvenile fiction ) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Brand New. 239 pages. 8.75x5.75x0.75 inches. In Stock.

Vintage studio still photograph from the 1949 film. The second of four RKO "pastiche" films, compiling scenes and musical numbers from previous RKO films, held loosely together by host Gil Lamb. The film was pulled from distribution after two actors, Ray Bolger and Jack Haley, filed a suit over unauthorized use of their performances. 8 x 10 inches. About Fine.…

Zustand: New. In English.

Hardcover. Zustand: Brand New. 239 pages. 9.50x6.50x1.00 inches. In Stock.

Zustand: New. pp. 264.

Videokassette. Zustand: Befriedigend. Artikel stammt aus Nichtraucherhaushalt! NB2-105 Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 500.

Paperback. Zustand: Very Good. 3.5 x 6.5" white envelope. Very light soiling and creasing to envelope else good. Top right corner has a 4 cent U.S. Postage Stamp marked July 4, 1960. Envelope is also inkstamped "FIRST DAY OF ISSUE", "HONOLULU HAWAII, JUL. 4, 9AM, 1960" and with a hibiscus flower. Left side of envelope shows a square red, white, and blue emblem showing two men in a canoe rowing toward mountains and a waving American flag. Emblem reads "Saluting Our New Old Glory 50 Star Flag, Honoring The Admission of Hawaii Into the Union, First Day of Issue". Bottom right corner of envelope has very, very light blue ink (stamp?) listing a mailing address for an M.M. ____ in Hamtramck, Michigan. SIGNED BY RAY BOLGER IN BLUE BALLPOINT PEN UNDER "FIRST DAY OF ISSUE" STAMP. Bolger is best known for playing Barnaby in Babes in Toyland, and Scarecrow in The Wizard of Oz. …

First Draft script for the 1979 film. Father Brian (Dyke) is a priest in a depressing mining town, until one day a new Sister, Rita (Quinlan) joins his parish and changes his perception of life. She is trusting and kind and listens to Father Brian, but their relationship takes a turn for the worse, landing Father Brian in the role of suspect. Blue production company (Mel Simon Productions) wrappers. Title page present, dated May 10, 1978, noted as FIRST DRAFT, with credits for screenwriter Stitt and director Kramer. Last leaf of text numbered 129. Xerographic duplication, with photocopied punch holes. Pages and wrapper Near Fine, bound internally with two gold brads. …

First Edition. Date is approximate. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; one signature on a piece of paper with three newspaper clippings. Notes; No date given. Subjects; Ray Bolger. The Waldorf Astoria. American Comedians. 1 Kg.…

Later printing of the twelfth of the Oz books, remarkably signed by the seven principal stars of the classic 1939 film, The Wizard of Oz. Quarto, original brown cloth with pictorial label to the front panel, printed black title andÂTin Man vignette to spine, illustrated by John R. Neill. Presentation copy, signed on the verso of the front free endpaper and on the half-title by the filmâs seven leading players, Judy Garland (Dorothy), Ray Bolger (the Scarecrow), Jack Haley (the Tin Woodman), Bert Lahr (the Cowardly Lion), Frank Morgan (the Wizard), Billie Burke (Glinda), and Margaret Hamilton (the Wicked Witch of the West). Several have inscribed their signatures to âBillâ or âWilliam,â Jack Haley writing âBill, greatest wishes,â Margaret Hamilton âTo Bill, best wishes,â and Judy Garland, on the half-title, âTo William, warmest wishes, Judy Garland.â The 1939 film adaptation The Wizard of Oz, directed by Victor Fleming and produced by Metro-Goldwyn-Mayer, was revolutionary in its visual and technical achievements. While it was not the first color film, it was among the earliest and most influential to use Technicolor as a deliberate artistic device rather than a novelty. The dramatic shift from the sepia-toned realism of Kansas to the vibrant, multicolored world of Oz symbolized Dorothyâs passage from ordinary life into the realm of imagination and self-discovery. This use of color served both aesthetic and thematic purposes, illustrating the emotional and psychological contrasts between confinement and freedom. The filmâs combination of groundbreaking visuals, memorable music, and universal moral lessons elevated it beyond a childrenâs fantasy, turning it into a defining moment in cinematic history. The Wizard of Oz thus demonstrated how emerging technologies could be harnessed to deepen narrative meaning and create enduring cultural myths. In good condition, the front free endpaper and half-title loose but holding, with light dampstaining, minor toning, and a few stray stains, the cloth bumped and lightly frayed at the extremities with light wear to the cover label, lacking the dust jacket. Greene and Hanff XII. ÂAn exceptional example, rare and desirable signed by seven leading members of the groundbreaking cinematic masterpiece including Judy Garland. The Tin Woodman of Oz, first published in 1918, was the twelfth of Baum?s Oz books and the one in which he at last told the poignant backstory of the Tin Woodman, once a living man named Nick Chopper who lost his limbs one by one to an enchanted axe until he was made entirely of tin. Though Baum died in 1919, the Oz series continued for decades under other hands, and it was the 1939 MGM film, starring Judy Garland as Dorothy, that carried the story to worldwide and enduring fame. Consistently ranked among the greatest films ever made, celebrated for its unforgettable songs and its magical transition from sepia Kansas to Technicolor Oz, The Wizard of Oz made lasting stars of its cast and remains one of the most watched and beloved motion pictures of all time. …

First edition, first printing of this classic work in L. Frank Baumâs celebrated Oz series, the last of the series to appear during Baumâs lifetime, as he passed away shortly before its release in 1919. First printing with the verso of the ownership page listing Baum titles through The Tin Woodman of Oz. Octavo, original publisher's full lime green cloth with pictorial label affixed to front board, spine stamped in black with "Reilly" of the publisher's imprint measuring 7/8 in., black-and-white pictorial endpapers, illustrated with frontispiece and 9 colored plates by John R. Neill. Signed by seven leading cast members from The Wizard of Oz (1939) film Judy Garland (1922-1969), Billie Burke (1884-1970), Ray Bolger (1904-1987), Frank Morgan (1890-1949), Bert Lahr (1895-1967), Margaret Hamilton (1902-1985), Jack Haley (1897-1979), and director Victor Fleming (1889-1949), additionally inscribed by Fleming on frontispiece verso. The 1939 film adaptation The Wizard of Oz, directed by Victor Fleming and produced by Metro-Goldwyn-Mayer, was revolutionary in its visual and technical achievements. While it was not the first color film, it was among the earliest and most influential to use Technicolor as a deliberate artistic device rather than a novelty. The dramatic shift from the sepia-toned realism of Kansas to the vibrant, multicolored world of Oz symbolized Dorothyâs passage from ordinary life into the realm of imagination and self-discovery. This use of color served both aesthetic and thematic purposes, illustrating the emotional and psychological contrasts between confinement and freedom. The filmâs combination of groundbreaking visuals, memorable music, and universal moral lessons elevated it beyond a childrenâs fantasy, turning it into a defining moment in cinematic history. The Wizard of Oz thus demonstrated how emerging technologies could be harnessed to deepen narrative meaning and create enduring cultural myths. In very good condition, lacking plates opposite pp. 48 & 236 (though it seems they were never inserted to begin with). Housed in a custom full morocco clamshell box by Asprey with pictorial morocco onlays. An exceptional example, rare and desirable signed by seven members of the groundbreaking cinematic masterpiece including Judy Garland. The Magic of Oz held a crucial place in the development of Baumâs imaginative universe, as it extended the themes and moral lessons that had characterized his earlier works. The novel portrayed a maturing vision of Oz, where the balance between innocence and corruption, power and responsibility, became increasingly complex. The story followed the young boy Kiki Aru, who discovered a magical word capable of transforming beings, and whose misuse of that power threatened the harmony of the Emerald City. Through the intervention of established figures such as Dorothy, Glinda, and the Wizard, Baum emphasized the redemptive power of community, empathy, and moral integrity. Written in lucid yet symbolically rich prose, the book reflected Baumâs persistent idealismâ"the belief that wisdom and cooperation could preserve a just society. Thus, The Magic of Oz functioned not only as a continuation of his fantasy world but also as a meditation on human nature and ethical order within a utopian framework.…

Kein Einband. Zustand: Gut. bildseitig signiert von dem amerikanischen Schauspieler, Sänger und Tänzer Ray Bolger (1904-87) . Seine berühmteste Rolle war als "Vogelscheuche" im Filmklassiker Der Zauberer von Oz (1939) leichte Gebrauchsspuren, .photo signed by actor Size: 26x20 cm. Vom Schauspieler signiert. Photo.…

202 : 252 mm. Brustbild im Halbprofil. Abdruck einer Büroklammer am oberen linken Rand.Nachdem er sich am Broadway einen Namen gemacht hatte, unterschrieb Bolger im Jahr 1936 einen Vertrag bei dem Filmstudio MGM und begann als Schauspieler zu arbeiten. Seine erste MGM-Rolle hatte er in dem Musical Der große Ziegfeld (1936), wo er sich selbst in einer Nebenrolle spielte. Daneben interpretierte er Songs für die Soundtracks verschiedener Filme. Bleibende Bekanntheit erreichte Bolger vor allem durch den von Victor Fleming inszenierten Filmklassiker Der Zauberer von Oz (1939), in dem er an der Seite von Judy Garland die Rolle der Vogelscheuche spielte. Mit Beginn des neuen Jahrzehnts konzentrierte er sich wieder verstärkt auf seine Karriere am Broadway und gewann mehrere Tony Awards.Ab den 1950er-Jahren trat Bolger häufiger im US-Fernsehen in Erscheinung. Zwischen 1953 und 1955 spielte er die Hauptrolle in der Sitcom Where's Raymond? In den letzten Jahren seiner Karriere übernahm er Nebenrollen in den Fernsehserien Die Partridge Familie, Love Boat, Unsere kleine Farm und Kampfstern Galactica.…

206 : 254 mm. Hübsches Kniestück von vorn. Leichte Knickspuren. Nachdem er sich am Broadway einen Namen gemacht hatte, unterschrieb Bolger im Jahr 1936 einen Vertrag bei dem Filmstudio MGM und begann als Schauspieler zu arbeiten. Seine erste MGM-Rolle hatte er in dem Musical Der große Ziegfeld (1936), wo er sich selbst in einer Nebenrolle spielte. Daneben interpretierte er Songs für die Soundtracks verschiedener Filme. Bleibende Bekanntheit erreichte Bolger vor allem durch den von Victor Fleming inszenierten Filmklassiker Der Zauberer von Oz (1939), in dem er an der Seite von Judy Garland die Rolle der Vogelscheuche spielte. Mit Beginn des neuen Jahrzehnts konzentrierte er sich wieder verstärkt auf seine Karriere am Broadway und gewann mehrere Tony Awards.Ab den 1950er-Jahren trat Bolger häufiger im US-Fernsehen in Erscheinung. Zwischen 1953 und 1955 spielte er die Hauptrolle in der Sitcom Where's Raymond? In den letzten Jahren seiner Karriere übernahm er Nebenrollen in den Fernsehserien Die Partridge Familie, Love Boat, Unsere kleine Farm und Kampfstern Galactica.…

framed. 9.5 x 7.25-inch black-and-white photo of an animated Bolger kicking high and laughing -- no place, no date, circa 1965. Inscribed at the bottom left with excellent contrast: "To Terry T. Tobin, I've no kick coming! All the best, Ray Bolger." Double-matted in dark and light gray and set in a silver and black frame measuring 16.25 x 14 inches. Near fine condition. American vaudeville performer, actor, singer, and dancer best known for his portrayal of the scarecrow in "The Wizard of Oz.".…